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Silent movie era filmmaking essay
Silent movie era filmmaking essay
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Buster Keaton’s, Our Hospitality is one of the few films that uses repeating motifs, the misc-en -scene and the cinematography. These are three aspects that set this movie apart from any other film of the silent era. The lighting in the film has general and specific functions. The feud takes place during the night. Willies trips occur during daytime. Whenever there is gentle action there is side lighting. Murder scenes have flashes of light (lightning and gunfire) which help build suspense.
There are many motifs in the film which strengthen the narrative and serves as a joke on contradictions surrounding idea of hospitality. Motifs are also used to unify the narrative but also function as motivation. When Willie interferes with the woman
In Ken Kesey’s, One Flew Over the Cuckoo’s Nest there are many recurring motifs and images. One very prominent motif is laughter. Following the motif of laughter throughout the novel, it is mostly associated with McMurphy and power/control. McMurphy teaches the patients how to laugh again and with the laughter the combine loses control and the patients gain their power back.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
The imagination is the reader’s most important tool on the path to enjoying a good book. One can only hinder their enjoyment of the story by disregarding the vivid images created by the mind. Nothing can compare to a landscape so exquisite that it would make a cinematographer jealous, or a prison so cold that you can see the inmates’ hot breath. However, some authors offer help for those who are creatively impaired. In One Flew Over the Cuckoo’s Nest, the author, Ken Kesey builds such an effective tone, that the shifts in the attitudes of the characters can be detected.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
Prior to the play, Boy Willie had not seen his sister in three years. During those three years he was incarcerated and was sentenced to labor at the Parchman Prison Farm. He is considered to be the most impulsive and prideful character in the play. Boy Willie believes he is of equal standing to the white man despite his racial background. He wants to sell the piano in order to “avenge” his father’s namesake while at the same time leaving his mark in the world despite his sister’s opposition in order to create his own legacy. He doesn’t believe the battle between black and white exists and that it‘s nothing more than a memory. However, he lives in his own world and ignores the reality. Failing to succeed is his fear. He doesn’t want to believe that he is below in standing than a white man. He wants to be able to leave his legacy in the world as he believes is his right.
of the scene within the story is equally important… The light that establishes the mood of
Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere. The crime scene at the beginning of the film, for example, used a distortion
In ‘Death off a Salesman’, it is clear from the start of Act 1 that Willie is ashamed of the way his life turned out and ultimately how he ends up treating his family poorly from his own shame.
This is the third motif introduced throughout the musical and directly follows the previous two. As the auctioneer introduces lot 666, the chandelier, he recalls the “mysterious incident of the phantom of the opera.” Whilst the Phantom is seemingly nowhere in the scene the earlier mysterious phantom motif instantly accompanies his brief story. At this stage Lloyd Webber clearly establishes the connection between the phantom of opera and the mysterious phantom motif, as the associated reprise signifies the presence or relevance of the Phantom to a certain scene although he is not directly there. As before, this motif remains ominous and mysterious as the minor tonality, thin texture and soft dynamic once again reflects the secretive and mysterious nature of The Phantom. However, in a slight development of the motif it transitions to a series of dark, low-pitched chords consisting of long sustained notes when the auctioneer says, “Perhaps we may even frighten away the ghost of so many years ago.” Accompanied by the rise in intensity, pitch and volume of the auctioneer’s voice, these dissonant chords establish a sense of tension, heightening the already founded mysterious atmosphere. This tension is finally released when the chandelier is illuminated and in a sudden change of mood, the Phantom Of the Opera motif is heard for the
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Therefore, it is possible to notice how the cinematography, the mise-en-scene and the editing are used to resemble the peculiarities of the space in which the actions are taking place. For instance, the first part is characterized by long pan or tilt shots, the camera is steady but still manages to follow the characters actions. The editing points to the linear occurring of the events. Also, the characters and the objects are usually methodically placed in the scene. All of the elements are used to convey the rigid organization, efficiency and control typical of the military environment. On the other hand, in the second part, there are usually shorter shots and steadicam shots. The camera is free to investigate the space of action. Here, the editing is used to create a dynamic perception of the events. In this way Kubrick is able to bring in the spectators’ minds the chaotic reality of the war. Moreover, colors become another tool to communicate to the audience this sort of split within the film. In fact, after Pyle’s death the viewer can notice how those metallic and cold colors, that are present at the beginning of the film, shift into wormer colors. It is actually through Pyle’s suicide that the the spectator gets this switch. In that scene the dark red blood stains, and ideologically violates, the cold white tiles of the bathroom. This film is also different on
Another interesting theme I noticed was the judge of the court. Everyone in court showed a lot of respect toward the judge and the judge really seemed like the referee of the trials. At one point the judge even reprimanded Colonel Nathan R. Jessup for not addressing the judge with his respective title. The last theme I saw in the movie was the prosecutor. I also noticed the relationship between the defense attorney and the prosecutor.
One example of the theme is Emily Brent who is taxed with the memory of Beatrice Taylor and how she caused her death. Throughout the story until her death she reflects and remembers Beatrice Taylor’s death and multiple times she sees or think she hears Beatrice behind or near her. This begins when they are accused of murder and everyone is reflecting or admitting to there murder
...but as Willy slowly slips farther into his illusions, the stage directions signal “The Woman’s laugh is heard” (40). Willy is completely immersed in this slight flashback of The Woman, but then is confused and yells at everyone around him. This chaos ensues directly as a result of Willy’s confusion between what is reality and what is his imagination. During the intense argument at the restaurant between Biff and Willy, the stage direction directs “The Woman laughs, off left” (113). Not only does this laugh symbolize turmoil and bad times in Willy’s life, but it also triggers Willy’s fall into another of his many occurring flashbacks. Without this theme of illusion and reality, the atmosphere of these flashbacks would not have such a withstanding effect on the play.