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Analysis of psycho hitchcock
How hitchcock created suspense in psycho
Analysis of psycho hitchcock
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Throughout Psycho, Hitchcock utilises all of these devises to intensify the horror of the plot. It is mainly through the shadows and camera angles that Hitchcock succeeds in inciting fear into the audience and solidifying the genre Psycho. The shadows contrast the characters, depicting them in a form of their true self through darkness and light, whereas camera angles tell the same story but in a different way. Utilising angles that don’t show the whole scene, hides key aspects from the audience and also greatly influences what is unfolding throughout the scene. One scene which solidifies all points discussed is the shower scene. It combines the music, shadows, camera angles and gender roles and characters all establishing the horror genre …show more content…
As Goodfellas begins the audience is straight away faced with an intense scene with Billy Batts repeatedly stabbing a man with the camera angle in full view of the audience. Scorsese prolongs the audience’s utter horror by utilising a freeze frame, something prevalent throughout the film (Sims, 2015). Although Goodfellas is entirely a gangster film, Scorsese places his own flavour throughout to seemingly alter a typical narrative structure. If this previous level of violence was seen throughout the entire movie, the audience would not have empathised with the protagonist during his downfall. The movie begins with Henry Hill’s childhood, witnessing the innocence and naivety he once had as a small boy, ultimately engaging the audience through his character …show more content…
The opening sequence of Goodfellas highlights Pauly’s mob and the sense of family among everyone involved. An example is when everyone is gathered in the pizzeria, Henry says: ‘You see people like my father could never understand, I was a part some something I belonged.’ The sense of companionship may be typical within gangster films, however the rise in the ranks has characteristically been an isolated effort in films such as Scarface, Bugsy and American gangster. This is not the case in Goodfellas as Henry is helped by his most trusted companions every step of the way. The views that Henry had on the ‘Goodfellas’ at a young age were extremely naïve in a sense, truly believe the gangsters are untouchable in his statements, however ironically the movie ends in his arrest. Through his own naïve actions in defying Paulys pleas in not talking over the phone and only speaking face to face ultimately leads to his downfall. The film narrative voice over also implies the typical rise and fall plot of the genre. Evidence from Henry states; ‘it was a glorious time and wise guys were
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear.
New York circa 1950 to 1960, when the film would take place, was full of gang violence and juvenile delinquents. Arthur Laurents, and Leonard Bernstein had been meeting up, trying to collaborate on a work which would end up falling through. Spying a Los Angeles Times headline on gang violence in 1955 be...
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big
Goodfellas is a narrative, which enhances the viewer’s personal engagement and tends to draw the viewer into the movie, showing the viewer a sort of real, and uncensored life of an actual gangster, stripping away the sugarcoated mentality The Godfather portrays. The Godfather fails to bring you into the regal and almost fairy tale like family where they seem to romanticize being a gangster, although, the movies main story is about family itself and less about the Mafia. Through hearing Henry’s spoken words, the viewer watches each scene with Henry’s particular perspective. If there was no voice-over, the viewer would have to decide for themselves how to perceive to the images shown, which is what the viewer has to do while watching The Godfather. Although, the two films may fall under the same genre of crime and drama, The Godfather seems to aim for a more romanticized and epic gangster flick, where you watch from afar and have to observe every action of the main characters in silence. Goodfellas aims to show you the real sense of being a gangster in the later years of the century, as it portrays more gruesome and gory
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
An Analysis of How Narrative and Genre Features Create Meaning and Generate Response in the Opening of Martin Scorsese’s Goodfellas
Throughout the whole movie these elements help each other out to make the movie a great movie and fall in the horror genre. Each element helps each other by making the next scene better than the one before. It has the storyline come to live, and having people thinking what can happen next or who has the power in the movie. By seeing this movie it can make someone feel complete and satisfied for a long
Filmmaker Alfred Hitchcock was the master of suspense. According to Movie Gurus review, “Alfred Hitchcock is undoubtedly one of the greatest and most influential film directors in the history of motion pictures” (Ulmer par 9). His most famous movie, Psycho, was filled with various themes, but the theme that stands out the most was suspense. In this movie, Hitchcock used various film devices in the following scenes to support the theme of suspense.
GoodFellas again has this balance of likeable yet violent and humorous quality to its characters, which is a definite trademark of Scorsese. This film shows gangsters and the acts they commit while being part of a mob family. In this particular film the presence of a preferred working relationship was evident by casting Robert De Niro having worked with Scorsese since the 70’s and Joe Pesci, who was previously on the film Raging Bull. Authenticity is a possible factor being De Niro and Pesci and their characters are Italian but it is more than that, these actors are able to incorporate so much into their roles as evident by the wonderful performances; Scorsese knew that and had trust in their ability to elevate what was on the script into a work of art. One scene that has that Scorsese style has Pesci’s character “Tommy” complaining about getting blood on his shoes after stomping a man to death in a little bar, as morbid as it is it the obliviousness that his character showed carries a black comedy element to it, a motif all too well seen in his films.
Psycho Essay The psychological thriller, Psycho (1960) starring Anthony Perkins (Norman Bates) and Janet Leigh (Marion Crane), was directed and produced by the master of suspense and auteur, Alfred Hitchcock. Hitchcock uses techniques such as cinematography, mis-en-scene, stylistic devices and motifs to express his manipulation into positioning the reader in a specific way. A theme that is vastly repeated in a variety of Hitchcock’s works, is the theme of Voyeurism, used majorly in the scene where Norman is ‘peeping’ on Marion through the secret peephole in the motel.
Almost everyone has a favorite genre of film, but how everyone defines their favorite genre can differ greatly. Horror is one of the genres where its definition can be perceived differently by many people. Like all other genres, horror does have rules and traditions that must be included in order for a film to be considered a horror film. These rules and traditions include a protagonist, an antagonist, an escape or escape attempt of some sort, and very influential audio and visual effects.