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Cultural diversity in canada
Describing canadian culture
Cultural diversity in canada
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Honouring Canada Through the Educational Study of Canadian Literature
Each country throughout the world has been rewarded with native writers who succeed at their craft by creating works that radiate their country’s spirit. These literary pieces are treasured by their home country; however, foreign works that arrive and work their way into a new culture create a barrier between the native population and their roots. This process is becoming more popular over time and has caused a disconnect in Canada. Canadian students are now being forced to complete their education in schools that have adopted foreign literature and pushed away the Canadian counterpart. Canadian schools need to allow students to strictly study their country’s literature so
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Until 1867, Canada was under British and French rule. The British North America Act was then instated, which allowed Canada to manage its own affairs. This event resulted in independence; however, the British and French managed to leave an imprint on Canadian culture. Over the years, other countries, such as the United States of America, have influenced Canadian society, leaving Canada flooded with foreign domination. Therefore, the Canadian culture has never had a chance to develop since the country has always received influence from foreign societies. This drastic action has made “Canada [into] an attic…stored [with] American and British literature.” 1 This external impact has affected the students of Canada and limited their exposure to Canadian literature. Throughout Canada, English students spend their days studying the works of British writers including Shakespeare and American authors such as Fitzgerald. By allowing Canadian students to become more familiar with their country’s literature, a deeper focus and appreciation will be developed towards their native …show more content…
Within each Canadian’s identity is a connection to the surrounding individuals that have also decided to reside in the same magnificent country. The population shares a common bond despite the fact that they vary in beliefs, values, and overall culture. In order to stress the importance of Canada’s diversity, school curriculums should not only include English Canadian content, but also works from Canadians with different cultural backgrounds. Canada could easily experience isolation if they do not acknowledge the country’s diversity; therefore, “Canada [can no longer] have a national literature in the mode of those European lands where a long history has bound the people together, and where a homogeneous racial inheritance has given them a language, customs, and even a national dress of their own.” 2 Canadian schools must begin to reflect the variation of culture through their literature choices in order to appeal to and support Canada’s diverse population. Honouring all individuals in Canada within an English classroom will inspire and encourage students, specifically young writers. Overtime, as variation continues to increase, Canada must adapt to the new definition of Canadian identity and implement this knowledge into schools to allow students to honour their
But today more then even Canadian culture is affected by the American influence. Media, American artists, economic dependence, American propaganda and political pressure from the United States is making Canada too Americanized. All of these factors reflect on the social life of ordinary Canadians threatening the heritage and the traditions that define Canada as independent country. Canada and the United States are the largest trade partners in the world. It is the result of the geographical position of two countries and the free trade between two countries.
Most people are trapped into believing that Canada is a very diverse place to live as it welcomes many cultures, but do not realize what happens to their culture when they have lived in Canada after time. Throughout the stories Simple Recipes by Madeleine Thien and A Short History of Indians in Canada by Thomas King, the authors tell the actions of what is happening in the characters lives to show the stripping of other cultures when they come to Canada. These two stories reveal how difficult it can be to be a person with a different culture existing in Canadian society.
A century ago, Canada was under control by the British Empire. The battles we fought the treaties we signed and the disputes we solved all helped us gain independence from our mother country “Britain”. Canadians fought a long battle protecting others, and from these battles we gained our peaceful reputation and our independence from Britain. Canada became a nation on July, 1st 1867. Although we were an independent country, our affairs and treaties were all still signed by Britain.
To draw a conclusion it is inevitable to highlight the significance change not only to Canada´s self-understanding, but also in the world´s appearance that the Statute of Westminster caused. It was the last of the Imperial Acts of the Parliament of Great Britain applicable to all dominions and therefore it marks the end of the great, superordinate British Empire which was one of the major forces throughout many centuries in history. Even though the Commonwealth technically remains, new autonomous countries were finally able to be more than just an extension of the the mother-country. Thus, many of them became remarkable powers with an own identity and own intentions on the world stage themselves, such as the country we live in, Canada.
Is Canada a nation or has its control just switched empirical hands? As Professor Hutcheson asked, did Canada go from "Colony to Nation or Empire to Empire?" This question has greatly influenced Canada's changing identity since her birth as a British colony with Confederation in 1867 to the present day. The purpose of this essay is to critically analyse the shifting Canadian identities between the years 1890 to 1960. The objective is to illustrate Canada's transforming identity by using the novels The Imperialist by Sara Jeanette Duncan, Barometer Rising by Hugh MacLennan, and Fifth Business by Robertson Davies and to connect the stories of each of these works of fiction to the varying political, economic, and social issues of their times. Each book is written by a prominent author, and portrays an accurate reflection of the demanding political, economic, and social concerns throughout the late nineteen and first half of the twentieth century of Canadian history. All of the novels reflect Canada's peripheral view of the world, as opposed to a central point of view, because throughout its history Canada has always been perceived as a secondary player. As George Grant says in his literary piece Lament for a Nation, Canada is "a branch plant society" , meaning Canada is controlled by another power. The essential question is where has Canada's loyalties traditionally lay and how has this shaped the Canadian identity. The Imperialist by Sara Jeanette Duncan, written in 1904 reflects a very British influenced Canada. At this time, Canada is still a British colony under British rule, and the people of Canada are very content to consider themselves British. The novel predominately ill...
36 Fleras, Augie, and Jean Leonard Elliott. Engaging Diversity: Multiculturalism in Canada. Toronto: Nelson, 2002: 171.
In conclusion, Canada was influenced throughout the 1920's by America, that by 1929 Canada became very similar to America in social trends, economics and produce. But has this stopped in modern day era? Canada continues to be heavily influenced by the amount of American products and media outpouring into Canada. Canada has made attempts throughout time to impede the onslaught of American invasion but American invasion is seen on a huge global scale. Hit movies, tv shows, products among others are generally based on American culture, views, or based within American domain. It is a reign yet to be stopped.
Thompson, John Herd, and Mark Paul Richard. "Canadian History in North American Context." In Canadian studies in the new millennium. Toronto: University of Toronto Press, 2008. 37-64.
Students in Ontario taking English ought to just study Canadian literature in light of the fact that we are totally overwhelmed by the American society around us. This is a Canadian custom in light of the fact that we have dependably been an "extension plant" of an alternate nation beginning with England and France implying that our society has never had the opportunity to progress since we have dependably been under the thumb of an all the more capable outside society. Along these lines, for a considerable length of time, students in Ontario study about Shakespeare and other British journalists: today they might likewise mull over American authors, for example, Fitzgerald. In any case numerous schools confine a student’s exposure to the Canadian novel to ISP reading lists. In this sense, “Canada is America’s attic” [1] in which we have put away American and British literature without recognizing our own. No big surprise a Canadian student has issues, acknowledging there society.
Quinlan, Don, Doug Baldwin, Rick Mahoney, and Kevin Reed. The Canadian Challenge. N.p.: Oxford University Press, 2008.
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians. Throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Over time, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms, media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence, it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada.
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
Many people across the globe argue that nationalism within Canada is simply not feasible. It is said that we as a people, differ so greatly with our diverse cultures, religions, and backgrounds that we cannot come together and exist together as a strong, united nation. In his book, Lament for a Nation, George Grant tells the reader that “…as Canadians we attempted a ridiculous task in trying to build a conservative nation in the age of progress, on a continent we share with the most dynamic nation on earth. The current history is against us.” (1965) Originally directed towards the Bomarc Missile Crisis, the book argues that whatever nationalism Canada had was destroyed by globalization as well as the powerful American sphere of influence. Although it is true that the book was initially written as a response to the events that took place in the late 1950s, many of the points are still valid today.
“ Canada 's national obsession seems to be its own identity.” For many years Canada has feared the increasing influence of its North American neighbors on its culture - the United States . It has become a matter of growing concern for the people of power and influence in Canada to maintain their separate cultural identity and to promote their own cultural norms. Gaetan Tremblay presents his views on this topic and does this from the perspective of a person living and working in Quebec.
... Ed. W. Gordon West and Ruth Morris. Toronto, Canada: A Canadian Scholar? Press, 2000.