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Canadian influence on american culture
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Identity Crisis in Canadian Film
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
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...cate American entertainment films. But what was the cost to the development of Canada's supposed "cultural identity" and the perogative of the Canadian filmmaker to make a film without mimicking Classic Hollywood style and theme? Toward the mid-1980s, following the demise of the Capital Cost Allowance tax shelter in 1982, the "success" of a Canadian film was determined less by its forecast box office potential. The trend in the late 1970s and the early 1980s towards what Ted Magder calls the "If you can't beat `em join `em" (Magder, 169) relationship with the commercial Hollywood production infrastructure, was met in the mid-1980s by an equally vehement movement, which maintained that the infiltration of American culture and the adoption of their economic or "big-business" approach was precisely the problem with the Canadian film industry, and hence Canadian films.
Today Canada and the United States are major trading partners, allies, and two neighboring countries with a long history of cooperation with each other. But is it possible for Canada to protect its independence and culture living next door to the country so powerful and rich as the United States. Since the Canadian confederation, Canada started developing relations with the U.S. As the years passed by, Canada began to relay on the United States in the national defense. Many Canadians think that the military, political and economical dependence would not make a difference to their daily life. But today more then even Canadian culture is affected by the American influence. Media, American artists, economic dependence, American propaganda and political pressure from the United States is making Canada too Americanized. All of these factors reflect on the social life of ordinary Canadians threatening the heritage and the traditions that define Canada as independent country.
What does it mean to be Canadian? What is Canada’s national identity? These are questions which are difficult to answer. The International and Universal Exposition in 1967, or otherwise known as Expo 67, was an exhibition held in Montreal, Quebec from April to October, which was celebrating Canada’s centennial. I found many primary and secondary sources that recognize how Canadians perceive national identity through the exhibition. The theme for the Expo was ‘Man and his World’ and this raised the sense of national pride for Canadians. I found some sources that looked at ‘Canadian National Identity’ as a whole; as well as Canadian National Identity for the Natives, the French Canadians and English Canadians. Themes that are recurrent include how to represent Canadian national identity at the exposition, the French/English relationship towards Expo 67, as well as the search for a united Canada.
In conclusion, Canada was influenced throughout the 1920's by America, that by 1929 Canada became very similar to America in social trends, economics and produce. But has this stopped in modern day era? Canada continues to be heavily influenced by the amount of American products and media outpouring into Canada. Canada has made attempts throughout time to impede the onslaught of American invasion but American invasion is seen on a huge global scale. Hit movies, tv shows, products among others are generally based on American culture, views, or based within American domain. It is a reign yet to be stopped.
Like many other women of her time Eleanor came from a long line of noble and royal blood. Her lineage can be traced back to the earliest kings of both England and France.(follow link to take a look at Eleanor’s very long family tree http://www.my-ged.com/db/page/scokin/12251) Her father William X was the son of France’s first troubadour, William IX and Eleanor’s early life was saturated with culture and learning. The court of her father and grandfather was thought to be the main culture center of the time. At age 15, with her father’s passing, Eleanor became the sole heiress and ruler of the largest duchy in France – Aquitane. Eleanor was then betrothed to Louis VII of France in order to unite their vast territories. In fifteen years however, Eleanor’s marriage and queenship were over. The pope on the pretext of close kinship ties annulled her unhappy marriage to Louis. At age 30 Eleanor had given up her throne and her daughters and returned to Aquitane to rule. Within a few years Eleanor was married to Henry Plantengent, the Duke of Normandy and ruler of the second most powerful duchy in France (second to her own Aquitane). In 1154 Henry was crowned King of England and Eleanor was now Queen of England, duchess of Aquitane and duchess of Normandy. Eleanor and Henry had eight children together, including Richard the Lionheart and John. In 1173, afte...
CanCon regulations not only help define Canada as a unity but help the creative Canadians that express themselves through musical expression. David Young states, “According to the CRTC, the higher requirements would expand the exposure given to Canadian artists and provide increased support to the Canadian music industry.” (Young, 2004) Therefore, in order for the Canadian music industry to expand and become successful there must be government intervention of content regulations. This is reinforced in the article The government steps in, “Without government support, the number of Canadian films, records and television shows would be much lower than it already is.”(1995) If CanCon regulations are not in place the amount of Canadian works will contract until one day there are none left. Hence, Canadian culture being lost within many other cultures. Shedd et al. state that having CanCon regulations in place “Could promote greater national unity. Similarly, it could promote a distinct Canadian culture, and as a result, a greater national identity or pride.”(Shedd et al. 1990) This helps to enforce that with CanCon regulations put in place the Canadian culture can be truly identified through television, films and music.
Many people might have a diverse opinion on the extend of the American cultural influence on Canada, but the truth is, these two countries share a long common border, they use frequently the same language, they watch the same movies, listen to the same music and collaborate on other numerous levels, including economic and political activity. In this paper, I would like to show the extent of the influence on Canadian popular culture that comes from the United States. For my analysis I have chosen four segments of popular culture: television, printed media, music and films. In these are the main sectors where we can see the biggest evidence of this phenomenon. In the first part I would like to shortly introduce the history of this issue. The second part is the analysis of the four sectors.
Community is like a Venn diagram. It is all about relations between a finite group of people or things. People have their own circles and, sometimes, these circles overlap one another. These interceptions are interests, common attitudes and goals that we share together. These interceptions bond us together as a community, as a Venn diagram. A good community needs good communication where people speak and listen to each other openly and honestly. It needs ti...
What do the works, “As Canadian as Possible under the Circumstances” and “I’m not the Indian you had in mind” have in common? The dissection of these writing pieces revealed that they do in fact have multiple similarities. Those ideas are the use of identity, stereotypes as well as double meanings.
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians. Throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Over time, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms, media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence, it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada.
Eleanor of Aquitaine was one of the most powerful women of the Dark Ages. She was married to one the best kings of the Dark Ages, Henry II. Growing up, she was well educated and was raised in one of Europe’s most cultured courts. She gained a vast inheritance when her only brother and father died. Being the eldest of the siblings, at fifteen-years-old, Eleanor had become the most eligible heiress in Europe.
As a student of Canadian film, I find great appreciation in films that work to culturally enrich Canada's movie screens. I feel that an honest portrayal of Canadian values and culture is beneficial not only by enhancing the credibility of Canada's film industry, but also by maintaining a voice for the customs held by the Canadian people. For these reasons, among others, it had become very easy for me to dislike Daryl Duke's 1978 film The Silent Partner. Based on the knowledge I had before sitting through numerous screenings of the film, I found a challenge in making any concretely positive statements about it, or the state of Canada's film industry at the time. I asked myself about the effect this film had on Canada's film industry, wondering primarily if the film's success in Canada - it won a total of 6 Canadian Film Awards including best feature and best director - came not from a poignant portrayal of Canadian culture, but rather from a "Canadianization" of the typical American thriller. I questioned the details of the film's formation, the choices made about talent, and the credibility of the script, and still I found myself forcing out any positive criticisms I might muster. As far as first impressions go, The Silent Partner's was not promising.
Over the last three decades, fast food has infiltrated every nook and cranny of American society and has become nothing less than a revolutionary force in American life. Fast food has gained a great popularity among different age groups in different parts of the globe, becoming a favorite delicacy of both adults and children.
Thompson, K 2003, ‘The struggle for the expanding american film industry’, in Film history : an introduction, 2nd ed, McGraw-Hill, Boston, pp. 37-54
... ed (BFI, 1990) we read … “contrary to all trendy journalism about the ‘New Hollywood’ and the imagined rise of artistic freedom in American films, the ‘New Hollywood’ remains as crass and commercial as the old…”
The dichotomy between the view that intelligence levels are affected by situational factors and the view that intelligence is genetically transmitted has dominated psychological debates on IQ throughout decades. The statements made by many commentators that intelligences depends on genetic factors has been ...