High School Choir Research Paper

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Throughout choir this school year, huge advancements have been made within many of the students, leading to tremendous growth. Coming into the first few weeks of choir class, the confidence of the students were low and it was a lengthy process to get through warm-ups, solfege, and ta-ka-di-mis correctly and on pitch. Walking into class currently, more students can be heard singing out and scales being sung in tune with ease. As voices have matured over this school year, many positive growths can be seen. For most students, this being their first year of high school choir, have more room to improve and achieve the level of talent as the members of concert choir. As the final concert of the year comes to a close, progress and direction for future years can be heard and seen through the music.
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Although a more open sound has been developed, a soft pallet still needs to be present throughout all pieces and an open sound in the high range, as our songs got more difficult as the year progressed. Some of these songs that helped work on this area were “Alleluia, Praise!” and “Sing to the Lord”. After many hours of practice, immense improvement was made but the overall sound could still be brought to that desired point. Another area that the choir as a whole needs improvement on is intonation. In songs like “The Falcon”, intonation issues came from more simple fixes like knowing the individual parts and overall piece better, as well as having confidence so notes aren’t unsteady or unsure. Intonation issues also stem from the last area that lots of focus was placed on towards the end of the year. This particular skill is called unified vowels. In songs, “Sing to the Lord” and “I Dream a World”, poor vowels led to under pitch sounds and other issues. Unified vowels also help to bring the piece together and improve the overall sound quality and unity of the

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