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Symbolism and Allusion in Poetry
Symbolism and Allusion in Poetry
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The content of Happily Ever After is fairly clear although there are nuances that only those familiar with boarding school life might note. A widowed single parent decides to sacrifice her possessions and perhaps status in order to send her only son to boarding school around puberty, hoping this will ensure his success in life at the same time that she stifles her own emotional solitude. But the son's success comes with a price, unease with the open expression of emotion, a side effect of incarceration in an all male, highly competitive, environment.
The structure of the poem is hybrid. It has three 9 line stanzas, with varying syllables and no rhyme scheme although there is sporadic word play, a few alliterations ( provider-protector) and occasional rhymes, ( shouted, doubted;climb, vine;neck, back, Jack). Each stanza has a metaphor, a virus breeding resistance, the twisted vine
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In 1938 at age four my mother and father took me to India when my father became the sales manager of a large tea company. They left my brother, aged eleven, behind in boarding school and, after the Second World War began a year later, he never saw his mother for five years and his father for seven.
Meanwhile in Calcutta I developed amebic dysentery in the days before antibiotics. After recovering, at age five, my parents were advised to send me away far from contagion in the city to boarding schools in the hill country. This was a three day journey by train after which my mother kissed me farewell until the next school holidays three months away. Altogether I remained in all male boarding schools from age 5 till18 when I was drafted into the British Army. I thrived in boarding school, excelled academically and at sports, becoming the first member of my family to go to University (Cambridge). My mother became an alcoholic and my father remained an emotionally detached but fair minded successful
Love caused his logic and sensibility to fail him, and provoked him to commit monstrous acts that destroyed many lives. Through analysis of “Happy Endings” by Margaret Atwood, it can be concluded that one of her many intended lessons was to show the value and the powerful effects of love. Atwood successfully proved this lesson by using powerful examples of both successful and disastrous relationships to illustrate the positive and negative effects of love. Atwood truly demonstrated what it is like to follow your heart.
Margaret Atwood’s “Happy Endings” is an Author’s telling of societal beliefs that encompass the stereotypical gender roles and the pursuit of love in the middle class with dreams of romance and marriage. Atwood writes about the predictable ways in which many life stories are concluded for the middle class; talking about the typical everyday existence of the average, ordinary person and how they live their lives. Atwood provides the framework for several possibilities regarding her characters’ lives and how each character eventually completes their life with their respective “happy ending”.
Each stanza is composed of words that present a logical flow of growth through the entire poem. The words in the poem do not rhyme and the lines are different lengths.
This is a long one-stanza narrative poem. All the lines have five stresses and are written in iambic pentameter or blank verse, which was also Shakespeare's chosen meter in his plays.
In relation to structure and style, the poem contains six stanzas of varying lengths. The first, second, and fourth stanzas
This poem is has alliteration in it. Alliteration is found in the following passages of the poem; “Sustenance seemed sensible”, “dumb dames”, and “breathing booze”. (The Geranium Selected) This poem is about a man who is dying maybe. While this man is dying, dying along with him is his plant geranium. These two lives are running parallel with each other, parallel straight down.
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
A consistent structure, with the exception of stanza three, is found within the poem. The speaker almost seems to be creating a cause and effect list. Berry’s choice to begin every stanza
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
There is a very straight forward structure to this poem that contributes to the complexity and unity of the poem as a whole. The rhyme scheme follows a very straight forward ABAAB variation. This rhyme scheme flows throughout the poem with no variations and adds to the organic unity of the work. The meter of this work follows iambic tetrameter which, when read aloud, adds to the thoughtfulness of the speaker. However, the meter is interrupted during one line of the poem which reads, “I shall be telling this with a sigh” (line 16). This line brings attention to itself in order to alert the reader to the ambiguity of the statement, which will be discussed later. The poem itself is constructed with four stanzas with five lines in each stanza which adds to the unity by giving the poem a sense of a full circle and rounded out. Throughout the poem, the rhythm is slow and thoughtful, as if the speaker is reflecting on the choices that he has made in his lifetime. This slow rhythm adds a layer of complexity by demonstra...
The poem is divided into 2 Stanza's with 3 lines each. And there are an
Repetition of certain words such as 'tongue', 'grows', 'bud' and 'mouth' works powerfully to emphasise the ideas of the poem:
It had a lot of consequences which pushed us to other paths. Although we had not a fixed schedule with my mom and were able to see her just a few hours a day, she educated us very strict and disciplined positively. However, it brought out new situations and an unexpected life. I was born in a small city named “Wolfhagen” which is in the federal state Hessen. My mom was proud of me when I was young because
One of my most memorable experiences in Asia was my trip to the doctor. I knew that my slight fever and scratchy throat could be contributed to lack of sleep. With a twelve-hour time difference, I had the worst jet lag that was possible. Yet, the Secretariat felt that I should go to the doctor, so off I went. Once we arrived I took one look at the building and decided that I felt much better. The office was a hole in the wall that practiced family medicine and surgery. It was in stark contrast to the gigantic, pristine medical facilities I was used to. There was a very long line to see the doctor so I took a seat next to a hacking baby and an anxious young mother. What happened next was the most distressing part of my adventure. Once my chaperone announced that I was part of the school program, the doctor took me right away. As I followed the nurse back I passed by people who had been sitting there for much longer. There was a man with b...
The poem contains three stanzas of nine lines, all with the same form, and has a rhyming scheme of AABBCCDDD. The first six lines of each stanza have alternating pentameter and tetrameter, with the seventh being a tetrameter, and the last two being pentameters. Although the poem does not have irregular lines or stanzas, the complexity of the alternating meters marks a noticeable difference to other forms of poetry that do not have a similar scheme. Despite the uniformity of these alternating meters in relation to their stanzas and the overall poem, this might be considered a characteristic of metaphysical poetry. “The Flea” takes on an argumentative form, which is another characteristic of metaphysical poetry, and it is supplemented by the speaker’s use of ironic wit and analogies to religion and marriage.