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Literature analysis of Theodore Roethke poetry
Literature analysis of Theodore Roethke poetry
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Theodore Roethke Didn’t Know He’d be a Poet
Born in Saginaw Michigan in 1908, Theodore Roethke grew up in his parent’s home, which was built in 1911 for his parents Helen and Otto Roethke. (Theodore Roethke) This was a family estate with Theodore’s Uncle, Carl living on property as well. (Theodore Roethke) The family was in the flower business and Theodore spent many a day in the greenhouse. This is the source of many of his poems, along with his childhood experiences. Roethke is credited with saying the greenhouse, “is my symbol for the whole of life, a womb, a heaven-on-earth” (Theodore Roethke) Theodore Roethke went to school at John Moore Elementary School, and attended Arthur Hill High School, both in Saginaw Michigan. (Theodore
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This poem is has alliteration in it. Alliteration is found in the following passages of the poem; “Sustenance seemed sensible”, “dumb dames”, and “breathing booze”. (The Geranium Selected) This poem is about a man who is dying maybe. While this man is dying, dying along with him is his plant geranium. These two lives are running parallel with each other, parallel straight down. Age is a theme in this poem, as could the idea of starting anew, from these lines in the poem “Threw her, pot and all, into the trash-can” and “For a new routine”. (The Geranium …show more content…
The poem is obviously about a student that dies by horseback, and the teacher is the speaker of the poem. A theme in the poem is birds. Not just birds, but gray, plain birds, if there ever was such a thing. Obviously Jane was not the most attractive girl in the class, if a teacher would have such thoughts, but the qualities of Jane the teacher speaks of, would assume that he was quite fond of her and her ways, as only a teacher, or parent could probably be. It appears that Roethke was treading the fine line between student and teacher. It also appears that Roethke was testing the boundaries of what is an acceptable relationship between a student and a teacher. It seems that the teacher had romantic thoughts about Jane, but never acted on them. This appears so by lines nineteen and twenty of the poem. They read as follows; “Over this damp grave I speak the words of my love” and “I, with no rights in this matter” (Elegy for Jane). It appears that this love was innocent but out of place, due to the student teacher relationship and also Jane's age, more likely than not. Line twenty shows that the teacher had made his peace, not only with the death of Jane, but also the fact that dead or alive he could never actually, physically lover
The major themes of the poem reflect the poet's own inner life and his struggle with the loss of his father. Through this complicated and intricate poem the inner feelings of the poet are made manifest through the speaker's tone towards the father. The exchange between father and son represents a magical moment in the speaker's childhood: dancing the waltz with his father. In the second stanza, the poet comments “My mother's countenance / could not unfrown itself (Roethke 7-8).” Here the poet seems to regret the fact that he hoarded his father's time after a long day at work, when his father could have been s...
According to Parini, Jane's death is not the subject of the poem; rather, her death presents an occasion for calling up a certain emotional state in which Roethke's feelings of grief and pity transcend the occasion. Following the standard of elegiac celebration of the vegetation god Adonis reaching back to Bion's Lament for Adonis and Moschus's Lament for Bion, Roethke associates the deceased with elemental aspects of nature--the plant tendrils, the pickerel, the wren--to defuse the pathos of her death. A Romantic poet, Roethke views death as a stage; the plants point to rebirth (138-39). The subject of Roethke's most famous poem (45) becomes the response to Jane's death and his ambivalent emotions at her graveside. Without the associations of earlier elegies, the emotion would surpass the occasion. Roethke mourns not only Jane, whom he knew only slightly, but also the deaths of us all (138-39).
Academy of American Poets, n.d. Web. The Web. The Web. 03 Feb. 2014. 2.
Depending on the experience of the reader, they can either be disturbed by these words or be drawn in closer to the poem. Theodore Roethke loved his father. Not only did he love him, but he idolized him and unfortunately lost him at an early age. This poem is a reflective memorial waltz written in iambic trimeter to honor his father and
Ted Kooser was born in Ames, Iowa, an area within the great plains of America. He credits his influences to both his mother and his father. His father worked as a store manager while his mother stayed home to raise him and his sister. During an interview he was asked how his parents influenced his poetry, he replied, "My Father was a storekeeper, loved the public, and was a marvelous storyteller. I remember a women once said to me that she'd rather hear my dad describe a person than see the person herself." (Meats, 335). One can tell from reading Kooser's poetry that his father influenced him greatly. Ted Kooser also attained a strong work ethic from his father, which in his formative years allowed him to prosper and become the poet he is today. His mother influenced his appreciation for the natural wonders in life. Kooser attended Iowa State University, where he earned a bachelor of science degree in 1962. Upon graduating, he held a teaching job as an English teacher in Madrid, Iowa during the 1962-1963 school year. He soon moved to Lincoln, Nebraska where he was accepted into the University of Nebraska's at Lincoln graduate program for creative writing. He would not immediately graduate from the program, but take a job in the insurance industry where during his tenure, he would become the Vice President for Lincoln Benefit Life.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
However, the last two lines of the poem suggest feelings other than resentment: "Then waltzed me off to bed/ Still clinging to your shirt" (Roethke 668). By mentioning the fact that his father put him to bed, Roethke seems to show affectionate feelings
...thern Literary Journal. Published by: University of North Carolina Press. Vol. 4, No. 2 (spring, 1972), pp. 128-132.
Ramazani, Jahan, Richard Ellmann, and Robert O 'Clair. The Norton Anthology of Modern and Contemporary Poetry. New York: W.W. Norton, 2003. Print.
In the late nineteen forties, Theodore Roethke emerged with a poem that has been the source of much debate. "My Papa's Waltz," is an account of a relationship between son and father. Alas, many readers who are exposed to this piece fail to note the love present in the connection of the characters. In an attempt to illuminate the author's true intention several factors must be examined. After several examinations of Roethke's poem as well as learning of his childhood it is evident that this poem does not suggest an abusive environment, but is an appreciative account of the love and playfulness between the characters. Therefore, a successful interpretation of this poem will look beyond the four stanzas and study not only the history of the writing, but the life of the poet.
His poetry, however, served as an outlet to show his true colors. Roethke’s poem “I Knew a Woman” uses great imagery in his words describing an astonishing
Damrosch, David. Longman anthology of British literature. 2nd ed. Vol. A. New York: Longman, 2004. Print.
Print. The. The Poetry of William Wordsworth. SIRS Renaissance 20 May 2004: n.p. SIRS Renaissance.