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Greek and Egyptian mythology
Greek and Egyptian mythology
Essay on greek religion
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The origins of Ancient Greece can be found back as far as 3000 BCE (Fiero 76). This was the time there is a lot of art and religion that defines the Greek period. This is only because there is a lot of prosperity and peace which causes a surplus of goods within the Greek city-state. This surplus allowed a more time for people to participate in such frivolous activities. Though the art is very representative of its time the stories behind the art are much more prominent. The religion is the story behind the art this is because of the Greek mythology. Their gods mentioned in many of their stories was a part of their daily lives. There were thirteen major gods that were situated on top of mount Olympus. There were twelve seats on mount Olympus because one of the gods Hestia always tended to the hearth in the room. Most of their stories were comprised of when they interacted with the humans. The most interesting of the twelve gods that went down to the earth was Zeus and Apollo. Zeus the god of the sky who was married to his sister Hera the goddess of marriage and ultimately jealousy. Another one of Zeus’s roles was that of being the lord of justice for the gods. This goes back to the story of Oedipus Rex with the Priest of Zeus represented the people of the plight of Thebes and him asking for justice to be done for the people. Though he is known by being the Lord of Justice he is also known for being very unfaithful to his wife. This unfaithfulness can reverberate back to the way that Oedipus Rex had a love for his mom almost in the way that it relates to inbreeding. In a way that Zeus had many affairs though his most famous was Leto. Leto was one of his first relationships apparently before Zeus was married to Hera. Leto was the... ... middle of paper ... ...e. 05 May. 2014 http://www.pantheon.org/articles/a/apollo.html. Web. Fiero, Gloria K. “Greece: Humanism and the Spculative Leap” The Humanistic Tradition: The First Civilizations and the Classical Legacy. McGraw Hill. 6th ed. New York: New York, 2011. 76-134. Print. Hammond, N. G. L. "The Branchidae at Didyma and in Sogdiana." The Classical Quarterly 48.2 (1998): 339. Academic OneFile. Web. 5 May 2014. Hunt, J.M. “Zeus Lovers.” Greek Mythology. San Diego University. 5 May 2014 http://edweb.sdsu.edu/people/bdodge/scaffold/gg/zeuslover.html Web. Mitchell-Boyask, R. (2009). The art of medicine: Plague and theatre in ancient athens. The Lancet, 373(9661), 374-5. Retrieved from http://search.proquest.com/docview/199038784?accountid=39874 Rutherford, Ian. “Pindar on the Birth of Apollo” The Classical Quarterly 38.1 (1998):65-66. Cambridge University Press. Web. 5 May 2014.
185-196. Dillon, Mathew, and Garland, Lynda. Ancient Greece: Social and Historical Documents from Archaic Times to the Death of Socrates. Routledge International Thompson Publishing Company, 1994, pp. 179-215 Lefkowitz, Mary.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Grant, Michael, and John Hazel. "Athena." Gods and Mortals in Classical Mythology. Springfield, MA: G. & C. Merriam, 1973. Print.
"Ancient Greek Philosophy." Ancient Greek Philosophy. The Academy of Evolutionary Metaphysics, 2005. Web. 26 Feb. 2014.
Morris, Ian. Classical Greece: ancient histories and modern archaeologies. Cambridge [England: Cambridge University Press, 1994. Print.
Nardo, Don. The Ancient Greeks at Home and at Work. 1st ed. San Diego, CA: Lucent, 2004. Print.
Pomeroy, Sarah B. Ancient Greece: A Political, Social, and Cultural History. New York: Oxford UP, 1999. Print.
They had similar beliefs, but also immeasurable differences. It was composed of many meaningful gods and goddesses that all played a part in the everyday life of the average Roman and Greek person of that time.
Zeus does not appear to be portrayed as a dual natured god in any of his myths. The fact that Zeus is not a dual natured god means that he is a divine being with flaws. Instead of Zeus being portrayed as someone who is supreme and flawless, he is portrayed as a sky god who is king among other gods but has many flaws to his character. Xenophanes, a poet of the pre-Socratic period wrote “Homer and Hesiod have ascribed to the gods all that is shameful and reproachable among mortals.” (ML 140) One of the most important flaws to Zeus’ character is the fact that he had countless numbers of extramarital affairs while still being married to his wife Hera.
Archibald, Zofia. Discovering the World of the Ancient Greeks. New York: Facts On File, 1991. Print.
Robin Sowerby, The Greeks: An Introduction To Their Culture. Published in 1995 by Routledge Publishers.
Zeus was a total pervert. He was the illegitimate father of many children, but not only with other goddesses, but with mortals. One of his most famous children was the Greek hero Perseus, “Zeus visited a princess by the name of Danae as a golden rain. From this Perseus was born” (“Encyclopedia Mythica”, n.d.). Zeus also had a son, the popular hero Heracles.
The 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the History of Greece: Classical Greece. Ancient Greece.org. -. [3/13/2014] http://www.ancient-greece.org/history/classical.html>. Roman society, Roman life, Roman society. n.d. - n.d. - n.d.
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
In the 7th century Assyrians became powerful and they to started inventing rich designs to decorate the walls of the palaces and temples. Then the Greek began there sculpting in the 6th century BC the sculptures of this time and place had there own way of art. They gave their pieces life by making the face of the person with a smile; they gave it arms and eyes rigid legs. The Greek wanted statues and stories of their gods to decorate the temples and other buildings.