The Art of Sculpting

434 Words1 Page
bulb-icon

Recommended: Influence of renaissance on art

The Art of Sculpting Sculpting is the art of working with stone, bronze, and wood by chipping at it to form a beautiful piece of art. The art of sculpting was known thousands of years ago in the time of “THE OLD STONE AGE.” During this time the people thought that they would make the sculptures to praise their gods, kings, queens, and goddesses. The people also made sculptures of animals they believed that the animals would see this and protect them from other harmful animals. In the 7th century Assyrians became powerful and they to started inventing rich designs to decorate the walls of the palaces and temples. Then the Greek began there sculpting in the 6th century BC the sculptures of this time and place had there own way of art. They gave their pieces life by making the face of the person with a smile; they gave it arms and eyes rigid legs. The Greek wanted statues and stories of their gods to decorate the temples and other buildings. The Greeks were not interested in exact pictures. They made their figures godlike. When the Romans conquered the Greeks they themselves were conquered by Hellenistic art. With the downfall of Rome in AD 410 and the rise of Christianity sculpture declined. Early Christian carvings were only confined to decorations with hidden meaning. Roman art grew and it was called “Romanesque”. Sculptured scrolls and elongated figures enriched the doorways of churches, and the doors themselves were used as frames for sculptured pictures of the Bible stories. Sculpting grew more rapid into what was later called the “ Gothic”, the Medieval. The sculptors became more skillful in carving human figures. Artists used animals and plant life for decorative details and ideas. In Italy the Gothic style underwent a change, called the “Renaissance” the rebirth of the classic. Sculptures reached great heights during the 15th century. The Renaissance spread throughout Western Europe and the art went with it. In the 17th century the Renaissance came to an end. The beautiful and unique sculptural style that followed it was called “ baroque” meaning “false.

Show More
Related

  • From Aphrodite Of Knidos To The Old Market Woman

    704 Words  | 2 Pages

    The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style. However, as peace was approaching, artists started to focus on how to make their work outstanding. They took advantage of their knowledge in anatomy and started applying it to their blocks of marbles. During the early Classical Period, Kritios Boy was sculpted, and it showed the break from the Egyptian style.

    Read More

  • Greek Art: Achilles And Ajax Playing Dice By Exekias

    552 Words  | 2 Pages

    Black-figure painting was first established in Corinth, c 700 BCE then Athens was influenced by the technique and got control over it (Cartwright, ...

    Read More

  • The Rhetorical Analysis Of Martin Luther King, Jr.

    722 Words  | 2 Pages

    King had gained respect from some audience because of his soft tone. He established his ethos to readers, especially to the white, by saying, “I have the honor of serving as president of the Southern Christian Leadership Conference, an organization operating in every southern state” (King, Martin Luther, Jr.). To connect his idea to the real world, he used the image of Apostle Paul left the village to carry the gospel of Jesus Christ as it’s his duty to carry the gospel of freedom beyond his hometown.

    Read More

  • High Renaissance and Mannerism in Northern Europe and Spain

    1297 Words  | 3 Pages

    During the late sixteenth century a new style of art, known as Mannerist, emerged through out Italy as a result of the Protestant Reformation. Mannerist distorted art was justified because it served mid way between the ideal, natural, symmetrical and the real, artificial, and unbalanced. The religious and political upheaval lead to the distinct Mannerist style know for being stylish, cultured, and elegant. Mannerist art is thought provoking, asking the viewer to ponder and respond to the spatial challenges and meaning found in the painting, sculpture, and architectural work. Mannerist painting and sculpture are characterized by complicated compositions, distorted figure styles, and complex allegorical interpretations. Meanwhile Mannerist architecture often employs classical elements in a new and unusual way that defies traditional formulas.

    Read More

  • King Khafre Seated

    1079 Words  | 3 Pages

    Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)

    Read More

  • Athena Parthenos: The Goddess of Wisdom

    861 Words  | 2 Pages

    The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of

    Read More

  • The Human Body in Ancient Greek Sculptures

    1006 Words  | 3 Pages

    Greek art progressed through four divisible periods from ninth century B.C. to the second century B.C. The primary subject matter for all of these periods was humans. (Sowerby, 150) Each period progressed further than the last with developing the human form and making it continually more realistic and natural. (Boardman, 275) The most basic human forms were depicted in the Geometric period where triangles and ovals were used to make a rough human form. The Archaic period came next with artists slowly moving away from set geometric figures and incorporating more human detail into their art. Great change in art came in the Classical period. Sowerby states this by saying: "The classical artist concentrates up...

    Read More

  • Roman and Islamic Art and Architecture

    527 Words  | 2 Pages

    The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.

    Read More

  • Fallen Warrior Essay

    1270 Words  | 3 Pages

    Ancient Greece has set the tone for the standard of how great sculptures were crafted. Therefore, a classic example of this form is the Fallen Warrior from the East Pediment, taken from the ruins of the temple of Aphaia. With its mythology and architectural styles, Ancient Greece has undoubtedly changed the way sculptures were made and still inspires many artists to this day.

    Read More

  • greek vase painting

    1037 Words  | 3 Pages

    The second distinct period which originated in Corinth in 700 BCE and spanned one hundred years is now known as the Orientalizing period. This period gets its name from the introduction of Egyptian and Eastern influences on Greek pottery during this time. The impact of foreign styles lead to the introduction of the black-figure technique that has come to epitomize the era. In Black-figure painting, figures and ornaments were drawn in silhouette on the natural clay surface of the vase ...

    Read More

  • Mayan Society During The Dark Ages

    1089 Words  | 3 Pages

    The European and Mayan civilizations had inverse experiences during the Classical era, but they were similar in some aspects. While the Mayans were basking in their glorious success as a civilization, the Europeans stood in their shadow. However, after the Renaissance Era, it was as if the Mayans stood in the shadow of the European revival. These two societies have a definite inverse relationship, in that while one was succeeding, the other was squandering. For example, the forward thinking of the Mayans and their knowledge of arithmetic and science was overshadowed by the revolutionary ideas created by European scientists, the fact that the Mayans had created a complex, and accurate calendar wasn’t nearly as celebrated as a European man who got hit by an apple.

    Read More

  • Compare And Contrast Greek And Roman Sculpture

    713 Words  | 2 Pages

    Greek and Roman sculptures act as milestones throughout the development of art. Both types of sculptures played significant roles socially and politically during their corresponding periods. Although the Greek artists had limited materials, they still created gorgeous sculptures; similarly, the Roman sculptors adapted the techniques from the Greeks in order to create magnificent works for their own purposes.

    Read More

  • Classical Roman Art Vs. Early Christian Art

    871 Words  | 2 Pages

    Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...

    Read More

  • Rome's Lack of Independence

    781 Words  | 2 Pages

    Roman art, especially sculptures and paintings, was influenced by the Greeks because when Rome conquered Greece, much of Greek art became collectively mixed with that of Rome. Many of the Classical Greek sculptures that were later seen in Rome depicted a naturalistic representation of humans through portrait busts (Sayre 184). While the Greeks influenced Roman realism, Rome took it to a new level in revealing every wrinkle and wart. Paintings were usually created as natural decorations or murals in Greece and later in Rome as well. “Many of the works of Greek art reproduced… are not Greek at all but later Roman copies of Greek or...

    Read More

  • Compare And Contrast Greek And Roman Art

    2107 Words  | 5 Pages

    Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological

    Read More

More about The Art of Sculpting

Open Document