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Feminist analysis of The Hunger Games
Gender roles in the hunger games
Gender roles in the hunger games
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In this essay, an analysis is made between the two female protagonists from the two popular dystopian fiction trilogies, The Hunger Games and Divergent. The character’s traits are explained to prove that Katniss Everdean and Beatrice “Tris” Prior are both exceptional characters that exhibit non-traditional female gender qualities in fiction. Keywords: Katniss Everdean, Tris Prior, The Hunger Games, Divergent, dystopian fiction, female gender stereotypes, gender roles Female Characters Who Overcome Gender Stereotypes Today’s young adults are reading a variety of fictional novels for entertainment. One of the more popular genres is categorized as dystopian literature. Dystopian literature generally focuses on government control and oppression …show more content…
as a central theme, while brave characters battle against those structures. Specifically, The Hunger Games and Divergent trilogies are prevalent books in the dystopian genre. Because media is influential in modern culture, portraying women as self-sufficient, unique, and heroic is important. These novels depict young women protagonists uniquely, and help to change the opinion of the traditional female character. These heroines show immense strength and courage while still remaining quite human. The protagonists face different circumstances, but they share similar traits. We can begin by understanding The Hunger Games heroine, Katniss Everdean. Katniss provides for her family by hunting and trading in a black market, though these acts are considered illegal in her district. Her mother suffers from a deep depression that renders her incapable to care for their family. Katniss inherits a father-like role. “At eleven years old…I took over as head of the family. There was no choice” (Collins, 2008, p. 27). Katniss’ position in her family feels masculine, because she is the caretaker and the provider, and in many fictional novels, women are not normally the head of the household. Furthermore, Katniss is so focused on supporting her family that by the conclusion of the first novel, she has not quite figured out who she is without this role. Katniss explains: For the first time, I allow myself to truly think about the possibility that I might make it home…But then…what? What would my life be like on a daily basis? Most of it has been consumed with the acquisition of food. Take that away and I’m not really sure who I am, what my identity is. The idea scares me some. (Collins, 2008, p. 310-311) This quote confirms Katniss’ dedication to taking care of her family. She did not ever consider that she would survive the Hunger Games, or that her family wouldn’t need her anymore. This idea scares her because she does not know what else to do in her life. Near the beginning, in the critical part of the novel, Katniss sacrifices herself for her younger sister in order to protect her. In doing this, she is essentially surrendering herself for her family’s survival. She describes: “…in District 12, where the word tribute is pretty much synonymous with the word corpse, volunteers are all but extinct” (Collins, 2008, p. 22). In the Divergent trilogy, Beatrice “Tris” Prior has a similar dedication and self-sacrificing attitude when it comes to her family and friends. When Tris is first introduced, her main concern is dishonoring her family by not remaining in their faction. Eventually, she does join an alternative faction, but she refuses to forget her past life. Tris clarifies: “I touch my collarbone, marking the path of [the tattooed birds] flight-toward my heart. One for each member of the family I left behind” (Roth, 2011, p. 90). Tris believes that her family is a large part of her own identity, enough to get a tattoo reminding herself of them. Tris says: “I belong to the people I love, and they belong to me-they, and the love and loyalty I give them, form my identity far more than any word or group could” (Roth, 2013, p. 455). Again, Tris’ inner monologue proves that she does not separate her identity from her family, and she believes her life belongs to the people she cares about. Repeatedly, she sacrifices herself in the series to try to save the people she cares about. However, Tris is not a perfect savior. Despite the fact that Tris learns and grows immensely throughout the Divergent trilogy, which helps readers to connect with her, she has many faults. Firstly, Tris generally has low self-esteem and claims she is actually a selfish person. She claims again and again that she is not a selfless person and yet she proves the opposite multiple times by actually volunteering to die to save lives. Additionally, Tris is impulsive. She states: “I stare down the building’s steel girders and black windows… I am a fool for doing this. And a fool for enjoying the feeling of my heart slamming against my sternum and sweat gathering in the lines of my palms” (Roth, 2011, p. 220). Tris continuously volunteers to do dangerous acts in the Dauntless faction. She sounds regrettable but seemingly enjoys risk taking. Similar to Tris, Katniss also has a negative perception of herself. She is quite withdrawn throughout the Hunger Games trilogy. She doesn’t seek support from the other characters, and remains reclusive. Katniss explains: “Finally, he can see me for who I really am. Violent. Distrustful. Manipulative. Deadly” (Collins, 2010, p. 232). In this quote, Katniss lists undesirable qualities that she identifies herself as. She feels guilt over killing children in the Games, and has an antagonistic opinion of herself. Because of this, Katniss ends up blinded by anger and revenge near the end of the series. She states: I feel the sickening impact of the skull against my shoe. The scent of blood and roses stings my nose. The pencil moves across the page on its own. I open my eyes and see wobbly letters. I KILL SNOW. If he’s captured, I want the privilege. (Collins, 2010, p. 38) Katniss is reminded of the traumatizing deaths that had occurred in the Games. She wants revenge for those who have been killed, and she wants revenge for herself. Since Katniss and Tris are not one-dimensional characters, they seem humanistic and distinctive. If readers were not aware that Katniss was a woman, they may think she was a man simply from her traits. She is an independent and strong person; she does not require any help and does not seek it. She hunts alongside Gale as a partner often in the beginning of the series. Moreover, she dresses in a leather coat and boots. Katniss is an incredible archer and she fights on par with any of the male characters in the books. She is not initially interested in having a romantic relationship with either of the potential men in her life. In fact, she is quite confused over how she feels about it. “Before my fellow tribute, Peeta Mellark, announced he was madly in love with me. Our romance became a key strategy for survival in the arena. Only it wasn’t just a strategy for Peeta. I’m not sure what it was for me” (Collins, 2009, p. 9). Katniss is aware Peeta is in love with her, but is unsure if she reciprocates that feeling. She cannot distinguish if she has romantic feelings for Gale either. Katniss considers: “Someone they love. The words numb my tongue as if it’s been packed in snow coat. Of course, I love Gale. But what kind of love does she mean? What do I mean when I say I love Gale? I don’t know” (Collins, 2009, p. 125). Katniss is uncertain of her feelings, and she does not prioritize having any romantic relationship throughout the trilogy. She explains: “The very notion that I’m devoting any thought to who I want presented as my lover, given our current circumstances, is demeaning” (Collins, 2010, p. 40). Katniss finds it patronizing to be placed in this position, but it ends up being essential for her survival. In comparison, many fictional novels portray the girl characters encased in a romantic sub-plot, ending in a happy relationship. Tris’ story is along those lines, though not entirely. Tris appears as a feminine character, at least near the beginning of the novels. She perceives herself as a plain, youthful-appearing girl, which she dislikes. She transforms her look by cutting her hair short and getting tattooed. Tris defies the typical expectations of a girlish appearance by changing her exterior. Tris describes: He takes off his glasses and shoves them in his pocket, then runs a hand through his hair, his eyes skipping over mine nervously. Like he’s ashamed. Maybe I should be. I’m tattooed, loose-haired, and wearing tight clothes. But I’m just not. (Roth, 2010, p. 351) Tris recognizes she does not look like the modest woman her brother, Caleb, would approve of, nevertheless, she’s not ashamed.
She also becomes a resourceful fighter through some persistent training. Her bravery becomes well-known throughout the faction. Zeke, from Divergent, states: “I have to say, I’m impressed that you aren’t screaming or crying right now.” Uriah, also from Divergent claims: “I told you, she’s [Tris] Dauntless through and through.” (Roth, 2010, p. 220) This quote signifies how other characters recognize Tris. She is not looked down upon in her faction despite being a young girl. Tobias also recognizes Tris’ strength in the books. Tobias explains: “I didn’t think it would affect you this way…Sometimes I forget that I can hurt you. That you are capable of being hurt.” Tris says: “[Tobias] did what he did because he believed in my strength” (Roth, 2010, p. 366). Tobias distinguishes Tris as extremely strong and capable, even forgetting that she can be hurt. This explains exactly how Tris is viewed by others in the novel. She is independent and intellectual in how she handles dire situations. Tris does have romantic thoughts about Tobias or “Four” rather quickly, but is reserved about the relationship at first. She claims: “I feel more like myself…And I am someone who does not let inconsequential things like boys and near-death experiences stop her” (Roth, 2010, p. 346). Tris sounds like she’s trying to convince herself of this in her thoughts but her actions actually prove this statement true. In the end, the personalities and traits of both Katniss and Tris don’t fit into the stereotypical female roles generally found in
literature. While there are obvious differences between both of these characters, there are also many similarities in their personalities that are akin to other heroes and heroines. Katniss and Tris’ flaws are part of their strengths as protagonists and that helps readers to accept them easily as human characters. In young adult literature, it is important that women are being represented as independent and individualistic, because popular media is influential to modern culture.
It is not often that a strong and significant female character is introduced in a movie and/or book as the main character. Pan’s Labyrinth, though not the typical fairy tale, introduces the viewer to three females that prove controversial and necessary to the plot, which passes the Bechdel Test, designed to identify gender bias in the media. There is Carmen, the loving mother, Ofelia, the supposed princess/innocent girl, and then there is Mercedes, Captain Vidal’s maid and rebel spy. These three women show different portrayals, different characterizations, of how women should defy the gender bias in films.
Time and time again, women have consistently been cheated when it comes to being represented fairly in literature. Throughout countless literary works, many female characters are portrayed in stereotypical and submissive roles. Three literary works that break from this trend are Edith Wharton’s Ethan Frome, Oscar Wilde’s An Ideal Husband, and George Bernard Shaw’s Pygmalion. These works examine themes of beauty and marriage, and feature female characters in prominent roles. But what influenced how male and female characters are portrayed in these pieces of literature? Examining Wharton’s Ethan Frome, Wilde’s An Ideal Husband, and Shaw’s Pygmalion from a feminist perspective reveals how gender characterization, author perspectives, and gender
As human beings, we thrive to find the meaning of our existence and also the truth. In the books and movies, The Hunger Games trilogy, the very heroic character Katniss Everdeen is on a quest to find truth. As she peels back the layers of lies that swaddle her world, she finds truth within herself and everything around her. To reflect on the novels and films, we must look at the principles of axiology and also examine the plot, characters and how they react to each situation; for reflecting on “the girl on fire” we must study the grounds of epistemology with her own identity. The whole story starts off with the day of the reaping when Prim, Katniss’ sister is selected to enter the Hunger Games, a game created by the government at the time to keep the society scared. One boy and one girl between the ages of 12 and 18 from each district are selected by an annual lottery to participate in the Hunger Games, an event in which the participants must fight to the death in an outdoor arena controlled by the Capitol, until only one individual remains.
It has often been said that there is nothing new under the sun. In this vein, authors across all literary genres often borrow themes and plot from the stories of long ago. Many of those authors choose to borrow from the rich mythology of the ancient Greeks. Suzanne Collins has been asked on numerous occasions where the idea for The Hunger Games originated. She readily admits that the characters and plot come from Greek mythology and more specifically, from Theseus and the Minotaur (Margolis 30). One familiar with both both stories can easily recognize the identical framework upon which each of these stories are built. Both Theseus and Katniss Everdeen, Collins’ heroine, volunteer to go into battle for their respective homelands, they both fight beasts of strange origin, and they are both brave in battle and emerge victorious, but it is the uniqueness of the characters that makes each story appropriate for the time period and audience to which it belongs. Collins modernizes the classic hero of Theseus by changing his gender, his motivations and altering his selfish personality, and by doing these things she creates a heroine that better resonates with today's audience of young adults.
A book called 1984 written by George Orwell's talks about manipulation in public, surveillance from the government, and perpetual war. Understanding the dark dystopian society of the book, different portrayed of the gender roles that were described from a woman and man roles in the book. Women had to portray
Over the past few years, there has been various books, films, and even songs about influential, heroic, women throughout the world. Some of the most recent heroic female figures include the fictional character “Hermione Granger” from the novel Harry Potter by J. K Rowling. Another strong female figure includes “Katniss Everdeen” from the novel The Hunger Games by Suzzane Collins. The two heroic women certainly share their differences. Hermoine was described as a bookworm who could be a tad bossy at times. Katniss was athletically inclined, however, lacked certain communication skills with people. Although Hermoine and Katniss have their distinct differences,
Fisher, Jerilyn, and Ellen S. Silber. Women In Literature : Reading Through The Lens Of Gender..
In our Society when you don't follow the rules, you become an outcast to the rest of the society. Suzanne Collins’ novel series, The Hunger Games criticizes our society and its demands for people of specific genders to act in certain ways and become certain things. Stereotypes concerning gender are prevalent in our society and all over the world. However, The Hunger Games gives a very refreshing tone of “mockery” to these stereotypes. Katniss Everdeen isn’t your typical 16 year old girl, and neither is Peeta Mellark a typical 16 year old boy, especially when they are fighting everyday just to survive. The Hunger Games is a work of social commentary, used to convince us that there can’t and shouldn’t be any defined “roles” based on gender. A mixture of “stereo-typical” gender roles within a person and their actions is what people need just to survive in our world that is changing every day.
Dystopian novels have been becoming increasingly popular among teens. A dystopian novel is book that is based around a society that is characterized by oppression and misery. It is a society that creates the illusion of a perfect environment. Teens enjoy this genre mostly because they can relate to the theme. Teens often feel trapped and controlled by a higher authority.an example would be the government in many of these books. A novel that has a dystopian society in “Anthem” by Any Rand. A movie that is based around a dystopian society is The Maze Runner. The novel “Anthem” and the movie The Maze Runner are popular amongst teens because of the oppression in their young adult life.
The Hunger Games is a unique novel that explores a fascinating concept, what happens when you throw twenty-four people to battle to the death? What’s truly remarkable about the novel is its ability to be read from a feminist point of view. Collins takes on the role of a feminist author by placing Katniss Everdeen, a female underdog, as the winner of the Hunger Games. The Hunger Games are about strength and endurance, and females were not favored to win under any circumstances. By making Katniss the winner, Collins defies the gender stereotype that women are weak and unable to defeat men in competitions that favor physicality and strength.
As an impoverished resident of District 12, the priorities that have shaped Katniss’ identity are those of survival. Whether is it in hunting the fields with her trusty bow and arrow, or trading her catch at the illegal hub, Katniss’ society has enabled her to hold many attributes and attitudes that would traditionally be considered as masculine. Her characteristic plait is done so for functional rather than fashionable purposes; she is a surrogate father over her sister Prim since his death in the coal mines; she is the main provider for her family; and her ‘romantic attachment’ to Gale has developed through his respect for stubborn and resilient nature rather that her looks or dependence upon
Archetypes such as the martyr give a clear depiction of which characters in a story have good values that the reader can agree with. In Arabian Nights and The Hunger Games by Suzanne Collins, Scheherazade and Katniss can both be displayed as a martyr due to their self sacrifice to save those they deem more important than themselves. In Arabian Nights, Scheherazade was preventing other women in her kingdom from being killed by their ruthless king, Sultan Schahriar. Schahriar would marry a different woman every evening and have them killed the next morning because he was so convinced all women were evil after discovering his first wife had cheated on him. Scheherazade volunteered to marry Schahriar and strategized on how to stay alive past one
Gender roles refer to theoretical construction about how people who belong to different genders should speak, think, dress, act and interact within the context of community they live in. Moreover gender roles divided into two main elements, which are dependent on the cultural context as well as the personal preferences or tendency of someone. Gender representations in “The Hunger Games” represents classical shifts away from mainstream gender roles with some elements and reinforces established gender roles in others. Girls are presented as the fairer gender, with an inclination towards being emotional and kind and rarely have characteristics of toughness and strength as is characterized by boys. On the other hand,
To the naked eye, Suzanne Collins’s Hunger Games may seem like a feminist novel. The fiercely independent Katniss is the quintessential literary heroine, who is self-sufficient and can hold her own. However, a closer look at the narrative can reveal that Katniss is not much of a radical feminist icon at all. The unnecessary portrayal of Katniss as a predominantly unfeminine female raises many red flags regarding the feminist nature of this novel. The novel implies that in order for a female to be successful in the Hunger Games, Katniss has to take on anti-feminine qualities. When it comes to feminism, role reversal is an ineffective literary strategy because it does not challenge our values on gender, it only gives us a male hero with a female name.
In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled.