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Pan's labyrinth characters analysis
Pan's labyrinth characters analysis
Pan's labyrinth characters analysis
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Jossely Avila-Matamoros
February 09, 2016
ENG 112
Spring 2016
Pan’s Labyrinth: Feminism in a Rather Dark Fairy Tale It is not often that a strong and significant female character is introduced in a movie and/or book as the main character. Pan’s Labyrinth, though not the typical fairy tale, introduces the viewer to three females that prove controversial and necessary to the plot, which passes the Bechdel Test, designed to identify gender bias in the media. There is Carmen, the loving mother, Ofelia, the supposed princess/innocent girl, and then there is Mercedes, Captain Vidal’s maid and rebel spy. These three women show different portrayals, different characterizations, of how women should defy the gender bias in films. The story, with its
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Her mother gave her hope and was the one who introduced her to fairy tales. So having that ripped out of her by Captain Vidal made her dislike him more. All she saw in him was a domineering, almost inhuman man who only serves to make her current situation miserable all the more. So, wondering into the labyrinth of her own accord and at the same time going against what she was told not to do. This is where she encounters the faun who gives her a book that shows her the three tasks she must accomplish in order to return to her rightful world. This, in turn, empowers her to become her own hero, and distancing from the stereotype that every princess needs a prince to rescue her. So, when the faun came to her asking her to bring her recently born brother to the labyrinth, which she obeyed in spite of her nature to go against what is usually mandated of her. Here, one can speculate that Ofelia is her own person, having finished all tasks on her own without help from a male lead, which most films monopolize on nowadays in order to validate its success. Ofelia is choosing her own path through her own choices. She is not a pretty girl in need of a man to save her because she is saving herself, as shown by the outcome when Captain Vidal shoots her. As she lays dying, a small, fading smile plays on her lips as Mercedes hums a lullaby, holding Ofelia; her return to where she originated from certain when she decides not to “shed the …show more content…
Not only has she served as a second mother figure to Ofelia, but she is also a spy who infiltrated Captain Vidal’s station and fed information to the rebel forces situated in the forest before getting caught with Ofelia, trying to run away from Captain Vidal’s suffocating grasp. The captain orders that Ofelia be kept in her room under constant surveillance while he “takes care” of Mercedes. It is in these scenes where the viewer is able to analyze more in depth Mercedes’ role. She has taken over the motherly role after Ofelia’s own mother passed away, as shown when she is caught running away from her and when attempting to protect her from Vidal: “Don’t you dare touch the girl… You won’t be the first pig I’ve ever
Margaret Atwood’s speech ‘Spotty-Handed Villainesses’ is an epideictic text, which explores the significance of having a multi-faceted depiction of female characters within literature as a means of achieving gender equity, centring on the fictional presentation of women as either virtuous or villainess. The title of the speech
A Midsummer Night’s Dream by William Shakespeare is one of the world’s most well known plays, yet it doesn’t pass a very simple test: the Bechdel Test. While the Bechdel Test isn’t always accurate in measuring female representation and the work’s success in films and literature, it can help to give the audience a pretty good understanding of how significant the female roles are. This test shows the reader that A Midsummer Night’s Dream doesn’t have many well represented women in it, but neither do many other great works.
The most important events of this film all revolve around the female characters. While there are some male charac...
The Disney movie, Mulan, is a fantastic movie that depicts gender-stereotyped roles, socialization of gender roles, and consequences of over stepping one’s gender role. Both males and females have a specific role in the Chinese society that one must follow. Mulan made a brave choice pretending to be a man and going to war against the Huns in place of her father, risking serious consequences if she were to get caught. She broke the socialization of gender roles and could have been faced with very serious consequences of her actions. The Chinese society in Mulan exemplifies the typical gender roles of males and females, the consequences of displaying the opposite gender role, and showed what the society expected in males and females in characteristics and attitudes.
In the Film Pan’s Labyrinth, the main character Ofelia goes through a journey in her self created fantasy world that not only runs parallel to the hardships she faces in the real world at home with her new stepfather, Captain Vidal, but also is very metaphoric in relation to the resistance to fascism itself that was taking place in actuality in 1940’s Spain under the rule of Francisco Franco. Ofelia’s journey through the Labyrinth showcases the two main choice that come about when faced with overwhelming odds, just like members of fascist countries that tried to resist against the ruling powers. People living
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
In Peter and Wendy, written by J. M. Barrie, the characters exhibit specific qualities which are stereotypical of their genders. The characters fall into traditional concepts of masculinity and femininity: Peter is cocky, stubborn, charismatic and enigmatic to the women in his life, and Wendy Darling, a young girl whose father wants to remove her from the nursery she shares with her brothers. The two characters embody and perpetuate gender stereotypes, and mirror the stereotypes embodied by the adult characters in the story, Mr. and Mrs. Darling.
Perspectives on gender roles throughout history majorly favor the male over the female; her abilities are underestimated by society thus her role is belittled and objectified. The ancient Mesopotamian epic, Gilgamesh, follows this norm of males being in the lead. However in truth, the women play a small but significant role as their drive. The females provide the wisdom and balance the main characters need to endure their journey. Men worship the opposite sex, relying on the power of their love to the point where they are ultimately exposed to a new way of life.
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being
...n by naming the title of the movie after the main female protagonists. Just look at the Little Mermaid, Snow White, Sleeping Beauty and even Beauty and the Beast. All are movies about the females being damsels in distress and having a male come to their rescue. Charles Perrault’s original version portrays the perfect version that children all around the world should be watching. Children are already very impressionable and what they watch when they are younger is how they eventually will act. How they grow up rests on the children movies and books of that generation. Those movies and books are what form the future leaders of our countries and for one very impressionable company, such as Disney, to be favoring one gender more than the other can result in chaos. Overall, Charles Perrault’s feminist lens in his story can lead girls to an empowering high self-esteem.
Women have been in movies since they first started playing on the big screen, they have played an assortment of roles, the damsel in distress, the first one to die, the poor scullery maid who ends up a princess, the evil witch, etc. While some of the roles have shed bad light on women, for example being a femme fatale, other movies have set positive examples for the future generations. As time has changed, the Disney princesses have evolved with it, each princess becoming more outspoken and independent, influencing the young women of today to want to grow up to be just like them, “They enact a shift from the "princesses" of ballet to the "heroes" of sport. Heroism, egalitarianism and autonomy are slipped into the conventions of Disney princesshood” (Do Rozario, R.,C., 2004, para. 34). In Mulan the movie, Mulan saves her father by disobeying him, and taking his place in the war by doing that she ended up saving her whole country. Disney isn’t telling young women to disobey their parents; they’re showing them that while you may be a girl, you can be brave and succeed.
Women are crucial to society. They are our voices, and they revolutionize our people. More importantly, mothers are a big part of our society. J.M Barrie’s Peter Pan is a magic-filled story about a mischievous young boy named Peter, and his tribe, the Lost Boys, who explore and go from raising themselves to attaining a mother. This story can be studied under the lens of the Feminist Critical Theory, which focuses on women empowerment and their outstanding role in society. Literature allows society to explore this role, which J.M Barrie displays impeccably in his book. Barrie’s book definitively presents Wendy’s journey from childhood to motherhood, her role in the development of Peter and the Lost Boys, and the idealization of women. Peter
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Throughout literature, authors employ a variety of strategies to highlight the central message being conveyed to the audience. Analyzing pieces of literature through the gender critics lens accentuates what the author believes to be masculine or feminine and that society and culture determines the gender responsibility of an individual. In the classic fairytale Little Red Riding Hood, the gender strategies appear through the typical fragile women of the mother and the grandmother, the heartless and clever male wolf, and the naïve and vulnerable girl as little red riding hood.
... portraying women in roles that don’t objectify them, encourage degradation, and promote feminism and female agency, there are some films that (luckily) do possess these traits. Tests such as the Bechdel Test, and theoriest such as Moi and Mulvey, point out and raise the issues present in our current patriarchal society that tries so hard to pigeonhole women and reduce them to sexual objects without agency, present only for male pleasure and power, are incredibly valid and important, yet no longer as overwhelmingly true – the feminist movement is making progress, on some fronts, even in the world of Disney, which constantly receives critique for the women role models that it promotes to young girls. Luckily, through the lenses presented by Moi and Mulvey, it becomes apparent that these Disney Princesses do possess agency, and are not just there for men to objectify.