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A key element in public speaking
A key element in public speaking
Theory behind public speaking
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Renowned and engaging speakers have the ability to connect their values and ideas to greater causes and principles, leaving an enduring impact on the audience. You may be questioning what makes a great speaker? And what qualities and features contribute to the formation of a powerful speech? It is understood that a great speaker has the ability to communicate to larger truths and carve those truths on the audience’s hearts and minds as they surpass the context, place and time of the deliverance of the speech, and focus on conveying their ideas and values.
Good Morning teachers and students. Margaret Atwood’s ‘Spotty-Handed Villainesses’ along with Doris Lessing’s speech ‘On not winning the Nobel Prize’, are two of many persuasive and insightful speeches, which successfully communicate to the larger truths and incorporate common themes and principles, which continue to be of great relevance within the current social landscape of society through the engagement of rhetoric.
Margaret Atwood’s speech ‘Spotty-Handed Villainesses’ is an epideictic text, which explores the significance of having a multi-faceted depiction of female characters within literature as a means of achieving gender equity, centring on the fictional presentation of women as either virtuous or villainess. The title of the speech
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alone is a clever textual reference, which highlights the purpose of the speech, as the term “Spotty-Handed” is used as an intertextuality and literary allusion to Shakespeare’s Lady Macbeth, who was depicted as a flawed and evil character. The use of this reference illustrates the notion that women are capable of evil, and outlines the highly effective point that they are flawed beings just like men, which persuades the audience to dismiss societal presumptions in relation to the characterisation of females within literature. Atwood reinforces her viewpoint that it should be acceptable to portray women as evil characters and emphasizes her argument by noting the plethora of maliciously characterised women that exist within society, which comprise of “the murderers, the seducers, the espionage agents, the cheats, the bad mothers and the stepmothers” thus, she contends that they deserve a position within literature as their characters should be an accurate representation of society. Atwood’s argument conveys a feminist tone to her speech, which could have been drawn from her practice as an acclaimed academic literary composer, and could also be associated to Lessing’s speech as she also campaigns for equality in regards to literature from a different perspective. Correspondingly, Doris Lessing’s speech focuses on the overwhelming disparity in the appreciation for literature between the different regions of the world and draws attention to her values of access to literature and equality, much like Atwood’s. Lessing’s speech focuses on the dispossessed of society, particularly those within the third world developing nations; she uses personal anecdotes and allusions to create a vivid image within audience’s minds, stating, “everybody I met, everyone, begged for books” which serves as a reflection of the experiences she’s faced, witnessing the clear distinction between the two different worlds; one in a country like London that is privileged and the other in Zimbabwe, where young people struggle to gain access to books, an education and their basic human rights. Lessing initiates her speech with a personal story, which is communicated through the use of present tense, used as a powerful mean in creating imagery within the audience’s minds, allowing her to strengthen her argument in relation to the economic and cultural disparity, which exists within society, this interesting method of introduction to her speech explores her personal context in relation to her experience as an author, which shaped her appreciation for words and the power of narratives. The ideals and concepts that are held close to Lessing’s heart are integrated throughout the speech, as her value for equality is conveyed through her argument, as she discusses the contrast in terms of the world we live in now and the clear diversity in relation to the appreciation for the access to education and resources.
She challenges the audience’s intellectual capacity through the use of rhetorical questions, inquiring, “is it really impossible for these privileged students to imagine such bare poverty?” which fortifies her argument and provokes the audience’s thoughts, persuading them to take action to transform the current social issues present within
society. Teacher and students, to sum up this talk, both Lessing and Atwood’s speeches are highly valued texts due to their exploration of issues and values which are relevant to todays social context. Atwood’s examination of the dichotomy of good and bad women in literature allowed her to challenge the views and attitude of the audience and speak to the larger truths, in order to convey her feminist approach towards the inequality in literature in terms of the depiction of flawed women within literature. Atwood’s argument similarly links to Lessing’s as she connects her values and ideas to the issue of inequality in relation to the diversity in the appreciation of education and resources among the different countries. Both these renowned speeches effectively speak to the larger truths as their purpose transcends the context, place and time of the deliverance and links to the social and political issues, which are pertinent within society today.
It is not often that a strong and significant female character is introduced in a movie and/or book as the main character. Pan’s Labyrinth, though not the typical fairy tale, introduces the viewer to three females that prove controversial and necessary to the plot, which passes the Bechdel Test, designed to identify gender bias in the media. There is Carmen, the loving mother, Ofelia, the supposed princess/innocent girl, and then there is Mercedes, Captain Vidal’s maid and rebel spy. These three women show different portrayals, different characterizations, of how women should defy the gender bias in films.
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Feminism is the conviction that members of both the male and female gender should be treated equally in all situations in political, economic and socio-cultural settings. It involves activities put in place in support of the interests and just treatment of females. One major way through which feminism manifests itself in the society today is through books and movies. Authors and movie directors depict feminist in their works by using events and characters to bring out how women are looked at and treated in the society. Over the years, Feminism has gradually changed in terms of its nature and the characteristics of the people who took up the belief of feminism (Lyman, 264). Feminists have gradually changed from being about equal rights for men and women to a whole range of complex issues, with the emergence of issues such as radical feminism and the improvements in the amount of knowledge and power that feminists hold (Harnois, 122). This paper takes a look at aspects of feminism present in America and in Britain by analyzing selected situations from two books, The Maltese Falcon and The Adventures of Sherlock Holmes.
Callaway, Alanna A., "Women disunited : Margaret Atwood's The handmaid's tale as a critique of feminism" (2008). Master's Theses. Paper 3505.
Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.
The role of female characters in literature has gone through many transformations and radical changes. Until recently, women were often perceived as the other sex by many cultures. The remains can still be witnessed is several societies around the world. This notion obviously enabled the same view to thrive in literature. In epic fantasy, women can rarely stand alone. Many female characters’ purpose in the genre consists of the beautiful prize for the hero, the nurturing caregiver, or the villain itself. Many of the most popular epic fantasy novels seldom break away from that convention. Philip Pullman created His Dark Materials and inevitably put a new spin to females in epic fantasy. Not only did Pullman write one of the two main protagonists female, he created a noteworthy female villain as well. Pullman’s His Dark Materials not only challenges female norms in epic fantasy by creating Mrs. Coulter as a multi-faceted powerful woman and Lyra as a more modern embodiment of Eve, the trilogy manages to reimagine the role of women since the biblical period.
The Handmaid's Tale presents an extreme example of sexism and misogyny by featuring the complete objectification of women in the society of Gilead. Yet by also highlighting the mistreatment of women in the cultures that precede and follow the Gileadean era, Margaret Atwood is suggesting that sexism and misogyny are deeply embedded in any society and that serious and deliberate attention must be given to these forms of discrimination in order to eliminate them.
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
Margaret Atwood is an acclaimed poet, novelist, and short story writer. With such a variety of works in different types of writing, it is difficult to grasp every aspect of Atwood's purpose of writing. A comparative analysis of Rape Fantasies reveals the Atwood's writing is varied in many ways yet soundly consistent especially when comparing a particular set of writing such as a group of her other short stories. Atwood's background plays a large part in her writing. Atwood was born in Ottawa, Canada in 1913. Her father was an entomologist, so she spent much of her childhood in the wilderness and other various urban places around Canada. Throughout her life, she lived in numerous Canadian residences as well as several towns in the United States. She has also lived in England, France, Italy and Germany. With this extensive background, Atwood displays a vast knowledge of the world around her, although large portions of her writing are based on Canadian settings. As a young girl, she started reading many books and even writing poems and comics. After deciding that she wanted to become a writer, Atwood attended the University of Toronto and earned her bachelor's degree in 1961. Following this, she went on to receiver her master's degree from Harvard University.
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Feminism has always been one of the most controversial issues in history. It is the ideology that women should be equal to men in terms of political, economic, personal, and social rights, and many feminist movements have been started worldwide in order to define, establish, and achieve those rights for women. Margaret Atwood is one of the writers who fully support feminism, and she has shown many different aspects of feminism throughout her novels. As one of the most notable novels of Atwood, The Handmaid’s Tale depicts feminism through an antifeminist environment where female characters are dominated by patriarchy, giving readers multidimensional feminist viewpoints.