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Racism in english literature
Masculinity in modern society
The concept of gender roles
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Recommended: Racism in english literature
Homophobia continues to run rampant in our world today and it is a notable concern in the black community. It is a fear that comes partially from a group’s definition of masculinity. Many people when identifying a homosexual male immediately pounce on the man’s effeminate traits and assign him the role of a homosexual, regardless of whether this is true. Langston Hughes’s story “Blessed Assurance” shows how a father analyzes his son’s life by noting the less masculine things his son does and turning that into a fear of his son becoming homosexual. Hank Willis Thomas uses the medium of photography in his “Branded” collection to examine the male body image particularly within the black community and shows the masculine traits associated within these advertisements. In examining both of these works one can find common definitions of masculinity in the black community across time and with this knowledge begin to understand how John determines certain traits and actions of his son to be effeminate.
In Langston’s Hughes “Blessed Assurance” a boys father goes of details of his son Delly’s life that lead him to believe that he is “turning out to be a queer”(58). One key aspect of Delly’s life that John is nonplussed about is the fact that Dell is “such a sweet boy – no juvenile delinquency, no stealing cars, no smoking reefers”(58). In John’s eyes Delly is to good of a person and that makes him less masculine. A real man would get into some kind of trouble. He would surely have a few friends who were delinquents and would get up to some mischief with them. He would most certainly not be nice to his younger sister and play dolls with her. Doing chores and cleaning without a struggle would also be out of the question if Delly were a much...
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... is not perfect. A man is purposely flawed. A man does not need his appearance to look flawless, but rather that there is something wrong and that is fine, because as a dominant male he can pull it off. A man will have trouble with the law because he his standing up for himself and exerting his primal right as a male to clash with others. John’s father analyzes every trait he can to determine how masculine his son. He takes each trait and compares it to himself, modern and past society. Thomas also explores masculinity through male body image. He examined popular advertisements and the view of the male body image in the black community. The views that Langston has John examine are also portrayed in today’s modern world. Granted times have change and masculinity has changed as well as the view of homosexuality in all cultures, but the past conceptions still remain.
In the essay, “The High Cost of Manliness,” writer Robert Jensen discusses the harmful effects of having male specific characteristics, such as masculinity. Jensen realizes that men’s actions and ways of living are judged based upon the characteristic of being manly. He argues that there is no valid reason to have characteristics associated with being male. Society has created the notion that masculinity is the characteristic that defines males as males.
Estes, Steve. I am a man!: race, manhood, and the civil rights movement. Chapel Hill: University of North Carolina Press, 2005. Print.
“The Other Wes Moore” By Wes Moore, reveals how two men can develop differently in the same social environment, and yet and have different intrapersonal views. The two men grew up in the same impoverished city, yet both have different experiences and views of what it means to be a man. The other Wes Moore, living his whole life in a poverty-stricken society, believes that being a man means to be powerful and unforgiving. The author, Wes Moore, living in two different worlds, views himself as a man when he becomes an exceptional leader and responsible for others lives. These concepts both tie into the constructs of masculinity in the United States where men are supposed to be protectors of society. The two Wes’ notions of manhood derive from
Throughout history, as far back as one could remember, African- American men have been racially profiled and stereotyped by various individuals. It has been noted that simply because of their skin color, individuals within society begin to seem frightened when in their presence.In Black Men and Public Space, Brent Staples goes into elaborate detail regarding the stereotypical treatment he began to receive as a young man attending University of Chicago. He begins to explain incidents that took place numerous times in his life and assists the reader is seeing this hatred from his point of view. Staples further emphasizes the social injustices of people’s perception of African-American men to the audience that may have not necessarily experienced
Works Cited Andrews, William L. Critical Essays on Frederick Douglass. Boston: G.K. Hall, 1991. Chapman, Mary, and Glenn Hendler. Sentimental Men: masculinity and the politics of affect. American culture.
Over the course of history, the definition of manhood has changed and morphed according to society’s rules. In his essay “Masculinity as Homophobia,” number four in The Matrix Reader, Michael Kimmel tackles the truth about what manhood has become and how society has challenged the meaning of homophobia. He begins with an analysis of history, and then proceeds to relate masculinity and homophobia to power, women, and violence. Manhood had not always existed; it was created through culture. Depending on the era, masculinity has a different meaning.
...aesthetic: James Baldwin's primer of black American masculinity." African American Review 32.2 (1998): 247. MasterFILE Premier
Surprisingly, Howard documents male same-sex sexualities in places where many may least expect to find them. Howard begins his book by challenging the urban, progressive, and identity-based writings that have dominated the delivery of gay history by focusing in the queer worlds of rural and small town Mississippians. Howard breaks the book down into two parts. Part one is perhaps best viewed as a set of contexts out of which develop, in part two, a series of changes (Howard, 2001). Through oral history, Howard details stories of queer male life in Mississippi. Important locations for gays are explored, such as homes, churches, schools, colleges, and work places. Howard also succeeds in explaining how the gay community in Mississippi ‘circulated’ and ‘congregated’ in queer sites in cities, towns, bars, and roads (Howard, 2001). Infamous cases in queer society of the time are also explored during the book. Howard explains in detail a 1955 murder of an interior decorator, an arrest of an African American civil rights activist in 1962, a 1963 arrest of a Euro-American civil rights activist, and a 1965 arrest of a local symphony conductor to trace shifts in sexual and gender norms and crackdowns on queers in the midst of the civil rights movement (Howard, 2001). Literature and the arts in the gay community is also explained. Gays in Mississippi
In a world where slavery existed, enslaved men and women were becoming more aware of the injustice inflicted upon them because of their skin color. In that world, black people were being forced to migrate, sold, kidnapped and traded in the name of slavery. Slavery was the ultimate business that condemned black men and women’s humanity and freedom. The slaves became the reliable pathway for people of white skin to obtain power and prosperity. Obtaining freedom was not an option but more of a necessity not only for the slaves but also for all their descendants. The enslaved men were put in a situation where their pride of masculinity was taken away from them. Eventually, there came a time when rebellious slaves strived to conquer what white men had stolen from them, what made them true men, their virility. With no rights, the enslaved men were completely being stripped of their masculinity, which was to men the main factor of being a true man. The white men impertinently build a sense of self-esteem by keeping their masculinity and thriving from the slaves’ pain. The movie “12 years a slave” portrays the idea that manhood was a concept important
Summers, Martin. The Black Middle Class and the Transformation of Masculinity. Chapel Hill: University of Carolina Press, 2004.
He gives little credibility to the "not all men statement, addressing that while informative on an oppositional attitude, it does not do anything to address the sometimes toxic aspect of growing up as a man. The two stories are alike in the sense that people agree men can be, and sometimes are, violent. There are certain expectations placed upon a man as he grows and strives to be masculine. However, the stories diverge on a course of action.
In this narrative essay, Brent Staples provides a personal account of his experiences as a black man in modern society. “Black Men and Public Space” acts as a journey for the readers to follow as Staples discovers the many societal biases against him, simply because of his skin color. The essay begins when Staples was twenty-two years old, walking the streets of Chicago late in the evening, and a woman responds to his presence with fear. Being a larger black man, he learned that he would be stereotyped by others around him as a “mugger, rapist, or worse” (135).
Edward Brown II conceptualizes Paul Laurence Dunbar’s poem, “We Wear The Mask”, and uses it to define his study. “Contemporary African American gay men wear many masks as a means of survival, but beneath the mask lays no vestige of a healthy identity.” Brown tackles black masculinity and the oppressive and crippling parts of black culture that keep black gay and bisexual men captive. Edward Brown II, a research consultant, holds a Master of Arts in African and African American Studies and specializes in psychology and gender theory. His case study asks if contemporary African American gay men are complicit and in many ways the case agents for the same homophobia that oppresses them. Brown questions if America’s history of racism and homophobia has robbed them (black gay men) of the possibility of self esteem and self
Throughout this paper I will discuss ways in which the life of Langston Hughes influenced his writing style and use of symbolism in his poetry, including “Mother to Son” and “Cross.” Langston Hughes enjoys providing an abundance of “twoness” and or duality into his poems. While writing Hughes captures the art and culture of African Americans, race and segregation related issues. Also including, imagery, allusions, ambiguity, irony and a seperation of the speaker and poet. Through Langston's poems his includes symbolism to provide us with his personal thoughts and feelings about what him and his fellow African Americans have to go through just to become equal and free. Hughes did not only write poems, he also participated in several other
Langston Hughes gained fame during the explosion of African-American artistic expression, a period called the “Harlem Renaissance”. Hughes was a prominent figure during the Harlem Renaissance, as he and many other African-American poets, novelists, artists and singers rose in popularity in this movement based out of Harlem, New York. The oppression of African-Americans served as an artistic inspiration for Hughes, with many of his poetry and stories dealing with the plight of African-Americans during the time of Jim Crow laws in the United States. The disdain for the oppression and discrimination Hughes experienced matches only the patriotism and adoration he felt for America, ‘the land of opportunity’. In his poem I, Too, Hughes explores the