Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
An essay on homophobia
An essay on homophobia
Homophobia in today's society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Edward Brown II conceptualizes Paul Laurence Dunbar’s poem, “We Wear The Mask”, and uses it to define his study. “Contemporary African American gay men wear many masks as a means of survival, but beneath the mask lays no vestige of a healthy identity.” Brown tackles black masculinity and the oppressive and crippling parts of black culture that keep black gay and bisexual men captive. Edward Brown II, a research consultant, holds a Master of Arts in African and African American Studies and specializes in psychology and gender theory. His case study asks if contemporary African American gay men are complicit and in many ways the case agents for the same homophobia that oppresses them. Brown questions if America’s history of racism and homophobia has robbed them (black gay men) of the possibility of self esteem and self …show more content…
Brown begins to deconstruct the system of manhood in America as he talks personally to his interactions with other black, gay men and co-workers. “Why don’t they just come out,” Brown’s co-worker states in conversation with him. Brown states that, “Sexism and heterosexism practiced by both heterosexuals and homosexuals are at the root of the many problems gay men face in forging a homosexual identity.” His cited evidence from other books and interviews with a few of the participants add another dimension to the case study, but once again does not rely on his data collected from the survey. Brown also does not discuss how he chose certain participants in the survey to conduct interviews with. Often in the academic journal Brown skips from topic to topic summarizing the selected authors pieces of work; which made his implications depend on the evidence in those scholars’ work rather than the quantified data he found. Ultimately, Brown’s findings and implications were left not fully expounded
A person’s identity develops from birth and is shaped by many components, including values and attitudes given at home. We all have a different perspective about who we want to be and what fits better with our personality. However, is our identity only shaped by personal choices or does culture play an important role here? It is a fact that the human being is always looking for an inclusion in society. For instance, there is a clear emphasis in both, “Masks”, by Lucy Grealy, and “Stranger in the Village”, by James Baldwin that identity can be shaped by culture. Grealy does a great job writing about the main issue that has made her life so difficult: her appearance. Cancer has placed her in a position where people,
A theme in “Our Secret,” by Susan Griffin that is developed through the character of Himmler, and the symbolism with the development of a cell is that if individuals hide constantly behind masks, they will struggle internally.
The inconsistent American view of integrity exposed in “We Wear the Mask” Paul Laurence Dunbar and “Theme for English B” Langston Hughes acknowledges the struggle between how society views African Americans and how the community views itself. Circumstances were difficult in America amongst the end of the 19th and beginning of 20th century. An immense amount of changes were happening, and numerous people had a troublesome time dealing with them. African Americans specifically got in a culture that showed up to more superior to anything it had been before and surrounded by the Civil War. The truth was, things simply weren 't so divine. African-American of this time period are prime cases
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
...e social changes brought about this period. He cites the growing sensationalism of sex covered in the media as a prime driver behind the sexual orthodoxy in American culture (Chauncey 1994, 359). During this witch hunt, he draws a silver lining. Using the scholarship of others such as John D’Emilio, he cites that this period brought a greater bond to the gay community by forging brotherhood of adversity which would then come back into play in the 1960’s as an experiential touchstone for the Civil Rights era (Chauncey 1994, 360). Chauncey nestles his own narrative of the gay community in New York within the larger narrative of gay life in America filling in the gaps of secondary sources through his own primary work.
Dunbar, Paul Laurence. “We Wear the Mask.” The Norton Anthology of American Literature. Nina Baym. New York: W.W. Norton & Company, Inc., 2007. Print
In the publication Black Sexual Politics: African Americans, Gender, and the New Racism, author Patricia Hill Collins, she discusses sexism, gender and the new racism. Collins discusses that heterosexuality operates as a hegemonic ideology that influences human sexuality, racism, and psychological processes (Collins 2004 p.37). This placement of heterosexuality at the top, positions it as the basis of understanding sexuality. For example Collins illustrates that the term sexuality itself is used so synonymously with heterosexuality that schools, churches, and other social institutions treat heterosexuality as natural, normal, and inevitable (Collins 2004 p.37). This in turn facilitates stigmatization of individuals who engage
They mention the transition of “the closet,” as being a place in which people could not see you, to becoming a metaphor over the last two decades of the twentieth century used for queers who face a lack of sexual identity. Shneer and Aviv bring together two conflicting ideas of the American view of queerness: the ideas of the past, and the present. They state as queerness became more visible, people finally had the choice of living multiple lives, or integrating one’s lives and spaces (Shneer and Aviv 2006: 245). They highlight another change in the past twenty years as the clash between being queer and studying queerness (Shneer and Aviv 2006: 246-7). They argue that the active and visible contests over power among American queers show that queers now occupy an important place in our culture. They expand on the fact that queerness, real, and performed, is everywhere (Shneer and Aviv 2006: 248). This source shows the transformation in American culture of the acceptance of queerness. It makes an extremely critical resource by providing evidence of the changes in culture throughout the last two decades. Having the information that queerness is becoming more accepted in culture links to a higher percentage of LGBTQ youths becoming comfortable with their sexual identity. However, compared to the other sources, this
Both parts of Tony Kushner's play Angels in America paint a painfully truthful picture of what gay men go through. In most cases, they suffer either inner anguish or public torment. Sometimes they must endure both. Being homosexual in America is a double-edged sword. If you publicly announce that you are gay, you suffer ridicule and are mocked by the ignorant of society; but if you keep your homosexuality a secret, you are condemned to personal turmoil. Kushner's work attempts to make America take a close look at itself and hopefully change its ways. The fear of public scrutiny forces many gay men into a life of denial and secrecy.
Aaron Devor’s essay “Becoming Members of Society: Learning the Social Meanings of Gender” describes how despite popular belief, gender and sex are not directly related and how social norms affect individual’s choice of gender. Devor‘s main argument is that gender is not determined by genitalia, but instead by the individual's own choices. Michael Kimmel’s essay “Masculinity as Homophobia” claims that gender equality is a positive thing for males and that social norms force men to act a certain way. Kimmel’s main argument is that men are always having to protect their masculinity in order to prevent themselves from appearing weak. Both authors present compelling arguments for both gender equality and for how social norms influence individuals’ gender choice. However, the two authors approach the same topic in different ways. Kimmel takes a more laid-back approach to the topic by using simple words and a conversational tone that relates to the casual gender sociologist. Devor writes a more sophisticated essay using complex terms and a more formal tone that relates to the serious sociologist that research gender studies.
In the past decades, the struggle for gay rights in the Unites States has taken many forms. Previously, homosexuality was viewed as immoral. Many people also viewed it as pathologic because the American Psychiatric Association classified it as a psychiatric disorder. As a result, many people remained in ‘the closet’ because they were afraid of losing their jobs or being discriminated against in the society. According to David Allyn, though most gays could pass in the heterosexual world, they tended to live in fear and lies because they could not look towards their families for support. At the same time, openly gay establishments were often shut down to keep openly gay people under close scrutiny (Allyn 146). But since the 1960s, people have dedicated themselves in fighting for
The Bwa are an indigenous African ethnic group currently residing across Burkina Faso and Mali in Western Africa (1). Despite French attempts at integrating Western Africa into the French Colonial Empire in the late 19th and early-20th centuries, the Bwa peoples have successfully continued to practice the cultural traditions of their distant ancestors (1).
George Orwell quote, “He wears a mask, and his face grows to fit it.” The documentary, “The Mask You Live In”, directed by Jennifer Siebel Newsom shows different ages of males who struggle to be themselves while battling America’s limited meaning of manliness. George Orwell quote, “He wears a mask, and his face grows to fit it.” Influenced by the media, among their age group, and the grown-ups in their lives, adolescents dissociate their emotions, disrespect women, and is aggressive. Society gender stereotypes affect young males to change to fit into the societal norm as they characterize “real” men.
Discrimination has always been prominent in mainstream society. Judgments are quickly formed based on one’s race, class, or gender. The idea that an individual’s self-worth is measured by their ethnicity or sexual preference has impacted the lives of many Americans. During the early colonial period, a social hierarchy was established with white landowners at the top and African-American slaves at the bottom. As equality movements have transpired, victims of discrimination have varied. In the late 1980’s when Paris is Burning was filmed, gay rights were still controversial in society. The lack of acceptance in conventional society created hardships in the lives of transgender women and gay men.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).