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An essay on gaudi and his impact on architecture
Modern architecture in the 19th century
Essay onantoni gaudi
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This report discusses Barcelona's famous architect, Antoni Gaudi. It also explores
the intrinsic relationship between the city and the architect. The paper
presents a brief biography of Gaudi and examines the general characteristics,
influences, and styles of his work and creations. The paper describes four of
Gaudi's many projects in Barcelona: the Sacred Family (La Sagrada Familia), La
Pedrera (Casa Milà), La Casa Batlló and the Güell Park.
Antoni Gaudi i Cornet was worn in the province of Tarragona in Catalonia in 1852.
At the age of 16 Gaudi left his hometown Reus to join the school of architecture of
Barcelona. At that time Barcelona was a fast-growing city because of the start of its
industry. It was the main city of Catalunya where at the time Gaudi arrived there
was a large anarchist independence movement. Like the followers of this
movement Gaudi loved Catalunya above everything else. For that reason the major
influences on his work were mauresque, oriental and gothic architecture, all of
them traditional Catalonian styles. New foreign movements like the arts and crafts,
impressionism and Art Nouveau were also discussed in the intellectual modernist
society.
Art Nouveau is the movement that influenced Gaudi the most, stimulating him to
experiment with new materials and new shapes, thereby helping him to give up
imitating historical styles and find his own way. The term Art Nouveau is French
and means New Art. It was an extraordinary movement in art history from the end
of the nineteenth century and lasted from about 1880 to 1915. The style is
characterized by using organic, ornamental shapes and patterns and by integrating
all aspects of art and design. The movement had different names in different
languages. In Germany it was called Jugendstil, in Italy Stile Liberty, in Austria
Sezession and in Spain Modernista or Modernismo.
The opportunities afforded by Catalonia's socioeconomic and political
environments were endless. Catalonians such as Antoni Gaudí often showcased the
region's diverse art techniques in their works. By mimicking nature, such artists
symbolically pushed back the province's ever-increasing industrial society. Gaudí,
among others, promoted the Catalan nationalist movement by incorporating
elements of Catalan culture in his designs.
Almost all of Gaudi's buildings were constructed in Barcelona. His early designs
reflect the taste in the late 1800's for color and for peasant or folk traditions. In
Gaudi's work, this resulted in the use of colorful tiles of the sort used in moorish
architecture. His best known designs of the early 1900's include two houses, the
At the turn of the 20th and further into the 21st century, art began to drop the baggage carried from the masters of the Renaissance and began a trajectory of change. Artists began challenging the schools and galleries of art around the world in an effort to break away from the chains that were wrapped around them in an effort to control the basis of art. Strange patters, shapes, colors and spaces emerged as each one challenged every norm known to the artistic circle. Critics and viewers alike were suddenly required to think less about the topics of paintings and more about their formal aspects. As decades passed, the singularity of art began to intensify and different forms of art demanded the same recognition as others before. Liberation
all the details of the city that often fly over the heads of most and recreates
called the New Paris, or the modern capital of Europe. The streets , buildings and the services
...tones of violet or purple, combined with gold and other colors, while the Blues would favor materials in blue and white.
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
Giuseppe Garibaldi, b. Nice, France; July 4, 1807, d. Caprera, Italy; June 2, 1882. He was known as Italy's most brilliant soldier of the Risorgimento (the Italian Unification), and one of the greatest guerrilla fighters of all time. While serving (1833-34) in the navy of the Kingdom of Sardinia-Piedmont, he came under the influence of Giuseppe Mazzini, the prophet of Italian nationalism. He took part in an abortive republican uprising in Piedmont in 1834.
it. The art of this time period showed form and subject that were far more perfect than one
Leonardo de Vinci (1452-1519), considered a pioneer artesian, of the high renaissance, was best known for his art, science, and his wisdom. He believed in only what he could observe. His drawing Vitruvian Man (1490) is the balanced perfection of human anatomy. The fascinating artisanship, undertaken from a drawing, inside his mysterious notebook, illustrates, dissects, and shapes an understanding of the mechanical symmetry of humanity. His correlation between man and universe has enlightened the modern studies of medicine and machine for centuries. His prized work of the human body according to the mind of Leonardo De Vinci's Vitruvian Man has become a world-renowned icon.
It was a full 170 years after Americans had their political revolution that they won an aesthetic revolution. American art to get rid of its inhibiting mechanisms- provincialism, over-dependence on European sources, and an indifferent public- and liberate itself into a quality and expressive force equal to, or exceeding that of art produced anywhere within the period. Few would argue that the painting and sculpture that emerged from the so-called New York School in the mid 1940s was the foremost artistic phenomenon of its time and was labeled as the Abstract Expressionist movement. Abstract expressionism was a reaction to social realism, surrealism, and primitive art in the 1940s; this is a turning point in American art history because it caused the rest of the art world to recognize New York as the new center of innovation.
Many artists attempt to be “avant-garde”, to present something new to the world; such as artists from the Cubist time period, Braque and Picasso. They are known for not including a clear perspective and for having geometric shapes. There are also avant-garde artists who refer back to the past for inspiration; for example Neoclassicism (Oath of the Horatii by David) and Renaissance (School of Athens by Raphael) both include Greek and Roman coalition. Avant-garde artists show the viewer’s their uniqueness and ambition in presenting something new while incorporating older traditions or just simply going past the modern world and creating something new.
In 1907, Picasso created a new type of art, Cubism. For those who don’t know what cubism is, it captured and exaggerated certain features of a subject. “Cubism is renowned as a groundbreaking artistic movement in and of its own right, yet it also influenced generations of artists to follow, shaping the very history of art.” (Unknown 6) This technique changed art all around the world. It helped people express more depths within a painting. To this day, artists look at Picasso’s pieces for inspiration.“There had been no prior artist to Picasso, who had such an impact on the art world, or had a mass following of fans and critics alike, as he did.” (McConell
In the year 1881 a son was born to Don Jose Ruiz Blasco and Maria Picasso on the southern coast of Spain in a town called Málaga. At around the age the age of 10 his father because an instructor at Da Guarda Institute. A year later young Pablo was being taught by his father. In a short time he started writing and illustrating a journals. When he was 16 he moved to Barcelona and excelled at the La Llotja Fine Arts Academy and was soon accepted by the Royal Academy in Madrid. He was often regarded as a boy genius.
Florence was the trend-setter of the Renaissance, whatever they did everyone else wanted to do because Florence was very successful. “No great city has ever been built far from the water… [Florence] was now more vulnerable, but it had easy access to an important trade route. It had good communications by river to the west, and practicable passes through the mountains ...
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.