The Truth and Expression of Art “Vincent van Gogh”
Art can mean many different things to many different people and was one of the earliest ways in which man has expressed him or herself to others, whether it was through cave drawings or hieroglyphics. It does not begin or end with just drawing or painting, items typically considered art, or the many other recognized facets of art including architecture, drama, literature, sculpting, and music. My research is based on Vincent van Gogh art, and two art paintings that I choose to study is The Starry Night, 1889, and the second art is The Sower 1888. Vincent van Gogh’s is known for Impressionism, that occurs to us in these times, much more to affirm close links with tradition, and to represent
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The painting express creative drive that they give form to immaterial ideas and feelings (this is relevant to abstract art). Since the author had mental health issues during the creative process of the painting I believe, he didn’t just used art and beauty themes to express his paintings, he wanted to show the world what he was feeling inside. Although, many people can view this painting’s major theme as Art and Beauty, I also viewed it as Art and Spiritual Belief. The reason why is because according to Sayre, Gogh wrote a letter to his brother by saying: “My paintings are almost a cry of anguish.” Gogh utilized a variety of colors on the spectrum, giving his paintings life. He often used the art style of Impressionists in that his paintings are depicted as he sees fit, and not how they are naturally viewed. His heavy brushstrokes and vivid colors portray the night sky as crazy and chaotic and the village below as peaceful and …show more content…
The sun itself is brilliant, dense and opaque, heavy with brush-worked impasto. Van Gogh gives us heat and light as force to express true nature of natural way of production goods. Once again, his paintings consisted of complex brush strokes that would vary in the amounts of paint used. He used colors in order to push emotion onto the audience through contrasting colors and his works often reflected his own mood and surroundings. The Principal of Design is balance; the sun is presented in the center of the painting. Which makes the viewer pay attention to the center of the painting first and then observe other sides of
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Coming from a family greatly involved in art dealing, Vincent van Gogh was destined to have a place in the world of art. Van Gogh’s unique techniques and use of color, which clashed and differed greatly from the masters of the art world of his time, would eventually gain him the recognition as one of the founders of modern art. Van Gogh’s early life was heavily influenced by the role of his father who was a pastor and chose to follow in his footsteps. Although he abandoned the desire to become a pastor, van Gogh remained a spiritual being and was strong in faith. Plagued with a troubled mind and poor health, van Gogh’s life became filled with torment and isolation that would influence his career in later life as an artist. In his late twenties, van Gogh had decided that it was God’s divine plan for him to become a painter. His works would express through thoughtful composition and vibrant color, the emotions that he was unable to manifest in the real world. Van Gogh’s perception of reality and his technique would face harsh criticism and never receive full acceptance from his peers as a serious artist during his brief career. In a collection of correspondence entitled The Letters of a Post-Impressionist, Vincent confirmed these thoughts while writing to his brother Theo, “It irritates me to hear people say that I have no "technique." It is just possible that there is no trace of it, because I hold myself aloof from all painters” (27). His technique would later be marveled and revered by the art world. Vincent van Gogh’s legacy would thrive as it challenged the way the world envisioned modern art through his unique brush strokes and profound use of color as seen in his works The Sower and The Night Café. A brief look into...
Throughout his lifetime, Vincent Van Gogh drew many self-portraits. It’s theorized that he drew so many to test out new painting styles and because it was cheaper to draw himself instead of hiring a model. The function of this painting is commentary since it is a visual account of a person. Using shades of blue in the background and shirt makes Vincent Van Gogh pop out. The orange in his beard complements to the blue and draws the viewer’s attention to his face.
1.Van Gogh attended a boarding school in Zevenbergen from when he was ten to twelve.
...retation of the painting some aspects were surprising to how dark and heavy hearted she could speak, she took an interesting perspective. However in her interpretative poem she found a perspective of the painting that connected with her. As she used every stroke of darkness painted into the canvas an opportunity to have it symbolize this darkness and evil that resides in the world. It told her story and her experience of a starry night. Similarly Van Gogh had used every stroke of light painted into the canvas to be a symbol of beauty, and a symbol of his fascination of the night sky and its illuminating lights. He uses swift movements of his brush to depict a sky that seem to be able to sweep the mind away from the frustrations of this world in to the dreamy night light. A single painting worth a million words tells many stories through every perspective.
In conclusion, Van Gogh used the elements above to create a man by himself in a field. He used color to represent feeling rather than represent realism of an event. The cool colors represent the field and happiness in his work. The warm colors represent the harshness of the day and could be a metaphor for life. He used scale and proportion to emphasis the overbearing sun. He also used proportion and scale to represent literally and figuratively how far away home was. The linear perspective was only evident to me after I really studied the used of lines. I followed the lines to the horizon and left side of the painting.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
As Van Gough pushed the bounds of impressionism, he helped create the class of post-impressionism and art that did not follow the traditional style. While held in an insane asylum Van Gough painted the “Starry Night,” a depiction of a small city and the night sky overhead. The piece was painted in the early morning before the sun was coming up looking out of his prison. Just as most impressionistic works of art are outside Van Gough followed the rule in this piece, however the scene is crafted from Van Goughs memory, with a city from his childhood and a landscape he couldn’t completely view from his location. It is clear that you can see the exaggerations in this painting when you look at the stars. It was painted during a time of mental insanity leading the artist to have a unique use of self expression and a shifted reality to create an abstract painting. The painting pulls more meaning and speculation because there is more then just a passive experience of looking at a painted landscape. Shown plainly is a landscape, using long brushstrokes that you can make out just like the one on the Sunrise. It also uses intense colors of blue, yellow, and orange
Van Gogh had sympathy for the peasants and furthered his passion for humanity. He studied them non-stop to explore their world. The color palette he chose was dark and crudely painted on, almost grungy. It’s a low-lit kitchen area, with the look and feel of exhaustion that the dark color palette engages the viewer to feel what is going on.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
One of the visual elements of this painting is the color he really uses the color to get people's attention because he uses watercolors to blend them together to make such a wonderful painting. He blends many different colors together to make new ones there is not a spot in this painting that there isn’t color. The second visual element is the people in the painting they are naked and dancing around like nobody's looking. The people in the painting are relaxing and enjoying one another and various ways. Some are even having sexual contact in the painting it’s expressing themselves from one to
My book report is about Vincent Van Gogh, as portrayed in the 1934 biographical novel Lust for Life by Irving Stone. Vincent Van Gogh was a Dutch post-impressionist painter, who is most well known for his contributions to modern art. The novel covers a ten year period in Van Gogh's life, eventually leading up to his suicide in 1890. Within the book report, I will discuss Van Gogh's personality, his mental problems, and his relationships. I am going to be comparing the novel to the 1990 film, Vincent & Theo, directed by Robert Altman.
Starting with visual elements I saw lines, implied depth, and texture. I see lines by him using lines created by an edge. Each line is curved not straight but it works with the piece. By using this he creates the piece to make it whole. He uses many curved lines within the painting I don’t know if there is a straight line in the whole thing. The next element I saw was implied depth. Using linear perspective you can see the mountains but they look smaller than the rest of the piece. They are the vanishing point in the back making it look as if you can walk down and they will get closer and closer to you. The last element that I saw was texture. They talk about Van Gogh’s painting, The Starry Night having texture through a two- dimensional surface, in which this painting has that similar feel. Van Gogh uses thick brush stokes on his paintings to show his feelings. There is actually a name for this called, Impasto,
It is said that one learns through every experience especially those that induced pain or suffering. A quote by the Roman poet Horace explains the idea that trauma invoke talents that joyous times could never. On the contrary, some people believe that such adversities invoke nothing or only call upon the negative. The life of the beloved painter Vincent Van Gogh along with dramas such as Trojan Women and even a personal experience of mine prove that adversities can bring out character traits that would have never been realized otherwise.