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Vincent van gogh lifetime accomplishments
Van gogh mental illness history
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My book report is about Vincent Van Gogh, as portrayed in the 1934 biographical novel Lust for Life by Irving Stone. Vincent Van Gogh was a Dutch post-impressionist painter, who is most well known for his contributions to modern art. The novel covers a ten year period in Van Gogh's life, eventually leading up to his suicide in 1890. Within the book report, I will discuss Van Gogh's personality, his mental problems, and his relationships. I am going to be comparing the novel to the 1990 film, Vincent & Theo, directed by Robert Altman. Vincent Van Gogh is often remembered for his enigmatic personality. In the novel, he is portrayed as timid and unsure of himself. Although Stone takes a lot of creative license with the novel, the book version of Van Gogh sounds very similar to the real one. In the novel he says, "You cannot be firmly certain about anything. You can only have enough courage and strength to do what you consider to be right. Maybe it turns out that was wrong, but still you would have done his, and it is most important" (Stone, Irving). This quotation accurately summarizes up much of Van Gogh's character. He is hesitant about the choices he makes in life, yet he does not regret them. This is an integral characteristic that the writer chose to emphasize. Much of Van Gogh's art is based off of that concept of The film is a much darker perspective on Van Gogh's life. The director, Robert Altman explores the serious side of the artist's life. Mainly his relationship with his brother Theo. While Irving Stone makes an attempt to romanticize Van Gogh and his life, Altman evidently does not try to present a happy, falsified version of the artist. Altman's main goal is to portray Van Gogh in the most historically accurate way possible. While I thoroughly enjoyed Stone's interpretation, I think that the film is a more accurate depiction of his
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having the opportunity to see the Vincent Van Gogh/Antonin Artaud exhibition, The Man Suicided by Society. The exhibition captured Antonin Artaud’s text about Van Gogh’s, “exceptional lucidity that made lesser minds uncomfortable,” or better known as his mental illness that had a major effect on his artwork [Musee d’Orsay]. In this exhibition, Vincent Van Gogh’s works visually present his life experience having spent 9 years in a mental institution and the way his imbalanced mind played a direct role on the outcome of his artwork. The darkness of Vincent Van Gogh’s illness that had a major impact on his art, was a form of expressionism which led to a collection of works that both told his life story, and later, led to his own suicide.
References 2, 7, 8- "Vincent Van Gogh- Portrait of an Artist" Jan Greenberg and Sandra Jordan, pages 7, 85, and 86. Published in 2001.
Vincent van Gogh was a Dutch post-impressionist painter, whose work represents the archetype of expressionism, the idea of emotional spontaneity in painting. Van Gogh was born March 30, 1853, in Groot-Zundert, son of a Dutch Protestant pastor. Van Gogh's birth came one year to the day after his mother gave birth to a first, stillborn child; also named Vincent. There has been much speculation about Vincent van Gogh suffering later psychological trauma as a result of being a "replacement child" and having a deceased brother with the same name and same birth date. Early in life, he displayed a moody, restless character that was to spoil his every pursuit. This theory remains unproven, however, and there is no actual historical evidence to support it.
Van Gogh was born on March 30, 1853, in the rectory of Zundert in Barbant (Burra). His father was a soft-spoken Dutch clergyman. The only thing Van Gogh got from his father, was the desire to be involved in the family church. Even at an early age, Vincent showed artistic talent but neither he nor his parents imagined that painting would take him where it did later in life. One of his first jobs came at the age of sixteen, as an art dealer’s assistant. He went to work for Goupil and Company, an art gallery where an uncle had been working for some time. Three of his father’s brothers were art dealers, and he was christened after the most distinguished of his uncles, who was manager of the Hague branch of the famous Goupil Galleries (Meier-Graefe). His parents were poor, so his rich uncle offered to take him ...
Many of the points and comparisons he stated allowed me to understand some elements about the film that were at the tip of my tongue but I could not fully explain. For example, when I first watched the film I liked the choppiness and color scheme used; however, it did seem familiar, but I could never pinpoint where I had seen that style before. The review finally showed me where I had seen that technique before; which was in pop art. This review has given me a better understanding of the film, and with that, I love this film even
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
The tone of voice that Pollock use in her article is a formal yet strong persuasive voice. For much of her writing, she takes on a quote from her source and counter-argues against it, which some readers may question who is correct. She also consistently refers back to Van Gogh as well as points she previously made to try to get point across. Pollock refers back to her previous points possibly to try to emphasis the point she is trying to make as well as emphasis their important to art
Vincent van Gogh was very different because he did not have a lot of friends and devoted his life to painting. The only time I feel alive is when I’m painting.” (Van Gogh ) Gary Paulsen wrote a realistc book called Hatchet and shows lots of similar elements to van Gough.Vincent Van Gogh had made over 1000 paintings and only sold one. looking at Gary Paulsen's work and Vincent van Gogh's, they are similar in many ways. Authors and artists are similar because both utilize elements of their crafts, show perspective in their works, and draw inspiration from their own lives.
Birdman: Or (The Unexpected Virtue of Ignorance) is a fantastic film that combines seemingly disparate ideas into a coherent theme and narrative. The theme that seems so prevalent in the film is the struggle to move on and find love and admiration. The movie tries to understand this struggle by asking the question of what defines art and whether Hollywood-like spectacle approach to art is a good thing. The film also faces the viewer with the internal conflict that these characters face when having two types of personalities on and off the stage. The movie conveys this theme through its use of cinematography, acting and production design.
In the film, Kubrick makes better use of symbolism and the archetypical characters in the story than King did. Stanley Kubrick has taken advantage of the words written by King and turned them into a genius image. The film is loaded with copies and cycles, individuals existing in two time periods with clashing personas, which are constantly battling each other throughout the movie.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
Vincent Van Gogh never gave up his style and insight in his early work compared to his later work. I will discuss the comparison of the Potato Eaters and Starry Night and even though there are obvious differences, the core of his passion and eccentricities can be seen.
Throughout his lifetime, Vincent Van Gogh drew many self-portraits. It’s theorized that he drew so many to test out new painting styles and because it was cheaper to draw himself instead of hiring a model. The function of this painting is commentary since it is a visual account of a person. Using shades of blue in the background and shirt makes Vincent Van Gogh pop out. The orange in his beard complements to the blue and draws the viewer’s attention to his face.
In conclusion, Van Gogh used the elements above to create a man by himself in a field. He used color to represent feeling rather than represent realism of an event. The cool colors represent the field and happiness in his work. The warm colors represent the harshness of the day and could be a metaphor for life. He used scale and proportion to emphasis the overbearing sun. He also used proportion and scale to represent literally and figuratively how far away home was. The linear perspective was only evident to me after I really studied the used of lines. I followed the lines to the horizon and left side of the painting.