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Minimalist art essay
Minimalism in art
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At the turn of the 20th and further into the 21st century, art began to drop the baggage carried from the masters of the Renaissance and began a trajectory of change. Artists began challenging the schools and galleries of art around the world in an effort to break away from the chains that were wrapped around them in an effort to control the basis of art. Strange patters, shapes, colors and spaces emerged as each one challenged every norm known to the artistic circle. Critics and viewers alike were suddenly required to think less about the topics of paintings and more about their formal aspects. As decades passed, the singularity of art began to intensify and different forms of art demanded the same recognition as others before. Liberation …show more content…
During the 1960’s, a new branch emerged from this style to further challenge the boundaries that artists constantly fought to expand. Minimalism sought to emphasize attention to the physical properties of space and materials as being the artwork itself, without any connotative meaning attached to it. One of Tuttle’s earliest works, Light Pink Octagon, exhibits characteristics from this movement and encourages the viewer to value this piece for what it is by itself and nothing else. With this artwork, Tuttle forced critics and viewers to eradicate the presupposed boundaries and humbly demanded an open mind for the acceptance of art in its simplest and purest …show more content…
It is made from a piece of cloth cut into an octagonal shape, hemmed all around and later dyed with Tintex into a pale pink color. During the process of dyeing the cloth the artist also permanently wrinkled it, giving it not only a unique texture but also a shabby and neglected appearance. Supporting this presentation is also the lack of perfection, from the unequal sides of the octagon to the uneven hem lines, this piece becomes so intriguing precisely because it does not conform to the usual guidelines of art. None of the elements call attention on themselves but instead together create something peculiar that strongly demands the attention of the viewer. Displayed in the Blanton Museum of Art in Austin, Texas, this piece can capture the eye with no limitations on its location inside the museum. It can be hung anywhere or placed carefully in the cold floor and it will capture the same effect and draw the same attention, regardless of where it may be. This is important because this piece allows its beauty and simplicity to exist anywhere, precisely because of those
The outstanding Simplemente Bellas by Mabel Poblet Pujols is a 2-D art piece, located in Tampa Museum of Art, in downtown Tampa. Tampa Museum of Art is free to students, and is a great home to many spectacular forms of 2-D and 3-D art. The first glance at this wonderful work of art, I quickly decided this would be the piece I would write my humanities paper on. During my first visit to this museum, Simplemente Bellas was immediately the first work of art to have caught my eye. At first, it changes your perspective, due to the fact it is a three-dimensional piece on top of a two-dimensional canvas. This piece is beyond beautiful. As it says in the title, Simplemente Bellas, is translated to Simply Beautiful. It is a great example of human expression,
“Introduction to Modern Art.” metmuseum.org. The Metropolitan Museum of Art. 18 June 2009. Web. 25 Sep. 2009.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Mark Rothko is recognized as one of the greatest artists of the twentieth century and during his lifetime was touted as a leading figure in postwar American painting. He is one of the outstanding figures of Abstract Expressionism and one of the creators of Color Field Painting. As a result of his contribution of great talent and the ability to deliver exceptional works on canvas one of his final projects, the Rothko Chapel offered to him by Houston philanthropists John and Dominique de Menil, would ultimately anchor his name in the art world and in history. Without any one of the three, the man, the work on canvas, or the dream, the Rothko Chapel would never have been able to exist for the conceptualization of the artist, the creations on canvas and the architectural dynamics are what make the Rothko Chapel a product of brilliance.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
On display in The Louise Hopkins Underwood Center for the Arts in Lubbock, Texas is a piece called La Ventana by the artist Alice Leora Briggs created in 2013. This piece is composed of wood cut with chine colle printed on an individual piece of Kitikata paper. The overall obstacle presented is one where man’s limitations can be seen through a physical, an emotional, or a lack of opportunity to interact with his environment. In Leoras piece La Ventana, the main subject matter present is the middle-aged man lying in a fetal position on the ground of an abandoned warehouse.
Art is a constantly evolving process. The previous style of work serves as a roadmap for what will follow. As often is the case with any form of growth, there exists a transitional period. Because of this evolution, there are traces of a style’s illustrious history embedded in the adaptive art’s metaphorical DNA. The transition from early to late Renaissance established two styles of art known as Baroque and Rococo. While, on the surface, the Rococo style can appear to be very similar to the work produced by Baroque artists, the two also demonstrate distinct differences in their use of subject and theme, the manner in which they created the art, and how that art was perceived in their time. These factors establish both styles from one another, making them unique.
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
When looking at works such as Carl Andre’s lever, a stack of 137 bricks lying on the ground, there is no clear expression of what the artist was trying to establish. It can not be observed by the viewer the expression the artist had when creating the piece or the intent behind it. There is no ‘higher meaning’ that transcends the surface of the object and how it relates to the space. Minimalism emerged from a 1960’s New York scene that held a distaste for Abstract Expressionism and other prior artistic movements, whom the ‘literalists’ felt to be feeble with expression. In a 1966 essay —— held to question 'the need for art to be obscured by the emotional and associative
Art has gone through many significant developments throughout history. The most important turning point was the renaissance. Art took a huge turn before the 1500’s and even after. The Renaissance has assisted the world of art in breaking away from a classic structure and shaping it to what it is day. Prior to this cultural rebirth, artworks were mostly not made to scale. Paintings were unrealistic and disproportionate. Religious figures seemed to be the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques.
In the early 20th century several movements occurred in America and Europe, therefore it was an era that characterized by the imperialism industrialization which polarized the nation into two categories of high and the low class. And the western culture dominated most of the world possessions. The U.S was able to have power over their land and they gained high economic and political power. The American did not allow other countries free trade to enter their lands. Furthermore, the Modernism Cultural movements allow many artists to present their styles in a unique form of expression. Modernism is characterized radically by breaking down the trends which occurred in the past of the 19th century. Moreover, Pablo Picasso, he was a phenomenal modern artist; Picasso was very famous for all of his work of art especially the cubism arts. Therefore, some viewers consider his art to be disturbing because they...
Over the years many artists and art historians, such as Giorgio Vasari, Pablo Picasso, Paul Rand and Marcel Duchamp, have explored the definition of art. This essay will look at the opinions of these individuals and explore the concept of art by looking at various art movements, such as Dadaism and Cubism, which have influenced the definition of art, as we know it today. In this essay, I will also discuss the two elements of art; form and content, as well as how they are key to any discussion about what makes “good art” and “bad art”.
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.