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Compare Renaissance and Baroque music
Renaissance Art vs. Baroque Art
Renaissance Art vs. Baroque Art
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Art is a constantly evolving process. The previous style of work serves as a roadmap for what will follow. As often is the case with any form of growth, there exists a transitional period. Because of this evolution, there are traces of a style’s illustrious history embedded in the adaptive art’s metaphorical DNA. The transition from early to late Renaissance established two styles of art known as Baroque and Rococo. While, on the surface, the Rococo style can appear to be very similar to the work produced by Baroque artists, the two also demonstrate distinct differences in their use of subject and theme, the manner in which they created the art, and how that art was perceived in their time. These factors establish both styles from one another, making them unique.
Between the seventeenth and eighteenth centuries, Renaissance art underwent a deliberate and revolutionizing change. Catholic Rome, in this time had just surpassed approximately one hundred years of political and religious turmoil. During this time the Roman Catholic Church had survived the introduction and implementation of Protestantism in addition to the struggles Rome itself faced with invading forces attempting to seize control. Afterwards with the return of water, through the restored aqueducts, straight into the heart of the city of Rome was the perfect symbol for its rebirth (Realms). The art, architecture and music of this period in history became known as the Baroque. The term, which is derived from the Portuguese word barroco, describes the dramatic theatricality and elaborate ornamentation of this time. Barroco literally means, “Irregularly shaped pearl” (Kleiner). As defined by Heinrich Wölfflin, Baroque is the age in which the “oval replaced the circle as ...
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...olic Church, and by extension religious themes all together, and focus more on the essence of the individual. The result was the establishment of a much lighter, more playful style that could serve as deliberate ornamentation for Parisian décor. This was a particularly beneficial trait of the Rococo style.
The transition from Baroque to Rococo was a process of evolution. Rococo could not have existed without the presence of the Baroque, and Baroque without Classical. Because of this they are forever tied together by their metaphorical DNA. However, these bonds do not contend that the two are identical. The differences in how each style utilized and implemented subject matter and themes, as well as how the works were physically constructed, and the perception of the population at the time the work was being created all stand to establish the works as separate styles.
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
As the late Baroque period morphed into the new period known as the classical period, technological advances and new compositional techniques and ideas created new opportunities for the musicians of the period. The changes allowed for new performance techniques, forms, performance venues, and newly available compositional orchestrations to be improved and evolved into something new and improved for the new period.
Classicism of the Renaissance has been replenished during the Baroque period. During the Baroque artistic period, the exploration of the fundamental components of human nature and the realm of senses and emotions were very crucial. The Baroque era was a very dynamic time that showed an abundance of radiance and color. Artists of this time are passionate and sensual. Their works were many times considered to have an overpowering emotional effect.
Musical genres of the Baroque and Classical eras were greatly influenced by their respective societies and the ever evolving world around them. Western European civilization during the Baroque period (1600-1750) was one of contrasts between the rich and the poor, the Catholics and the Protestants, and the monarchs and the rising middle class. There were religious wars and instability. Religion was the center of men’s lives which overflowed into all aspects of the society, both politically and culturally. The Reformation and the bloody Counter-Reformation split religious viewpoints. In contrast, the Classical period (1750-1825) regained economic stability with the beginnings of the Industrial Revolution, and enabled a substantial middle class to grow and flourish. Philosophers emerged that harkened back to the ancient Greeks, who in turn influenced society. Emphasis shifted to social values focused on human rights and the power of human reasoning in overcoming the problems of
With the death of the Baroque era of art, came the birth of a new style, Rococo. It would emerge in the early eighteenth century and would carry over to the nineteenth century (however the Neoclassical period would take some of the lime-light away towards the end). Rococo was staged, planned out art, like the preceding style of Baroque. This however, was dripping in: sweet, happy, light, soft, flashy decorations, and set in lush, luxuries, scenic destinations. Although it was stiff and strained the art was a refresher from the even more uncomfortable art that came before it.
The term Baroque means an irregularly shaped complex form. It came from the irregularly shaped pearl meaning unnatural and strange. This is completely different, from a description of the music of the time. Musical styles greatly different from artistic styles of the time making it virtually impossible to draw parallels between the two. Instead, one needs to draw independent conclusions about Baroque music.
Historically, periodical inspired subjects, discoveries of new techniques and the intrapersonal desires and interests of the artists themselves have influenced artistic tendencies and dictated similar and diverse trends throughout artistic periods. The Baroque and Rococo periods are exemplarily periods to extensively compare and contrast trends in artists’ pieces and notice one’s influence in another’s paintings. Comparing the work of Baroque painters Michelangelo Caravaggio and Jan Vermeer to Romantic era painter Francisco de Goya, one can see trends that were developed and perfected, passed down from generation to generation over time; and also how each artist contributed personal attributes to their respective artistic periods.
Religion, politics, and philosophy all played a part in Baroque art. This interplay of passion, intellect, and spirituality make it one of the most compelling periods of Western art.
...rol over artists, and subsequently changed the style of French painting. This is the birth of Rococo and eventually the French Revolution. Rococo’s departure from the classical ideals of earlier work marks the end of the Baroque period. Despite this period’s lack of consistency in artistic development, its influence was lasting. The trademarks of seventeenth-century art, such as direct observation, emotional intensity, and facility with light and color, laid the foundation for the two major styles to emerge out of eighteenth-century Europe, Neo-classicism, and Romanticism. Some of these influences remain even today.
Q: Use St. Peter’s Basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vier(7) in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form. During the period of Renaissance, human’s thought and intelligence has reached its highest and its effect on the architectural form, it became clear and its engagement of rational aspect on the building. Mainly geometrical forms are the characteristics which can be identified. Not so long after the Renaissance period of Baroque architecture was introduced, rather than logic and reasoning they wanted to capture the emotional atmosphere by using the architectural elements such as light, height, crafted art, costly materials and so on as mentioned by(Scotti 2007, 5-10).
During the late sixteenth century a new style of art, known as Mannerist, emerged through out Italy as a result of the Protestant Reformation. Mannerist distorted art was justified because it served mid way between the ideal, natural, symmetrical and the real, artificial, and unbalanced. The religious and political upheaval lead to the distinct Mannerist style know for being stylish, cultured, and elegant. Mannerist art is thought provoking, asking the viewer to ponder and respond to the spatial challenges and meaning found in the painting, sculpture, and architectural work. Mannerist painting and sculpture are characterized by complicated compositions, distorted figure styles, and complex allegorical interpretations. Meanwhile Mannerist architecture often employs classical elements in a new and unusual way that defies traditional formulas.
The Baroque Period can be broken up into three main sections: Early, Middle and Late. In the Early Baroque Period, rhythm was free and harmonies began to emerge. However, the harmony was experimental and pre-tonal – it was not governed by a specific key. The Middle Baroque Era brought with it a variety of characteristics including the creation of the bel-cantato style and solidification of major and minor keys. Chord progressions were now governed by major and minor keys, though the chord progressions were still rudimentary. During the final stage of the Baroque Era, tonality and instrumental compositions reached their peak. In this final stage...
...ed the style of music that was common during the renaissance period. The Baroque era was one that articulated harmony and mood all through the composition. Initially, music was polyphonic in nature, but it later changed during the baroque period to be more harmonic. Venice became the core of musical bustle and with the development of opera music; an unrestricted opera house was constructed within the city. St. Mark’s Basilica developed into an essential site for melodic experiments. Music composition played a significant function in Baroque society since it served as musical expression for creative composers, a basis of entertainment for the upper class, an occupation for composers and a brief escape from habits of daily life for the public. Baroque era instigated a society that appreciates music, not only at the upper class level but middle class level as well
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...
The Rococo art style in the 18th was a decorative style of art that originated in the hotels and salons of Paris. S and C curves, shells, wings, scrolls, plant tendril forms, and cartouches meaning elaborate frame, all distinguished Rococo. However, the Neoclassicism art style in the late 18th century portrayed the middle class society and unlike the composition of Rococo painted ceilings, its composition is simpler with limited figures. The Rococo and Neoclassical styles of art were both influenced by European life, reflected Europe’s culture, and had different political and social themes.