Historically, periodical inspired subjects, discoveries of new techniques and the intrapersonal desires and interests of the artists themselves have influenced artistic tendencies and dictated similar and diverse trends throughout artistic periods. The Baroque and Rococo periods are exemplarily periods to extensively compare and contrast trends in artists’ pieces and notice one’s influence in another’s paintings. Comparing the work of Baroque painters Michelangelo Caravaggio and Jan Vermeer to Romantic era painter Francisco de Goya, one can see trends that were developed and perfected, passed down from generation to generation over time; and also how each artist contributed personal attributes to their respective artistic periods.
In the sixteenth century, Caravaggio’s unique artistic style set a prestigious precedent for all realism painters to follow him. Caravaggio was the first of the three artists to perfect the skill of implementing intense chiaroscuro into his paintings.
This is reflected in many of Caravaggio’s paintings but is overwhelmingly effective and dominant in his 1599/1600 painting, The Calling of Saint Matthew. In addition to Caravaggio, Goya also heavily implemented the practice of painting chiaroscuro such as in his 1808 piece, The Third of May and the 1780 painting, Christo Crucificado. Both Caravaggio and Goya perfected the influences of light and the practice of positioning models to fully utilize shadows and put an emphasis on important aspects of their subjects.
Another interesting similarity between Goya and Caravaggio is that in the early days of both their painting careers, their work was full of color, vibrant and optimistic — however, as they aged and their skills developed, their late paintings ...
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...whereas Vermeer used models that were identified as ordinary women and housemaids, as seen in The Kitchen Maid and Young Woman With a Water Jug. Also interesting to note is that Vermeer painted landscapes and Goya never did.
The few similarities that Goya and Vermeer have include, conveying emotions through facial features: Goya through the mouth as seen in Equestrian Portrait of Maria Luisa and Vermeer through the eyes of the Girl With a Pearl Earring. Other similarities included painting oil on canvas, and painting portraits.
When thoroughly analyzed, one can see the slight similarities that are present among the work of Vermeer, Caravaggio and Goya, as well as obvious, and not so obvious, differences. However, the artists’ devotion to conveying their opinion and interpretation of life through pictures is the most important similarity consistent among the three.
If someone who had no prior knowledge about art, or the elements and principles of design, were given five seconds to look at these two paintings, they’d probably say they had almost nothing in common, other than the fact that they both feature mountains, and it’d be true for those people. But, if you are someone that does know a lot of information
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
...laced on the style and materials presented in the painting. While evaluating and comparing various paintings the author feels that at the beginning of the Renaissance era the skill level of the artist was often not acknowledged whereas materials were, but at the end of the era, skill level played a larger factor in who was chosen to complete the artwork. Therefore, fresco painting, which emerged near the end of the period, changed this so called “deposit”, along with the relationship of the artist and the patron, allowing for the talent and skill of the artist to shine.
Two of the most extensively analyzed works of art are Diego Velasquez's Las Meninas and Jan Van Eyck's Arnolfini Double Portrait. Both of these artist's talent won them recognition not only during their lifetime but after as well. Both Velasquez and Van Eyck have a justly earned title as the most talented artists of their respective times. A detailed examination of the details and intricacies of these artist's respective masterpieces, their similarities, and what sets them apart not just from each other but from other paintings from their time period and style, will lead the viewer to a better understanding of the mentalities of these gifted artists and how they transcend their respective genres and contemporaries to create their own artistic identities.
The astonishingly brilliant artist Francisco José de Goya y Lucientes has always been revered and adored for his incredible paintings of the Spanish Royal family, but not many know that he was also a masterful engraver. In the exhibit titled Renaissance to Goya: Prints and Drawings from Spain, many of the pieces displayed were based on social commentary of the period within the country. This disdain is particularly palpable in the etching by Goya titled The Sleep of Reason Produces Monsters. The psychological and emotional state of Goya at the time is masterfully rendered and the presentation of the exhibit is absolutely remarkable due to its brilliant color scheme and expert presentation of the works.
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
The first and most obvious similarity is both paintings are about women. Although the subjects in both works of art are women, the Two Women on a Wharf painting appear to have heavy hearts and look to be consoling each other,
His name, Francisco Goya, born in 1746, one of Spains most innovative painters and etchers; also one of the triumvirate—including El Greco and Diego Velázquez—of great Spanish masters. Much in the art of Goya is derived from that of Velázquez, just as much in the art of the 19th-century French master Édouard Manet and the 20th-century genius Pablo Picasso is taken from Goya. Trained in a mediocre rococo artistic milieu , Goya transformed this often frivolous style and created works, such as the famous The third of May, 1808, that have as great an impact today as when they were created.
When speaking about color we have to recognize that they’re categorized into “primary colors red, yellow and blue and also three secondary color are orange, green, and violet”1. As shown in Goya’s work yellow is used to highlight the Spaniards. The protagonist is shown wearing yellow as well as another man laying dead besides the doomed onlookers. Goya’s use of yellow as the primary color has an overwhelming influence to direct the viewers eyes. This is one of the first things I noticed when I began to examine the painting myself. Our eyes are drawn to these figures even more as th...
Caravaggio’s painting is unique due to its wonderful use of chiaroscuro, which is the contrast between light and dark. For example, the painting “Supper at Emmaus (1602)” illustrates Jesus and his disciples in bright colors and uses a dark tint for the background (Miller, Vandome, & McBrewster, 2010).
drawings, and photography. I found the painting’s depiction successfully showcased the sobering penalties of the cost in battle between French troops and Spanish civilians. Exploring the detail in the picture you can see that Goya’s utilized his technique to created a contrast of shades between light and dark that truly encapsulate the strong emotional intensity of the horrifying scenes, demonstating powerful elements with imagery . In the picture you are able to there are many aspects beginning
...uring his later years; he painted almost no people in his work as he physically ripened. Both these artists’ lifestyles largely affected the aesthetic principals in their works. Degas depicts incredible detail on his subjects foreground and faces in particular while leaving the backgrounds of his works slightly hazing; therefore rendering them almost unimportant to his works. An example of this would be one of Degas earlier works: “Achille De Gas in the Uniform of A Cadet” c. 1855. However, Monet varied his work much more than Degas did. The evolution of Monet’s artistic style was extreme.
Capitalism was still prevalent which allowed for patrons to build even larger art collections. This allowed for Caravaggio to be even more selective with his subject matter and style. In the Caravaggio, Calling of St. Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Oil on Canvas, c. 1599-1600 the painting was not lit uniformly but in patches. The paintings details were struck by bright and intense light alternating with areas of dark shadows. The figures were disheveled and plain. There were figures counting money that ignored the presence of Jesus in the room. A far cry from the idolization of Christ in most High Renaissance paintings. Caravaggio proved to be master of oil paints similar to Jan van Eyck minute
Jackson Pollack and Vincent van Gogh are some of most famous artist before and after their time. Each artist has a similar and different painting methods that they use when painting pictures. There most well-known paintings are called “Number 1” and “The Starry Night”. The paintings give off emotion by how they look, but each one is painted in different ways. The public did not find their paintings wanting when they were made. The difference was how long it took for them to get recognized for their work. Lastly, the paintings gave different and similar reactions to people that have changed over the years of their existence.
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...