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Picasso life and art
Pablo picasso impact on art
Picasso life and art
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What is art? Over the years many artists and art historians, such as Giorgio Vasari, Pablo Picasso, Paul Rand and Marcel Duchamp, have explored the definition of art. This essay will look at the opinions of these individuals and explore the concept of art by looking at various art movements, such as Dadaism and Cubism, which have influenced the definition of art, as we know it today. In this essay, I will also discuss the two elements of art; form and content, as well as how they are key to any discussion about what makes “good art” and “bad art”. Throughout much of European history, art has been used either to portray religious stories and icons or to capture landscape, or a person’s image. Many have argued that art is simply a representation …show more content…
of Nature. Renaissance artist Giorgio Vasari wrote “Painting is just the imitation of all living things of nature with their colours and designs just as they are in Nature” Whilst this may have been the case in the past, nowadays art is more than just imitation; it is creation in its own right. Artists no longer seek solely to imitate reality, but to express internal thoughts, visualize concepts, or to create a commentary. Art is no longer reviewed solely on its accuracy or realism, but rather on the beauty and originality of the piece, and what it is saying. Art movements such as Dadaism have sought to challenge and redefine traditional views surrounding what makes good art.
Dadaist artist Marcel Duchamp has been quoted as saying “Dada was an extreme protest against the physical side of painting. It was a metaphysical attitude.” Dadaism focused more on the concepts displayed in artworks than their visual characteristics. Dadaism subverted conventional definitions of art, and was so radical that it managed to expand our views on what art is. Art has become so broadly defined that Marcel Duchamp can place a urinal in a museum, as an art installation, and it is still art. Because of this, it can be difficult to distinguish what exactly art is, and to draw the line between what is art, and what is not. Artists like Duchamp have expanded our views, so that art can now be found objects; not made, but chosen by an artist. This can be seen in his “Readymades”, which were everyday found objects, designed and displayed as art. He is quoted as arguing “An ordinary object (could be) elevated to the dignity of a work of art by the mere choice of an artist.” Marcels ‘Readymades’ challenged the idea that art has to be beautiful, and showed that art can be conceptual rather than solely …show more content…
aesthetic. Another artist, who is famous for challenging traditional views on what makes good art, is cubist painter Pablo Picasso. Picasso broke away from classical art and founded cubism, a movement that deconstructed images and rebuilt them abstractly, with geometric forms. This movement was revolutionary for its time, as it defied the commonly held idea that good art has to be a realistic depiction of the subject matter. Picasso has been quoted as saying “Painting is a blind man’s profession. He paints not what he sees, but what he feels, what he tells himself about what he has seen.” This shows, yet again, how for many artists, content is more important to art than form. But what is form and content?
Simply put, form and content are two integral components to a work of art; form being the physical and visual elements (such as colour, composition, technique etc.) and content being the ideas behind the piece and what it is saying. I would argue that art could be defined simply as the combination of form and content, as this definition broadly encompasses any type of art and art movement. It can be noted that much of modern art has disassociated itself from the importance of form in order to focus almost exclusively on content. In recent decades, lots of art has become ugly, as more and more artists strive to express concepts rather than creating visually appealing art works. Whilst content is a key element of art, the importance of form cannot be underestimated. It is my opinion that good art is art that balances these two elements, art that is both intellectually stimulating and aesthetically pleasing. In the words of American Modernist Paul Rand “A work of art is realized when form and content are indistinguishable. When they are in synthesis. In other words, when they fuse. When form predominates, meaning is blunted… when content predominates, interest
lags.” To conclude, art can be defined by its two integral elements; form and content. In the past art has focused largely on form, and has simply served to realistically depict the world around us. However, art movements such as Dadaism and Cubism, and key artists relating to them such as Marcel Duchamp and Pablo Picasso, have shifted our attitudes about art, and now most art focuses on content. Art has become about the commentary behind the piece of work, rather than on the work itself. As stated previously, it is my opinion that in order to create good art the artist must strike a balance between form and content, to create works of art in which the aesthetics compliment the ideas behind it, art that is meaningful and interesting, as well as visually appealing.
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
Dadaism is a European artistic movement that went from 1916-1923. It is a movement in art, literature, music, and film, repudiating and mocking artistic and social conventions and emphasizing the illogical and absurd. This movement flouted conventional artistic and cultural values by producing works of art that were marked by nonsense, travesty, and incongruity. The word dada has many meaning in different languages so it is impossible to know which language the art movement name was based from. The dada artist’s outrage was real and it was a genuine reaction to the horrors of World War 1 and the nationalism, and rationalism, which many thought had brought war about. None of the Dada art that survives can be called aesthetically pleasing in
“It’s rare that a single work of art can change the course of art history in such a concrete and dramatic way. In fact it could be argued that all contemporary art owes its very existence to one painting: Marcel Duchamp‘s Nude Descending a Staircase. A painting that is considered to be the most influential development in modern visual narrative and what is considered innovative in art” (Naumann, 2013). “Marcel Duchamp rejected “retinal art” meaning attractive to the eye. He focused more on the intellectual ideas of his work and interpretations that people had from viewing his art. His art engaged the imagination and intellect instead of the eyes like art around his time did. According to Duchamp; The creative act is not performed by the artist alone, the spectator brings the work in contact with the external world by deciphering and interpreting it and thus adds his contribution to the creative act” (Sugandhjot Kaur). He initiated art with self-conscious meaning. He employed techniques of movement that went far beyond what other cubist painters had sought to convey with their prior w...
One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.
In the article “Defining Art and Artworlds” by Stephen Davies from The Journal of Aesthetics and Art Criticism, published in fall 2015, informs the readers that “[m]any of the late twentieth-century definitions of art were prompted by the challenge of controversial avant-garde works.” There are many contributions to consider before identifying any specific work as a piece of art. Establishing what exactly qualifies an art-piece will develop further contributions to the artworld, whether it is because of the piece’s aesthetic, skill, genre, intention, or tradition. A definition suggests that something is art if it displays advanced skill-work to achieve significant beauty to the extent that it makes a vital contribution to its primary function,
In this essay I will be discussing what, in my own opinion, makes good art. To justify what I consider to be a good standard of art, I will be analyzing the work of French symbolist Eugene Carriere and contrasting this with artwork I consider to not be 'good art'.
The shift between the Middle Ages and Renaissance was documented in art for future generations. It is because of the changes in art during this time that art historians today understand the historical placement and the socio-economic, political, and religious changes of the time. Art is a visual interpretation of one’s beliefs and way of life; it is through the art from these periods that we today understand exactly what was taking place and why it was happening. These shifts did not happen overnight, but instead changed gradually though years and years of art, and it is through them that we have record of some of the most important changes of historic times.
Prior to the European Renaissance and Protestant Reformation, holy and sacred images were not considered “art” but rather were regarded as sacred and venerable objects that belonged to “tangible presence of the Holy” in a figural rather than non-narrative sense (Belting, 1994, p. 654). Han’s Belting’s Likeness and Presence: a History of The Image Before the Era of Art tackles the herculean task of tracing the history of Christian iconography—the portrait of saints, the Virgin Mary, and of Jesus Christ—from late Antiquity to the eighteenth century and its role within a shifting European cultural milieu, focusing on its conceptual and artistic treatment. The “era of art” began during this medieval period, Belting contends, which is when artists
Art encompasses everything. It is such a broad subject that it can be found in the most bizarre places - like a house's structural wall built out of beer cans. Artists are always trying to push boundaries and think outside the canvas, as it were. After all, why create art that has already been done? The inherent problem with this is that now, because so much has already been done, everyone wants the excuse to call anything art. Worse – society's etiquette teaches us that we should be accepting of it because of its status as “art”. It tells us that we should at least appreciate the attempts of one piece of art over the other. This can be good, and it can be very, very bad. If someone scoops up dirt into a cup and places it on a stool at an art gallery, why should this be called art? Just because it happens to be at an art gallery? Or perhaps because the cup of dirt was put there by a self-proclaimed artist. In reality, the cup of dirt is not art, but a sad attempt at using our cultural mercy as a gateway to acceptance.
During the ancient times in Greece, Plato was the first human to document and criticize the existence of art and artists. He mentioned that human art was always in a form of a representation of something else. In one of Plato’s famous works, he demonstrates the idea of art is like an “imitation of nature” (Blocker 3). In other words, the purpose of art was to represent nature and nothing else. Art was not created for the sake of its own self nor was it created to appreciate its own beauty by any means. Instead, art, usually in forms of writings, paintings, or sculptures, was created to only to represent nature, Gods, emperors, families, or other important individuals. Furthermore, Plato had a very critical view towards the existence art in our society because art makes us more emotional, and our emotions lead to many errors about life. He believed it is our rational thinking, not our emotions or senses, which helps us und...
Marcel Duchamp was a conceptual artist that made readymades that changed the definition of art. Conceptual art is an art that the idea behind the work is more important that the finished art object. Many conceptual artists like Duchamp make their art very bland, plain, and simple but with a profounder thought process behind it. If you look at his works you will see how non-aesthetic they are. For instance, in his art work bicycle wheel or fountain they are very simple you may not find them appealing to the eye but they have a deeper meaning, in contrast to Hans Kosuth’s one & three chair’s it is still plain and simple but it has more meaning to it than Duchamp’s. Conceptual artist dematerializes things which means that they decrease the amount
Contemporary art is produced at the present period in time, which it mainly refers to the meaning of the spirit, and have a modern art Modern language. When people are faced with a work of art, there is a complex judgment or intuition feeling which to consider about it has artistic value or not. Exposure of today's artists and cultural environment and in the face of today's reality, their work will inevitably reflect the characteristics of today. “A work of art is a tautology in that it is a presentation of the artist’s intention, that is, he is saying that a particular work of art is art, which means, is a definition of art” (Diarmuid Costello, Jonathan Vickery, pg.22, 2007). Artistic inheritance is a historical necessity of any art is constantly successor of the previous generation of art. Development of contemporary art can be said to follow the human development and growth. Of course, no matter what kind of art form, and they reflect the performance of all modern social changes which to bring the social and psychological characteristics to show the artist's exploration of artistic expression.
Pop art is an art movement that questions the traditions of fine art and incorporates images from popular culture. Neo-Dada is an art trend that shares similarities in the method and/or intent to Dada art pieces. Both these movements emerged around the same time periods in history, the 1950s and 1960s, and artists from both generally got their inspiration from the Dada movement, which developed in the early 20th century. The movement altered how people viewed art, and it presented a variety of new methods and styles. Dada artists, also known as Dadaists, believed in showing their anti-war beliefs through their artwork. The Dada movement produced a different style of art, and pieces created controversy because they were outside the realm of what society considered art and what was expected and acceptable. This set in motion a chance for artists to be able to create the kind of artwork that inspires them, even though it was considered unorthodox. Even though they were controversial, many pieces that were created during Dada heavily influenced other styles of art to come after, such as Neo-Dada and Pop art. The influence of Dada can be seen in Robert Rauschenberg’s work, who was a Neo-Dadaist, and it can also be seen through Andy Warhol’s work, a Pop artist. Even though Dada affected both artists, they created very different pieces. This paper will analyze Warhol’s Campbell’s Soup Cans and Rauschenberg’s White Painting (Three Panel) and discuss how they were impacted differently by the Dada movement, and why they are each considered to be different styles of artwork. The time in history of each artist was the same, and the same movement influenced them both, but the outcome of the art that they each created was incredibly different....
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.
Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing one's self. Every artist puts a piece of his or herself into their artwork. Who really is to determine what that work of art was meant to express?