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What defines good art. humanities paper
Use of Symbolism
Use of Symbolism
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In this essay I will be discussing what, in my own opinion, makes good art. To justify what I consider to be a good standard of art, I will be analyzing the work of French symbolist Eugene Carriere and contrasting this with artwork I consider to not be 'good art'. The art piece, by Eugene Carriere, I chose to look at first is The First Communion, due to its significant use of symbolism. Sybolism is often used to provoke emotion in a viewer, an example of how this is used in The First Communion is the inward eyes of the subject. This conjures up a mysterious and isolated atmosphere for the viewer, suggesting the idea of an inner world of thought. I believe that a piece of artwork with symbolic reasons behind its concept does contribute towards creating good art. Symbolism allows artwork to become a means of visual communication beyond what's obvious. The First Communion was painted during the beginning of the French Symbolism movement. During this time artists were rejecting naturalism and realism art forms, these artists, like Carriere, wanted to express their visions and ...
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to one source, the reincarnation system for the Living Buddhas is the main point distinguishing Tibetan Buddhism from other forms of Buddhism.
...t would help bring into understandable light the mystery of the Church’s teachings. Finally, achievements in re-creating human emotion would ensure the painting’s, and therefore the Church’s teachings would leave an indelible mark on all of its viewers.
My goal for this paper is to give a practical critique and defense of what I have learned in my time as a Studio Art Major. During my time here I have learned that Pensacola Christian college’s definition of art “art is the organized visual expression of ideas or feelings” and the four parts of Biblosophy: cannon, communication, client, and creativity. Along with Biblosophy I have studied Dr. Frances Schaeffer 's criteria for art, seeing how the technical, and the major and minor messages in artwork. All of these principles are great but they do need to be refined.
In Gaut’s essay, “The Ethical Criticism of Art”, he addresses the relevance of an art piece’s ethical value when making an aesthetic evaluation. His key argument revolves around the attitudes that works of art manifest such that he presents the following summary “If a work manifests ethically reprehensible attitudes, it is to that extent aesthetically defective, and if a work manifests ethically commendable attitudes, it is to that extent aesthetically meritorious”. In direct contrast with formalists, who divine a work’s merit through an assessment of its style and compositional aspects, Gaut states that any art piece’s value requires a pro tanto judgement. This pro tanto position allows for pieces considered stylistic masterpieces, to be
Humanity has faced the challenge of placing a definition on the ever so abstract concept of art since the beginning of the Renaissance. The ongoing dispute between art critics and aesthetic philosophers has generated the creation of numerous textual and pictorial compositions in regards to varying views on the idea of art. To translate a scene of a room and a bed onto a large canvas should not be considered true art. Early art philosophers struggled between perceiving art as an inspiration or a true knowledge. Andrew Wyeth’s watercolor, Master Bedroom, seems to just be an imitation of a real master bedroom instead of a true work of art. The piece deserves the least amount of appreciation because of its lack of originality, creativity, and
This question focuses on the introduction of Russian Constructivism, the Mexican. Mural movement which was mainly affected by the ideology of Marxism. How they are different from each other, aesthetically, ideologically, conceptually. Russian Constructivism began right after the Bolshevik revolution against Russia. Empire.
Even to those void of a formal art background, the world of traditional art is a realm held in high regard by nearly all. This elevation of art and artists is engrained into our culture, evident even in our own language – with common phrases such as ‘a work of art’ or ‘masterpiece’ used to express utmost skill and admiration. Yet, when asked to define art most would be clueless as where to begin, other than to perhaps describe feelings of awe at the skill of artists. However, admiration is a subjective matter so is clearly not a solid foundation for such a definition. To truly explore the definition of art, a fitting example would be to examine the work of French artist Marcel Duchamp and his famed ‘readymades.’ By placing these ordinary articles of life under the spotlight of a gallery, Duchamp shattered the traditional process of producing art that had existed for centuries, and subsequently triggered thinking about what constitutes as art.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
He argued that past art demanded thought and understanding, whereas advertising and celebrity culture demanded only immediate attention, very quickly becoming uninteresting and boring(). Art should stimulate more the viewer than just visually. Art that has substance behind it I tend to remember more or think about more. This piece is innovative, it brings about ideas with it that hadn’t been discovered in our society. I can see how the audience at first glance could consider this not to be art. I probably would’ve agreed, but learning about it I know that every time I see the repeated images of the soup cans I now think twice. I consider good art to be art that is able to stimulating the mind visually, by bringing about new
Just as other works that reflect art, pieces in the category of fine arts serve the important message of passing certain messages or portraying a special feeling towards a particular person, function or activity. At times due to the nature of a particular work, it can become so valuable that its viewers cannot place a price on it. It is not the nature or texture of an art that qualifies it, but the appreciation by those who look at it (Lewis & Lewis, 2008).
Art is an integral part of society. It is imbedded deep within human culture and has been around since nearly the beginning of humankind. How people view art greatly differs, not only between cultures, but between individuals. So many different meanings can be extracted from a single piece of work, which leads to the complexity and beauty of art itself. The meaning behind a work of art is not always what is important to people, it can also be the aesthetics. People like art that is pleasing to the eye as well as to the mind. In Girl With A Pearl Earring by Tracy Chevalier, Griet, the protagonist, silently appreciates and critiques the artwork in the Vermeer household while busy acting as maid, a
For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and aesthetic experience, Plato has made his works more controversial than Aristotle.
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.
Imagine a painting of your life, what colors would be there? How would you show the different times in your life? Would you shade the areas where you had a hard time or use lines to show that? Being a artist that never truly finishes their work would be hard. When you are young, your enthused about painting. As you start to get older, all you want to do is visit with friends, so you miss that part of your life. Then you get back on track and work like crazy to make up wasted time. But you think to yourself “Will I ever finish my masterpiece or will it end when I do?”
Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing one's self. Every artist puts a piece of his or herself into their artwork. Who really is to determine what that work of art was meant to express?