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Early 20th century art
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Throughout the 20th century, Europe experienced vast amounts of change. New countries were established, old empires were eliminated, and conflict was common. While many factors in European culture advanced, progress was offset by conflict, economic depression, and political dictatorships. When considering the consequences of change, this 50 year block of time should be considered somewhat progressive due to the advancements in social life, science and technology, and economic recovery following WWI and the Great Depression. However, these advancements were almost counteracted by the regress in politics, namely the rise of fascism and communism, the age of anxiety, and the Cold War.
From the early 1900s to mid century, social life in Europe
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This constant experimentation within art challenged traditional forms of expression(861). Within architecture, architects and designers focused more on functionalism, instead of unneeded fancy decorations. They built buildings for the function of the building’s purpose. This was backed by functional construction, the mass-produced materials of cheap steel, reinforced concrete, and electrical elevators. Modernism took over schools, such as the Bauhaus, a german interdisciplinary school for architects, designers, and innovators, influencing builders for “public works, factories, and even private homes” (861). When they were shut down by Hitler, many fled to the U.S. to spread ideas. Art was also experiencing new movements, such as impressionism and expressionism, Cubism, Dadaism, and surrealism from artists such as Degas, Gustav Klimt, Picasso, Dali, and more. The movements grew increasingly abstract, and commercial art galleries and halls trained in modern techniques (864). Cities such as Paris, Berlin Moscow, and NYC were famous for their radical artists, who became increasingly political in the art work after the 1920s. Music, like art, also became more radical. No longer did composers hold onto the traditional forms of composition, but wrote music in several keys. Musicians such as Stravinsky and Berg’s productions produced riots and rejection for their out-there creations. It wasn’t until after WWII that the general public accepted
Unlike previous centuries, the eighteenth century was the dawn of a new age in Western Europe where intellectuals thrived, science was honored, and curiosity was encouraged; and the framework of how civil society was changed as a whole. From the dawn of the Enlightenment Western European culture was changing due to the revolutionary new ideas that were changing. With the social change going on, political change was as ever evident as time went on. With these changes rooted in social change went out, the effects of the Enlightenment can be seen over 18th century Western Europe and beyond.
The introduction of modernism to Australia is a more complex phenomenon than previously thought. Choose an aspect of Modernism, either Cubism or Surrealism or Expressionism or Modernist Design and Architecture and chart their development in Australia by focusing on the work of two artists, designers or architects.
Europe being on the brink of change at the turn of the 20th century is
The 20th century brought about many changes, with several events molding society in the way we know of it today. With the Great Depression, World War 2 , and the Cold War, America faced many internal and external threats, that endangered the American way of life and forced the country to reshape it’s views to move past events that seemed, at the time, to be the lowest points.
At the turn of the 19th century Americans faced a multitude of cultural changes, involving contraceptive acceptance, sexuality changes, and modernism acceptance. Contraceptives were illegal in the early 1900s and posed many relationship problems between married couples since they wanted to be intimate. New ideas about sexuality and affection changed the views on appropriate erotic practices to indulge in within single people typically around college age. Women and men didn’t wait until marriage before having some type of sexual relation, which caused family problems and government intervention because of the negative views of being promiscuous. Modernism ideals developed with the introduction of new sciences and the argument of evolution
In the early 20th century, modernist writers broke free of the consistent pattern on the themes of religion, marriage, and family values, branching out with their actual opinions and observations on society, making more readers aware of the corruption of the traditional morality in America. It became evident that the American people were placing lust, wealth, and material prosperity over their marital vows and traditional values. This idea of amorality is noticeably identified in the literary works, The Great Gatsby, by F. Scott Fitzgerald, as well as in The Crucible by Arthur Miller. Major characters in both novels show signs of demoralization, in regards to Tom Buchanan, for example, whom openly cheated on his wife, broke the nose of his mistress, and sold Gatsby’s fate down the river, and Abigail, whom slept with a married man and killed an entire village in spite of the deteriorated affair. In this new, cutting-edge society the concept of materialism is prevalent. Materialistic power became a goal for many Americans in modern America, which is identifiable in The Great Gatsby. People of East and West Egg indulged themselves with parties, pricey automobiles and the latest fashions, meanwhile, the people in the Valley of Ashes merely scraped by. Jay Gatsby out of his desire to 'own' Daisy went to great lengths to appear as a man of great fortune.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
Europe will not run the 21st century because of a combination of economic, institutional, and cultural factors. However, for the purpose of this paper, I will focus on the economic aspects of European society that will impede EU ascendency. I do not believe that the EU will cease to exist in the coming century, but I do believe it will become obsolete because it will be unable to make the necessary changes to their demographic problems, defense policies, and economic culture in response to the increasing American ascendency. Europe has long been known as the continent home to the great powers of the world. From Caesar to Napoleon to the British Empire, the European empires have continuously been at the helm of the ship of progress. The wars of the 20th century however, left Europe in a wake of destruction and chaos period before. The continent was devastated and had little hope to recover. In this new era of European descent, the great American Era came into existence. The US, one of the remaining superpowers, became the helping hand that Europe needed. With the aid allocated by the Marshall Plan and the creation of programs and institutions, Europe had a future. The creation of the European Union (EU) united the European countries over the common goal of preventing war another war. The United States intended for these programs to be a stepping-stone to build the economic and institutional powers of Europe, because a stronger Europe was good for the US. However, instead of using these as a springboard to create self-reliant union, the EU remains reliant on US military and hard power to support them their social efforts.
Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging in the works of many great authors. Two of the pioneer Modernist writers were Joseph Conrad and T.S. Eliot. The tendencies to question the incontestable beliefs embedded in all thinking and to focus on the inner self dominated. Old viewpoints were tossed aside to make way for the discovery of modern man's personal spirituality. Two works that are considered important forbears in the Modern period are T.S. Eliot's The Wasteland and Joseph Conrad's Heart of Darkness.
The Bauhaus was the most influential modernist art school of the 20th century as it laid many foundations for design theory and helped us understand the importance of art in relation to society and technology. Although the school was in operation only between 1919 and 1933, it was a major influence in the fields of architecture, graphic design, typography, industrial design and interior design long after it has closed.
During the Twentieth-Century, there were several dramatic economic changes and events. Going from being a complete agricultural nation to being an industrial super, enduring a great depression, having a civil rights movement and so many more, the 20th Century carries the names of some of the world’s most important events. Although history has flourished with all of its game changers, the solute most important event of the 1900’s was World War 2. The second world war, just decades after the first, “was the most widespread and deadliest war in history, involving more than 300 countries and resulting in more than 50 million military and civilian dead,” according to History.com. After World War I had ended, the peace settlement known as the Treaty of Versailles, created in 1919, had a purpose of obligating Germany to relinquish territories to Belgium, Czechoslovakia, and Poland. However these new territories were very susceptible to aggression from its neighboring countries, Germany and the Soviet Union. During this time there was still a great deal of tension between the countries/ territories. Italy and Japan viewed the treaty as a failure to acknowledge the status of the two’s world powers. Also Germans saw that rather than being defeated at the close of World War I, they were betrayed. With the economy being exceptionally deprived and a great deal of political instability, this set the stage for dictatorships that according to Twentieth-Century America “offered territorial expansion by military conquest as a way to redress old rivalries, dominate trade and gain access to raw materials”. Countries such as Japan began making use of propaganda’s stressing that Japans “greatness” must be reassured. Italy’s Fascist dictator, Benito Mus...
This essay is based on the semiotic and formal analysis of design differences and comparisons between art deco and art nouveau. the two movements surround the events of world war 1 mainly and influenced but political and social events within the western cultures such as France, England and America. both art movements play a significant role in representing the way people lived socially and representing such aspects of their life spans as wealth, religious views and political and economic influences.
The Bauhaus was a school for art, design and architecture founded in Weimar, Germany with a core objective “to reimagine the material world to reflect the unity of all the arts.” Before the Bauhaus was established, fine arts were seen to hold a higher esteem than craftsmanship The Bauhaus intended to change this feeling about the arts. The Bauhaus wanted to create products that were simple in design which as a result could be easily mass produced. Of all the principles taught at the Bauhaus, form follows function summed up the schools main philosophy. Architecture and design should reflect the new period in history, and adapt to the era of the machine was one founding principal of the Bauhaus school. Students began with a preliminary course that taught the basic Bauhaus theory and then were allowed to enter into specialized workshops. Throughout the years, it moved to Dessau and then Berlin and ending with the closure by Nazi soldiers. As a result of its existence, the Bauhaus had a major impact on art, design, and architecture trends throughout the rest of the century.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
Ed. John Merriman and Jay Winter. "1989." Europe Since 1914: Encyclopedia of the Age of War and Reconstruction. Vol. 4. Detroit: Charles Scribner's Sons, 2006. 1874-1880. World History in Context. Web. 11 Mar. 2014.