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Modernism at Its Finest In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War. With new modernist American literature, Americans lose faith in their traditional beliefs and values, including the American dream. Many novels used the concept of the American dream to make people question whether the dream still existed in the mist of the First World War and the Great Depression. In describing the American dream, one is led to believe that the individual is led to self-triumph, and their life will progressively get better and better in America. In Fitzgerald’s, The Great Gatsby, published in 1925, the American dream is perceived originally by the thought of discovery and the pursuit of happiness. Money, parties, and relaxed social views came with ease to the American people in the 1920s. However, Fitzgerald demonstrates how the American soldiers re... ... middle of paper ... ...s strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War, during the American modernism period of literature. Langston Hughes and Countee Cullen shed a new light into the African-American social groups and a new age of art, music, and literature was formed. Poets, like Pound and Elliot, shaped American poetry to fit the outlandish ruin in the First World War and the Great Depression. In novels, like The Great Gatsby, the American dream of success and hope was shattered through the stock market collapse and the Great Depression. Through all these attributes, American literature changed significantly into a literary period called modernism today.
American literature reflects society by displaying the positive and negative sides to our country’s history. Throughout the year we have been shown all sides of the story, not just one side. We understand the situation more if we take into account the other stories that nobody ever hears about. American Literature deals with the topics of identity/memory, conformity and rebellion, society and struggle, and war. By taking a look at the 9/11 pictures as well as the memorial statue, The Crucible,The Harlem Renaissance, The Great Gatsby, and The Things They Carried, it is easy to see that all aspects of American Literature directly reflect society in many ways.
The modernist style of writing is one of disillusionment, frustration and loss of hope. The modernist writers did not try to point out silver linings or brighter futures, instead they explored the depths of the sorrows of life in the time of the great depression and the long road to recovery from it. Most of these writers blamed the modernization of America for the stock market crash that brought on the great depression. Likewise, modern politics drew America into not only one, but two world wars. At the same time, modern intellectual advancements challenged or usurped traditional beliefs and values.
...n American Literature. By Henry Louis. Gates and Nellie Y. McKay. 2nd ed. New York: W.W. Norton &, 2004. 387-452. Print.
Of all the archetypes of American literature, none presents such radically evolved ideas as the Modernism movement. Its overarching concepts remain in flux and provide contrasting glimpses of multitudes of topics; however, just as many of its central tenets remain unchanged between novels, years, and the digression from form that humanity’s modern culture condones. The ideas and concepts that John Steinbeck and F. Scott Fitzgerald put forth in their novels, The Grapes of Wrath and The Great Gatsby, are not exceptions. Specifically, the theme of love across social classes shines through both novels, exhibited in the ineffable drive to lend oneself to another person of a lower class deserving of help.
According to James Truslow Adams, “The American Dream is that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement.” He believed that this dream was not merely about the amount of money you made or the type of car you drove, but more so a dream in which one could live their lives to the fullest and be recognized by others for who they truly are, regardless of the circumstances of their birth or position in life. A classic novel written by F. Scott Fitzgerald, The Great Gatsby is a tale on the corruption of the American Dream. The 1920’s was a time of change, not only socially, but economically as well. Just after the end of WWI the world as we once
The American Dream is a concept that has been wielded in American Literature since its beginnings. The ‘American Dream’ ideal follows the life of an ordinary man wanting to achieve life, liberty, and the pursuit of happiness. The original goal of the American dream was to pursue freedom and a greater good, but throughout time the goals have shifted to accumulating wealth, high social status, etc. As such, deplorable moral and social values have evolved from a materialistic pursuit of happiness. In “Advertising the American Dream: Making Way for Modernity”, Roland Marchand describes a man that he believed to be the prime example of a 1920’s man. Marchand writes, “Not only did he flourish in the fast-paced, modern urban milieu of skyscrapers, taxicabs, and pleasure- seeking crowds, but he proclaimed himself an expert on the latest crazes in fashion, contemporary lingo, and popular pastimes.” (Marchand) This description shows material success as the model for the American Dream. In his novel The Great Gatsby, Fitzgerald reveals the characterization of his characters through the use of symbols and motifs to emphasize the corruption of the American Dream.
The term “modern” makes people think of words like bold and captivating. Literary modernism is just that. In the late 19th and early 20th centuries, poets and writers steered away from the traditional styles of literature and moved towards expressing the true sensibilities of their time. Some writers that followed this trend are Ernest Hemingway, F. Scott Fitzgerald, and T.S. Eliot. The techniques that these outstanding literary buffs used were rejection of traditional themes, subjects, and forms; bold experimentation in style and form reflecting fragmentation of society; sense of disillusionment and loss of faith in the American Dream; rejection of sentimentality; rejection of the ideal hero and instead using the flawed hero; interest in the workings of the human mind; and revolt against the spiritual debasement of the modern world. Many early authors, like the ones mentioned above, used these techniques to contribute to a unique American voice.
The modernist period was a time of change. After World War II many people found themselves unhappy, lonely, and depressed. With the groundbreaking influences of Karl Marx, Freud, and Nietzsche, many people began to question their own reality. What did it mean to exist? What was life, and what was death? The modernist author reflected this change, and confronted these questions with enthusiasm. Together modernist artists became the representative voice of the people. This voice transcended all forms of art, but was most successful in the written word. Through the experimentation of language and form, the modernist author managed to convey the meaninglessness felt by many, and created a light in the darkness of an uncertain world. Ernest Hemingway's short stories titled "A clean well-lighted Place", and F. Scott Fitzgerald's "Babylon Revisited" are two notable examples of literary art during the modernist period.
For example, during the Great Depression, a hard time for many, people were seeking distractions from their troubles, and such brought on a focus on escapist and humor themes. Furthermore, as mentioned previously, literary pieces focused on the lack of progress and the want of a simpler, more pure lifestyle as was once had. Literary periods have come and gone; romanticism, for example, filled with poetry and idealisms, with artistic expression that wouldn’t have been as tolerable in earlier times, or naturalism, which found expression almost completely in the novel, concerned with searching and discovering the causes for a person’s actions or beliefs (2). Literature has changed and developed, just as our society and our history have.
In The Great Gatsby, Fitzgerald examines core American values and addresses the hypocrisies and contradictions which are fundamental to the American Dream. Fitzgerald is credited with writing the quintessential American novel, one which has not been surpassed to this day. Gatsby, through its use of symbols and subtle, engaging scenes manages to communicate a excellent commentary on the state of the American Dream during the quickly changing times of the 1920s. With the constant changes and improvements in technology, and the ever growing power of corporations, people’s lives were simultaneously improving and regressing. Mass entertainment, mass communication, and mass transit revolutionized the way people interacted with others and labor saving
Modernism attempts to record the shifts and displacements of sensibility that occurred in the art and literature in the late nineteenth and the early twentieth centuries and took us beyond familiar reality. While it is believed to have started with the movements like Imagism and Symbolism, its end is disputed about. Frank Kermode uses the term “neo-modernism” to suggest its continuity in the post-war art. The modernist literature is, in most critical usage, reckoned to be the literature of what Harold Hasenburg calls “the tradition of the new”. The task of such literature is its own self-realisation which is both outside and beyond established orders, breaking away from familiar functions of language and conventions of form.
American literature over the Great Depression was a quite settle time since no one had strong education but more experience. With new ways of government rulings “2 thinkers whose idea had the great impact on the period were the Austrian Sigmund Freud (1856-1939) and German Karl Marx (1818-1883)” (Bayom 1712) are changing people’s way of thinking. With Communism rising both outside and inside the US and poverty made people start to question society logic on the rich and lower class. Even with all the change from the wars “American Literature…not separated family roots” (Bayom 1713); families were able to stay together but moved on from different ideas and view of life. New ideas of way of life were starting to change literature this time “between the two world wars found itself… attacking the old-style idea of tradition literature” (Bayom 1716). The American people slowly progressed from a straight conservative view to a more liberal view on lifestyle and society. The Great Depression authors were able to change how writers write after authors “writers before World War I had faith in society and in art, writers after between 1914 and 1945 had faith… writers after 1945 had lost even faith and never the faith in themselves that had inspired and sustained writer between the wars.” (Bayom 1713). The change in how writers wrote their books happened because of the depression and which they were forced into poverty and little hope for their future. Harper Lee showed us about how her life was with racism and poverty mixed in with the outcome of sadness and depressing from it. The writers in the 1930s were so influential that “[authors during the Great Depression] remain strong… as teaching of American Literature in college... on the premise that these earlier writers constituted a true American literary traditional worthy of study alongside the British” (Bayom 1713). Big writers
History, current events, and social events have really influenced American Literature. Authors have been influenced by the world around them and that has reflected in their works. This can be seen throughout the many eras studied in this class. It can also be seen in all types of literature such as playwrights, fiction, non-fiction, and poems. It can also be seen in all of the different writing styles such as, realism, modernism, and post modernism. It is important that American Literature has been influenced this way because Authors have shown us their personal views and insight to situations one would not get out of a history textbook.
Leading up to the turn of our present century, changes in culture and society of America triggered modernization throughout much of our commerce, social, artistic and educational lives. The past century or so has brought new obstacles and opportunities for the nation of America. This changing is reflected through some of the works by writers such as, Robert Frost, William Williams, Ezra Pound, and T.S. Eliot. Examining people’s mindset in modernization one common feeling of people is “nervousness” which is due to the nation’s reluctance to change. T.S. Eliot is quoted with the statement "the immense panorama of futility and anarchy which is contemporary history."1 Modernism generally, varies greatly between previous times in the 19th century which breaks stride with the traditional lifestyle of the middle-class working public.
The Modernism movement brought about profound and all-encompassing changes in society affecting not only art, but literature and music as well. Much of its cause can be attributed to historical reasons, particularly the tumultuous happenings of the early 1900’s. After the atrocities of the Great War, many people were left questioning what they knew and had once thought. Much of this questioning resulted in radical changes of the Modernist movement. Artists, composers, and authors alike now sought to create works that mirrored the chaos of the period they lived in. Moving sharply away from the normality of the period, they created something people had never seen before. Much like the time period itself, these new creations were met with resistance