The modernist period was a time of change. After World War II many people found themselves unhappy, lonely, and depressed. With the groundbreaking influences of Karl Marx, Freud, and Nietzsche, many people began to question their own reality. What did it mean to exist? What was life, and what was death? The modernist author reflected this change, and confronted these questions with enthusiasm. Together modernist artists became the representative voice of the people. This voice transcended all forms of art, but was most successful in the written word. Through the experimentation of language and form, the modernist author managed to convey the meaninglessness felt by many, and created a light in the darkness of an uncertain world. Ernest Hemingway's short stories titled "A clean well-lighted Place", and F. Scott Fitzgerald's "Babylon Revisited" are two notable examples of literary art during the modernist period.
Ernest Hemingway's short story titled "A Clean Well-Lighted place" deals with the loneliness, isolation, and depression felt by many during the modernist period. The story takes place in a well lit café, occupied by two waiters (one old, and one young) and an old deaf man. This story is the perfect example of the modernist form because it questions the meaning of life. Joseph Gabriel, in is essay titled "The Logic of Confusion in: Hemingway's "A Clean well Lighted Place", believes that "the dominant visual image of the story is the radical contrast between the minute spot of light represented by the café and the infinite surrounding darkness outside."(Joseph Gabriel, The Logic of Confusion in: Hemingway's "A Clean well Lighted Place", Pg, 541) One can't help but compare the story to the image of moths att...
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...er. Babylon revisited is an excellent form of modernist writing because it not only deals with many modernist issues of isolation, escapism, and loneliness, it also demonstrates the writer's fears as well.
Both Hemingway and Fitzgerald capture the essence of the modernist period, and both approach different aspects of the same genre. The goal of the modernist writer was to create an enjoyable piece of literature, while confronting issues that had never before been raised in the literary world to date. The Modernist hoped to wipe away the images of perfection in the imaginary realties of the literary past and create a clean slate filled with the reality of the modernist period. The Modernist authors will always be remembered for their exploration of language and form, and for their dedication to keeping us in a well lit place, in an otherwise deceiving reality.
The main focus of A Clean, Well-Lighted Place is on the pain of old age suffered by a man that we meet in a cafe late one night. Hemingway contrasts light and dark to show the difference between this man and the young people around him, and uses his deafness as an image of his separation from the rest of the world.
F. Scott Fitzgerald and Ernest Hemingway, though both evolved from the same literary time and place, created their works in two very dissimilar writing styles which are representative of their subject matter. The two writers were both products of the post-WWI lost generation and first gained notoriety as members of the American expatriate literary community living in Paris during the 1920's. Despite this underlying fact which influenced much of their material, the works examined in class dramatically differ in style as well as subject matter. As far as style, Fitzgerald definitely takes the award for eloquence with his flowery descriptive language whereas Hemingway's genius comes from his short, simple sentences. As for subject, Hemingway writes gritty, earthy material while on the other hand Fitzgerald's writing is centered around social hierarchy and longing to be with another person. Although the works that these two literary masters are so uniquely different, one thing that they have in common are their melancholy and often tragic conclusions.
Certain authors, including F. Scott Fitzgerald, wanted to reflect the horrors that the world had experienced not a decade ago. In 1914, one of the most destructive and pointless wars in history plagued the world: World War I. This war destroyed a whole generation of young men, something one would refer to as the “Lost Generation”. Modernism was a time that allowed the barbarity of the war to simmer down and eventually, disappear altogether. One such author that thrived in this period was F. Scott Fitzgerald, a young poet and author who considered himself the best of his time. One could say that this self-absorption was what fueled his drive to be the most famous modernist the world had seen. As The New Yorker staff writer Susan Orlean mentions in her literary summary of Fitzgerald’s works, “I didn’t know till fifteen that there was anyone in the world except me, and it cost me plenty” (Orlean xi). One of the key factors that influenced and shaped Fitzgerald’s writing was World War I, with one of his most famous novels, This Side Of Paradise, being published directly after the war in 1920. Yet his most famous writing was the book, The Great Gatsby, a novel about striving to achieve the American dream, except finding out when succeeding that this dream was not a desire at all. Fitzgerald himself lived a life full of partying and traveling the world. According to the Norton Anthology of American Literature, “In the 1920’s and 1930’s F. Scott Fitzgerald was equally equally famous as a writer and as a celebrity author whose lifestyle seemed to symbolize the two decades; in the 1920’s he stood for all-night partying, drinking, and the pursuit of pleasure while in the 1930’s he stood for the gloomy aftermath of excess” (Baym 2124). A fur...
By the end of World War I, many America authors were ready to change their ways and views on writing. Authors were tired of tradition and limitations. One of these writers was F. Scott Fitzgerald. Fitzgerald was a participant in the wild parties with bootleg liquor, but he was also a critic of this time. His book, The Great Gatsby is an excellent example of modernist literature, through its use of implied themes and fragmented storyline.
American Literature from its very beginning has been centered around a theme of innocence. The Puritans wrote about abandoning the corruption of Europe to find innocence in a new world. The Romantics saw innocence and power in nature and often wrote of escaping from civilization to return to nature. After the Civil War, however, the innocence of the nation is challenged. The Realists focused on the loss of innocence and in Naturalist works innocence is mostly gone. During these periods of American Literature it seems almost as if a hole was being dug, a sort of emptying of innocence, and after World War I the Modernists called this hole the wasteland Many Modernist works focus on society lost in the wasteland, but they hint at a way out. The path out of the wasteland is through a return to innocence. This is evident in the Modernist works of The wasteland by T. S. Eliot, "Directive" by Robert Frost, "Babylon Revisited" by F. Scott Fitzgerald, and "Hills Like White Elephants" by Earnest Hemingway as will be shown in an analysis of the inhabitants of the wasteland and their search for innocence, the role of children and pregnancy in the wasteland, and the symbolism of water and rebirth.
The American Dream and the decay of American values has been one of the most popular topics in American fiction in the 20th century. F. Scott Fitzgerald’s The Great Gatsby and Ernest Hemingway’s The Sun Also Rises create a full picture of American failure and pursue its ideals after the end of World War I by portraying the main characters as outsiders and describing the transportation in a symbolic way. Putting the aimless journeys for material life foreground, Fitzgerald and Hemingway skillfully link West and men and associate East to not only money but women. As American modernists, Hemingway utilizes his simple and dialog-oriented writing to appeal to readers and Fitzgerald ambiguously portrays Gatsby through a narrator, Nick, to cynically describe American virtue and corruption, which substantially contribute to modernism in literature.
Ernest Hemingway is considered the main personification of the American writers of the ‘Lost Generation’, who lived and wrote his novels during World War I. He became a famous writer in a short time, and the most important author of his generation, and perhaps the 20th century.
The Modernist Fiction period took place during the 1920’s and revolutionized the American way of life in literature, economically, and socially. There was a national vision of upward mobility during this time that represented the American Dream. The upward mobility was seen through the consumerism and materialism that dominated this decade economically. Popular novels of this time reflected the mass consumerism in the lives of those wrote them. During the American Modernist Fiction period, Americans became increasingly materialistic throughout the roaring twenties; therefore, the American Dream was to obtain upper class status through the possession of material goods, which was reflected in many of this period’s works.
Ryan, Ken. "THE CONTENTIOUS EMENDATION OF HEMINGWAY'S 'A CLEAN, WELL-LIGHTED PLACE'." The Hemingway Review 18.1 (1998): 78. Academic OneFile. Web. 8 Feb. 2014.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
Two authors who demonstrate modernism in its rawest form are Joseph Conrad and James Joyce. Both Conrad and Joyce incorporate one of the key characteristics of modernism throughout their works, Conrad in Heart of Darkness and Joyce in The Dead. The key characteristic that each writer targets in on is existential loneliness. It is a predominant theme throughout both of their works. A working definition of existential loneliness as illustrated throughout Conrad and Joyce’s works is the inability of one character to feel accepted by his or her peers, regardless of the close proximities that he or she is resides in. The individual who suffers from existential loneliness is incapable of interacting with on a personal level. He or she often feels isolated among others.
The main character in "A Clean, Well- Lighted Place," written by Ernest Hemingway, is the old man. The old man, who remains nameless throughout the short story, comes to the café for the light it provides him against the dark night. He stays late into the night, and sits "In the shadow the leaves of the tree made against the electric light." The old man is deaf and finds comfort in the "difference" he feels inside the quiet café. The old man struggles with old age and the feeling of nothingness which is representative of the darkness outside of the café. The well-lit café represents order and cleanliness. Outside in the dark, a young soldier and a girl hurry along the streets. Apparently, the couple intend to go off alone. They symbolize the excitement that can go on in the night between two people. The old man is around eighty years old, and does not have a wife. He doesn’t experience this type of relationship in the dark. Rather, he finds company in the clean, well-lighted café.
At first glance “A Clean, Well-Lighted Place” by Ernest Hemingway is an unemotional, unfinished and simplistic narration of two waiters and an old man. However, when readers dig a little deeper for insight, they can truly see how meaningful this story actually is as Hemingway captures the source and essence of nihilistic thought, in a time of moral and religious confusion after the World War I. The post World War thinking of Hemingway and the Lost Generation in Paris was expressed and represented through his ideas, which were influenced by the ordeals of war. Due to Hemingway’s disturbing and unsettling experiences while serving in the military, he portrays the idea that all humans await an inevitable fate of eternal nothingness and everything that we value is worthless. He states that all humans will die alone and will be “in despair” about “nothing” (Hemingway 494), also that people will look for a “calm and pleasant café” (Hemingway 496) to escape from his misery. Hemingway goes on to say “[Life is] all a nothing, and a man [is] nothing too” (Hemingway, 496), undoubtedly abolishing any existence of a higher being. After observing the actions of individuals in the past three decades, Hemingway attempts to elaborate in “A Clean, Well-Lighted Place” that life is about gradual despair and not continual enlightenment and that we all will eventually fade into “nada” (Hemingway 497).
Postmodernism attempts to call into question or challenge the notion of a single absolute unified master narrative without simply replacing it with another. It is a paradoxical, recursive, and problematic method of critique.