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A brief history and theme of American literature
History of American literature
How did morals change in the roaring 1920s
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America is a popular image in literature and films. Dozens of writers sought to expose America’s vices and evaluate the consistency of its values, morality, and ethical norms. The pursuit for material wealth and the American dream were the topics most frequently discussed in American literature during the 1920s. The effects of World War I on individual beliefs and ideals, the ongoing decay of morality, the hollowness of dreams and convictions, and the failure to materialize one’s life goals together created a complicated situation, which often resembled a journey for nothing.
F. Scott Fitzgerald’s The Great Gatsby and Ernest Hemingway’s The Sun Also Rises are equally similar and different. The two stories are similar in their commitment to the failure of the American dream and its moral hollowness. However, the means and literary methods which the two authors choose to prove their point are distinctly different. Hemingway and Fitzgerald attempted to evoke aimless traveling across East to West and West to East through their writing styles in which the various nature of modernism in literature is reflected. Hemingway adopts his original sentence structure called “cablese” which consists of ordinary speech and exact words without any vague expressions, while Fitzgerald describes the protagonist, Gatsby through Nick’s perspective.
The purpose of this essay is to examine how the two modernist writers depict America in the 1920’s in a state of moral decay and the pursuit for material wealth gradually replaces the purity of conventional moral ideals and beliefs in their ways by comparing and contrasting the two novels.
Both stories are considered to be fictional representations of the American dream—moral decay in America and the fa...
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Conclusion
The American Dream and the decay of American values has been one of the most popular topics in American fiction in the 20th century. F. Scott Fitzgerald’s The Great Gatsby and Ernest Hemingway’s The Sun Also Rises create a full picture of American failure and pursue its ideals after the end of World War I by portraying the main characters as outsiders and describing the transportation in a symbolic way. Putting the aimless journeys for material life foreground, Fitzgerald and Hemingway skillfully link West and men and associate East to not only money but women. As American modernists, Hemingway utilizes his simple and dialog-oriented writing to appeal to readers and Fitzgerald ambiguously portrays Gatsby through a narrator, Nick, to cynically describe American virtue and corruption, which substantially contribute to modernism in literature.
The almighty American dream, commonly misconceived as the property of those who reap great materialistic wealth, has been analyzed and sought after through generations. However, this dream, “could come from anywhere and be anything you want in this country” (Goldberg), and the numerous success stories of impoverished beings proves this. This subjectiveness stems from the great diversity within human nature and the variation of goals and pleasures. The characters in novels such as The Glass Castle, To Kill a Mockingbird and the play, The Crucible, act to portray several attempts towards achieving this dream. Ultimately, the almighty American Dream manifests itself through the novels as the desire to accomplish stability and content within one’s
Throughout the history of literature, a great deal of authors has tried to reveal a clear understanding of the American Dream. Whether it is possible to achieve lies all in the character the author portrays. The Great Gatsby and The Catcher in the Rye stand as prime examples of this. F. Scott Fitzgerald and J.D. Salinger, the authors of these titles, respectively, fashion flawed characters, Jay Gatsby and Holden Caulfield, with one vital desire: the longing to gain what they can’t have; acceptance and the feeling of belonging. Each retaining characteristics that shows their differences and similarities in opinion of the world around them.
Within life, there are moments where one begins to question one’s ideals. Whether these beliefs are ones taught through social interaction and experience or are religious in nature, most of us, humanity, come to a time in life where one’s perception of life challenges the foundations of one’s strongest and, often times, longest held convictions. Sometimes, the questioning and examination of these convictions often lead one to a sense of disillusionment, and, in some ways, this individual analysis allows one to gain personal perspective on one’s life. In Human All-Too-Human, Friedrich Nietzsche wrote, “Convictions are more dangerous enemies of truth than lies”, and, within the backdrop of the 1920’s, Fitzgerald makes abundantly clear in the text that the American dream is a conviction that so happens to be based on lies and corruption. Throughout The Great Gatsby, Fitzgerald portrays the American dream as an ideal steeped in corruption and deceit through which the attainment of material wealth and the appearance of success justify the methods by which one attains his or her idea of that fabled dream.
Through many creative forms of literature one can see how authors such as John Cheever, Louise Erdrich, and John Updike present a variety of views on American Life. It is through short stories like “The Swimmer”, “I’m a Mad Dog Biting Myself for Sympathy” and “A&P” that authors put forth examples of how the American Dream means different things to different people. American politician Bernie Sanders once said, “For many, the American dream has become a nightmare.” Thanks to these stories it is possible to see how the American Dream is viewed and how the idea of freedom in this country affect people from all sorts of backgrounds. It could be argued that each story shows a struggle either while being at the pinnacle of success in terms of reaching the American Dream or while attempting to feel a sense of freedom within such a promising country. This is seen through Neddy’s struggle to get his life together after being hyper focused on artificial possessions that the American Dream often romanticizes, through the Native American narrator in “I’m a Mad Dog Biting Myself for Sympathy” struggling to accommodate and resist his displeasure with society via reckless behavior, and the group of girls in the A&P store who are displeased with Lengel’s remark on their attire or lack thereof.
On one level, each scenario is of an American archetype of success. For a country that prides itself on its immigrant history, hard-work ethic, and financial success stories, it seems strange to make these folks look like the villains. This is what Eric Schlosser is getting at: that these people would be heroes if the American ideal were anything more than a myth. Forgotten in that ideal, rationalized somehow, is the fact that our national heritage also includes a strong grounding in Puritanical morality somewhat. This is perhaps one of the most dissatisfying aspects of Schlosser's book, that the exploration of our moral grounding is never explored all that deeply, even though it is criticized. However, it is indisputable that the author, Schlosser, feels that the American ideal has a dangerous and powerful hold on the public co...
The dawn of the 20th century was met with an unprecedented catastrophe: an international technological war. Such a horrible conflict perhaps threatened the roots of the American Dream! Yet, most do not realize how pivotal the following years were. Post war prosperity caused a fabulous age for America: the “roaring twenties”. But it also was an era where materialism took the nation by storm, rooting itself into daily life. Wealth became a measure of success and a facade for social status. This “Marxist materialism” threatened the traditional American Dream of self-reliance and individuality far even more than the war a decade before. As it morphed into materialistic visions (owning a beautiful house and car), victims of the change blindly chased the new aspiration; one such victim was Jay Gatsby in The Great Gatsby. As his self-earned luxury and riches clashed with love, crippling consequences and disasters occur. F. Scott Fitzgerald’s The Great Gatsby delves into an era of materialism, exploring how capitalism can become the face of social life and ultimately cloud the American Dream.
... American Dream that was sold in society at the time after World War II can overshadow the actual meaning in real life. The “American Dream” is, in the end, defined as a comfortable living in a happy house. Instead, the materialistic society back then attempted to sell it in terms of appliances and products that were not needed, and unaffordable. They marketed it to the middle-class by attracting them to the aspect of credit, buying it with money that they don’t have. As Willy’s neighbor claimed at his funeral, Willy was merely a victim of his profession, leaving him with an unhealthy obsession with an image that was unrealistic, especially for them. This dissatisfaction with his life, and his misinterpretation of the “American Dream”, led to his downfall as a tragic hero, and a death that went in vain, as his son failed to follow the plan he had laid out for him.
Considered as the defining work of the 1920s, The Great Gatsby by F. Scott Fitzgerald was published in 1925, when America was just coming out of one of the most violent wars in the nation’s history. World War 1 had taken the lives of many young people who fought and sacrificed for our country on another continent. The war left many families without fathers, sons, and husbands. The 1920s is an era filled with rich and dazzling history, where Americans experienced changes in lifestyle from music to rebellion against the United States government. Those that are born into that era grew up in a more carefree, extravagant environment that would affect their interactions with others as well as their attitudes about themselves and societal expectations. In this novel, symbols are used to represent the changing times and create a picture of this era for generations to come. The history, settings, characters, and symbols embedded in The Great Gatsby exemplify life in America during the 1920s.
...n American Literature. By Henry Louis. Gates and Nellie Y. McKay. 2nd ed. New York: W.W. Norton &, 2004. 387-452. Print.
Since its publication in 1925, The Great Gatsby by F. Scott Fitzgerald has indisputably been one of the most influential and insightful pieces on the corruption and idealism of the American Dream. The American Dream, defined as ‘The belief that anyone, regardless of where they were born or what class they were born into, can attain their own version of success in a society where upward mobility is possible for everyone,’ was a dominant ideal in American society, stemming from an opportunist pioneer mentality. In his book ‘The American Tradition in Literature’, Bradley Sculley praised The Great Gatsby for being ‘perhaps the most striking fictional analysis of the age of gang barons and the social conditions that produced them.’ Over the years, greed and selfishness changed the basic essence of the American Dream, forming firmly integrated social classes and the uncontainable thirst for money and status. The ‘Roaring Twenties’ was a time of ‘sustained increase in national wealth’ , which consequently led to an increase in materialism and a decrease in morality. Moreover, the
In the years after the Great War, America rose to become a global power, symbolic of wealth and everything that came with it. Frivolous spending was a common thing to expect in the years between World War 1 and the Great Depression. Luxury was no longer a commodity solely for the upper-class during the roaring 1920's. All throughout, the United States was booming. The return of the veterans from Europe was of course celebrated by all, but there was a certain coterie that were troubled in discovering tranquility in a country that was still commemorating it's upset over the Central Powers. The very men that had fought for their country to propel it to a state of economic prowess were slowly becoming alienated by the society of post war America. A term coined by Gertrude Stein, friend and mentor of Ernest Hemingway, the “Lost Generation” found that their lives in the states would be altered perilously by Allied victory in Europe. The epoch of this conglomerate of young men was brought to life through the style of its writers. The Lost Generation is an allocation of young men, generally American writers, who built themselves during the 1920's based on a sense of aimlessness and loss of moral compass, showed how their learned values no longer applied in post war society through their written works and was made commonplace in the vocabulary of today through the writing of Ernest Hemingway.
Americans in the 1920s were fresh off of World War I and freshly into the Prohibition Era. The American Dream was well defined- a life of wealth, comfort, and exuberance. After a World War I victory, the Dream was thought to be in the near future for every American. The country was seen as a world superpower, wealthy after the devastation of a war fought entirely overseas and brimming with hope and possibility- at least on the surface. Despite the highs experienced by much of the country, it wasn't without its problems. Crime violence was benevolently running the streets and the Speakeasies beyond the reach of full Prohibition, the world was being set-up for The Great Depression, and America was brimming with members of the "Lost Generation." This generation and the hypocrisies and idiosyncracies of the "American Dream" inspired a rising and influential set of artists, poets and writers, and a list of best-selling books that both reflected and inspired the generation that devoured them. Authors such as Ernest Hemingway, Edith Wharton, Anita Loos, F. Scott Fitzgerald, and Sinclair Lewis were some of the popular fiction authors of the 1920s who both entertained and delighted their readers, while also offering an intelligent reality check about the limits and realities of the American Dream.
The 1920’s was a time of great change to both the country lived in as well as the goals and ambitions that were sought after by the average person. During this time, priorities shifted from family and religion to success and spontaneous living. The American dream, itself, changed into a self centered and ongoing personal goal that was the leading priority in most people’s lives. This new age of carelessness and naivety encompasses much of what this earlier period is remembered for. In addition, this revolution transformed many of the great writers and authors of the time as well as their various works. The Great Gatsby, written by F. Scott Fitzgerald, perfectly symbolizes many emergent trends of the 1920’s. More importantly the character of Jay Gatsby is depicted as a man amongst his American dream and the trials he faces in the pursuit of its complete achievement. His drive for acquiring the girl of his dreams, Daisy Buchanan, through gaining status and wealth shows many aspects of the authors view on the American dream. Through this, one can hope to disassemble the complex picture that is Fitzgerald’s view of this through the novel. Fitzgerald believes, through his experiences during the 1920’s, that only fractions of the American Dream are attainable, and he demonstrates this through three distinct images in The Great Gastby.
The American Dream seems almost non-existent to those who haven’t already achieved it. Every character in the novel has moments of feeling happy and endures a moment where they believe that they are about to achieve their dreams. Naturally everyone dreams of being a better person, having better things and in 1920’s America, the scheme of getting rich is quick. However, each character had their dreams crushed in the novel mainly because of social and economic situations and their dream of happiness becomes a ‘dead dream’ leading them back to their ‘shallow lives’ or no life at all.
Works Cited “American Literature 1865-1914.” Baym 1271. Baym, Nina et al. Ed. The Norton Anthology of American Literature.