Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
An essay of the importance of the French new wave
An essay of the importance of the French new wave
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: An essay of the importance of the French new wave
Françoise Sagan, qui est le pseudonyme de Françoise Quoirez, est née en 1935 à Carjac, en France. Elle grandit au milieu d'une famille d'industriels aisés qui l'ont toujours gâtée parce qu'ils ont perdu un enfant avant sa naissance. Elle passe son enfance dans le Lot, à Lyon et dans le Dauphiné parce que son père y dirige une usine pendant la guerre. Pendant son adolescence, elle change souvent de cours privés et elle s'intéresse déjà énormément à la littérature. Apres qu'elle réussit son examen en 1951, elle s'inscrit à la Sorbonne. Elle est souvent considérée comme faisant partie de la Nouvelle Vague, un mouvement du cinéma français des années 1950, et elle a contribué à l'écriture de scénarios et de dialogues de films. Elle est connue pour sa 'petite musique' mélancolique au ton nonchalant dans ses œuvres qui, au thèmes romantiques, portent sur la bourgeoisie riche et désabusée, comme dans son premier, et plus célèbre, roman Bonjour tristesse.
En 1953, quand elle a 18 ans, elle écrit son premier roman, Bonjour tristesse dont le titre est inspiré par un vers d'Éluard: "Sur ce sentiment inconnu dont l'ennui, la douceur m'obsèdent, j'hésite à apposer le nom, le beau nom grave de tristesse..." Quand elle choisit le pseudonyme 'Françoise Sagan' pour la publication de son roman, elle fait référence à un personnage de Proust. Un jury prestigieux (Jean Paulhan, Maurice Nadeau, Georges Bataille, Marcel Arland et Roger Caillois) décerne le prix des Critiques à ce roman, qui sort en 1954 et qui connaît immédiatement un succès de librairie.
François Mauriac, qui est un écrivain et critique français, écrit à la Une du Figaro: "[…] ce prix des Critiques décerné […] à un charmant petit monstre de dix-huit ans [dont] le mérite littéraire écl...
... middle of paper ...
...avec les personnages dans ses livres.
Françoise Sagan écrit une vingtaine de roman dont 30 millions on été vendus en France et dont de nombreuses traductions en 15 langues existent. Les thèmes qui reviennent souvent sont la vie facile, les voitures rapides, les villas bourgeoises, le soleil, un mélange de cynisme, de sensualité, d'indifférence et d'oisiveté. De son besoin d'écrire elle dit: "Ecrire est la seule vérification que j'ai de moi-même. J'ai toujours l'impression d'aller à un échec relatif. C'est à la fois fichu et gagné. Désespérant et excitant." Tandis qu'elle préfère le roman, il y a aussi une place importante réservée au théâtre mais elle ne récolte pas toujours de succès par ses pièces de théâtre. Son oeuvre est assez riche parce qu'elle a aussi écrit des nouvelles, des scénarios, des biographies, des fragments d'autobiographie et même des chansons.
The achievements and expertise of Eleanor of Aquitaine and Hildegard of Bingen were similar in that both contributed to literature. Although Eleanor of Aquitaine was often up to her knees in political affairs, nevertheless found time to cultivate the arts and patronize literature (Lindenmuth, 2005, p.1). At the royal court at Poitiers, she dedicated much of her money toward the patronage of all kinds of rising artists in all areas, but she’s best known for promoting the troubadours and romance writers (Lindenmuth, 2005, p.1). Eleanor herself greatly contributed to the rules of courtly love (Au, p.1), whose key features became humility, courtesy, and adultery (Delahoyde, Courtly Love, p.1), but her main contributions to literature were indirect.
Hanning, Robert and Joan Ferrante. The Lais of Marie de France. Eliduc. Baker Academic: Grand Rapids, Michigan, 1978.
Ruskin, John. “Grotesque Renaissance.” The Stones of Venice: The Fall. 1853. New York: Garland Publishing, 1979. 112-65. Rpt. in Classical and Medieval Literature Criticism. Ed. Jelena O. Krstovic. Vol. 2. Detroit: Gale Research Company, 1989. 21-2.
Purity in the Gothic genre can be perceived from so many points of view. It involves sex, beauty, perception, and people's position in society. "The Italian" has many characters that behold either one or more of these traits. In this paper, we will explore how Ann Radcliffe uses purity and the deception and destruction of it to enhance her character's role in the Gothic genre.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
The Roman Way is essentially a collection of letters, poems and essays from some of the most famous literary minds of the ancient Roman culture. Edith Hamilton is attempting to show us a side of Rome that was previously unseen. She uses these stories to try and explain what the ideas, attitudes and beliefs are that make up the “Roman Way.”
Wharton, Edith. “Roman Fever.” Edith Wharton: Collected Stories 1911-1937. New York: Literary Classics 2001. 749-62.
We all experience losses as we grow older in life. These losses are usually about our physical or inner self. However, sometimes these losses could be about how our relationships with others have been lost or changed due to growing up. For example, in the story How the Garcia Girls Lost Their Accents by Julia Alvarez, four sisters suffer or experience losses as a result of growing up into older young women. All this started when the four sisters moved to the United States from the Dominican Republic at a young age. This affects the four sisters because they encounter problems or obstacles as they age into young adults. For instance, Julia Alvarez shows that growing up is a process of losing respect, sanity, and a loving friend.
The central characters, setting, and tone of the story help create the central idea of the psychological and internal desires of a woman. Through the view of the central characters it is established that the lawyer’s wife wants more than her average day and is searching for more to life than the daily routine of a house wife. Jean Varin is believed to be the desire she is looking for; however, she is not fulfilled or happy with the outcome of her choices. The setting and the tone reveal the psychological need for the wife to have an adventurous, lavish, and opulent lifestyle that she feels can only be achieved in Paris.
Marcel Le Glay, Jean-Louis Voisin, Yann Le Bohec. A History of Rome. West Sussex, UK: Wiley-Blackwell, 2009.
...trates the life of Helen who according to the authors, describes the vicissitudes of a woman whose beauty sparked the Trojan War, or the exploits of a hero. Eleanor Antin shows both sides of the ambiguous character of Helen, revealing the complexity of a figure who, after three thousand years of fame, remains curiously silent, despite being the most beautiful and disastrous objectification of anxiety and male desire.
In her article “But What Do You Mean” Deborah Tannen, claims that there is a huge difference in the style of communicating between men and women. Tannen breaks these down into seven different categories; apologies, criticism, thank-yous, fighting, praise, complaints, and jokes. With each of these she compares men to women by explaining the common misconceptions that each of the genders do. The different style of communication can cause some problems at the workplace and even affect the environment. The different styles of communication has been around forever and almost becomes a “ritual”(299). Tannen is effective with mainly women and not men. She is primarily successful with women due to the fact that her tone targets women, also the organization
Historically, power has been manifested hierarchically within the social training of genders. Simone De Beauvoir’s concept of ‘otherness’ has theorized how individuals’ personal manifestations of self are influenced deeply by their social position and the available power to them within these circumstances (2000:145). She remains one of the first to develop a feminist philosophy of women. In her book The Second Sex (1950), Beauvoir provides “a philosophical account of the development of patriarchal society and the condition of women within it” (Oliver, 1997:160). Beauvoir’s fundamental initial analysis begins by asking, “what is woman” and concludes woman is “other” and always defined in relation to man (Beauvoir, 2000:145). “He is the Subject,
Jeanne Duval: Baudelaire had an on-again off-again relationship with Duval that lasted over 20 years. The relationship of a middle-class Frenchman and an African decent actress was severely looked down upon as socially unacceptable. Baudelaire’s family never gave their blessing for the relationship and that, in addition to their hold on his finances, is most likely why Baudelaire and Duval remaine...