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Use of Symbolism
Use of symbolism in everyday use
Archetype examples
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In literature, there are many archetypes including temptress, hero, trickster, transgressor, and many more, major and minor. One of the most prominent of these literary devices is the destroyer, who is usually the antagonist, who has an unquenchable thirst to kill, and avenge whatever wrongs they have received in the past. The destroyer in modern day literature is most often described as having the basic instinct to kill everyone and everything from the moment it is birthed, or it is wronged, and is best portrayed by such villains as The Chimera, The Apocalyptic Horseman, and Bane. The Chimera is one of the most feared creatures in all of Greek history, causing fiery devastation and deaths in whatever lands it occupied at that time. The Chimera, …show more content…
in most accounts, is depicted as a grueling monster with the body of a goat, the head of a lion, and the tail of a serpent, although sometimes it is portrayed with an extra head, one of a goat, sprouting from its back next to the lion’s head. Mythology states that this monster is the spawn of Typhon, a son of Gaea the Earth Mother, who is considered to be “the father of all monsters”, and Echidna, likewise, a daughter of Gaea, and the “mother of all monsters” (Chimera). In one time period, the Chimera is said to have been seen roaming, causing great havoc the lands of Lycia, raised from the Underworld by King Amisodarus of Caria to terrorize the surrounding areas, as it spewing fire and devouring all living things around it from humans to animals to mythical creatures. It was eventually vanquished and returned to the Underworld by Bellerophon who speared the Chimera in its undercarriage with a lead tipped spear, piercing its vital organs and bleeding to death (Chimera). The Chimera resembles a Greek destroyer in such a way that it literally destroys everything and everyone in his path. It stops for no mortal, and only select few immortals to whom it owes service to, and spreads fear, panic, and devastation in the land it is in, has been in, will be in, and all surrounding areas. The Chimera is truly a destroyer of worlds. Another group of infamous destroyers are the Four Horsemen of the Christian Apocalypse.
The horsemen are described as beings whose entirety of their existence is to destroy all sinners and non believers of Christ in their way, in God’s name. There are four different colors for the four horsemen, representing different aspects of the second coming of Jesus Christ, corresponding to their colors. The first horseman, the color white, kills all non believers in Christianity, and all humans who do not follow the teachings of Jesus Christ. In some instances it is thought that the white horseman is a representation of the Messiah himself, with a crown to represent his conquering of sinners, and a bow and quiver of arrows to represent his military power against all believers in other gods and Anti-Christs (Crier). The second horseman, red, is said to be symbolic of the blood shed during wars, and is permitted to eliminate all peaceful affairs and treaties from Earth, causing nations of men not committed to Christ to kill each other one by one, until all men are deceased, or to a point of no return. To help with the effort of taking peace permanently from the world, a third horseman, of the color black, was created to spread earthquakes throughout the lands, causing inflation in nations, famines through rising cost in food, and a larger separation between rich and poor, which often leads to civil wars, or stronger conquering nations to invade (Crier). The final horseman, the pale …show more content…
horseman, is indeed the most solemn of the horsemen. The pale color of the horseman represents all the pale colored corpses of the dead men after the apocalypse. As the white horseman is said to be the representation of Jesus Christ, the pale horseman is supposed to represent the embodiment of Death itself. He was given a large portion of Earth, and the same powers as the red and black horsemen: to cause wars and earthquakes, and famine due to the inflation of food prices (Crier). The horseman, although in a different culture than Ancient Greek, still depicts the destroyer in an obvious way, as they ruin all life in their path, endlessly slaughtering men, with no mercy, nor a second thought. They spread terror to believers and nonbelievers alike, making even the strongest of men fear for their life. One final modern day destroyer is Bane, a supervillain forged in darkness, who is known to have one of the most infamous death drives known to Gotham City, who is forever trying to avenge the wrongs thrown upon him by his dad during his childhood.
In the box office hit Batman: The Dark Knight Rises, Bane plays the main antagonist, who uses his physical strength and mental wits to bring Gotham City, as well as the seemingly untouchable Batman, to their knees. Before his eventual rise to power Bane escapes his childhood prison, Pena Dura, or “Hard Rock”, where he was serving his absent father’s life sentence for revolutionary charges. When he was little, Bane had nightmares of a “Bat-like” demon, which meant that when his journey took him to Gotham City, it was probably not to defeat Batman himself, but to vanquish his childhood tormentor, or at least representation of it (Peaty). Throughout the movie Bane uses his will to kill to senselessly beat and terrorize Batman, cops, and civilians alike with anything from his bare fists, to bombs the size of football fields. He snaps batman like a twig, and then forces him into the same prison that Bane himself was once in, and although he eventually escapes, it takes years of training to heal his back and escape (Dark). There is no end to the pain, destruction, and mayhem Bane caused in the world of Gotham. He is one of Batman’s most formidable arch nemeses, and the single villain to bring Gotham City to its knees. He is truly a
destroyer, solely through his will to avenge his childhood spent in despair, wasted by his father, haunted by bat-demons. The destroyer archetype in all literature, Greek, Christian, and even modern comics, is described as having an unending instinct to vanquish all men, women, and creatures in their path. They do not care whether you are rich, poor, mortal, immortal, good, evil, crazy, or sane. If you stand in the way of their task, or if you are their task they will not hesitate to end your existance, and they will have no second thoughts to who are what you are. Destroyers do exactly what their name implores: destroy.
In Revelation 6:1-8, Four Horsemen are introduced. The first Horseman rides a white horse. This has led some to suggest that the Horseman is Christ, perhaps symbolizing the triumph of the Gospel. A white horse does symbolizes victory, and Christ is said to return on a white horse. However, this interpretation seems unlikely. Even a cursory reading reveals that the other three Horsemen bring terrible judgements. Thus from the context one would expect the first Horsemen to bring judgement as well.1 Furthermore, Christ is said to return not with a bow but with the sword of His mouth.2 This is not the only difference between riders, however. Christ is exalted with many crowns, but this Horseman receives a crown. In addition, Christ wears the diadema, or royal crown, whereas the First Horseman wears a stephanos or victor’s wreath.3 Thus from the context it seems that the First Horseman is none other than the Antichrist. This explains the similarities between the Horseman and the triumph return of Christ, for Satan can only imitate God. The First Horseman, the Antichrist, will conquer the world peacefully, for he carries an empty bow.4
Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain.
The excerpt describes seven seals. Out the first seal comes a white horse, the second a bright red horse, the third a black horse, the fourth a pale horse, the fifth an altar of souls, the sixth an apocalypse.
The popular film from 1977 known as Star Wars Episode IV: A New Hope written and directed by George Lucas, there are many uses of archetypes, which include use of the colors blue and green in light sabers, and the color gold in the character, Luke Skywalker’s, clothing at the end of the movie. The use of these colors throughout the movie help to show the heroic cycle of Luke Skywalker by bringing out the changes he goes through from his purity, to his rebirth, and then finally when Luke gains wisdom from his journey.
The archetypes that permeate many different stories all originate from Joseph Campbell's Hero With a Thousand Faces. More specifically, in the medieval story, Sir Gawain and the Green Knight, a variety of different archetypes are especially necessary to the theme of the story. An understanding of three key archetypes—the temptress the magic weapon, and the task—reveal the essence of Gawain’s role within the archetypal quest motif.
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
In origin, a hero is an archetype character that refers to protectors, warriors, or god-like man who protects humanity. For instance, Hercules was a hero in Greek mythology. In modern culture, heroism is recognized as an extremely popular trait that a character can possess. In this case, Bat Man, also referred to as The Dark Knight, is indisputably idealized as a hero. Unlike most superheros in comicbooks culture, Bat Man is a simple human being with absolutely no superpowers. Regardless of that, he as a simple human being still exhibits the courage, intelligence, talent and the necessary skills in fighting crime and defeating potentially hazardous villains seeking to either rule the world or cause destruction. In detail, Bat Man’s real name is Bruce Wayne. Bruce was 10 years old when his parents were murdered which fundamentally change his perception about the world. After his parents’ death, Bruce inherited a multibillion dollar company that his father created before his birth, which explains why he has the most advanced technology to help him fight crime. While growing up, Bruce trained himself to fight and had been working out. One night, he came to the conclusion that Gotham city is falling into the hands of criminals. For that reason, he convinced himself that it should be his obligation to prevent it, although he needed a hero identity to hide his real identity
He is told that Bane will allow him to heal and live in the pit, which is essentially a prison, as Bane destroys Gotham, so Bruce can see the extent of his defeat over television. This is Bruce’s lowest point in the story, but he is given a beacon of hope by some of the other inmates in the pit. He learns of a boy that once made the climb out of the pit by making a jump that to every other man has been impossible. This jump gives Bruce a purpose. He recovers from his injury and trains his body to make the jump. News reports of the situation in Gotham motivate Bruce to try to return to Gotham before Bane destroys his city. The jump provides an opportunity to make the metaphorical rebirth my tarot reading had alluded to. According to The Wild Wood Tarot, the Eight of Vessels represents an opportunity for “looking at the past, acknowledging [a hero’s] mistakes and learning from them, [to] grow and attain new wisdom”(137). This is exactly what Bruce does. During the time in the pit he stops doubting himself and improves his physique, so he is both mentally and physically prepared for the jump. When he is ready he makes he leap out of the pit and returns to Gotham to attempt to save his city from the nuclear explosive Bane is threatening to
This archetype shows the monster for who he really is: a monster. This quote shows the villain archetype because, being the monster that he is, he kills every person Victor Frankenstein ever loved. Being the evil villain, his goal is to destroy Victor’s journey, which he successfully does.
"50 greatest villains in literature." The Telegraph. Telegraph Media Group, 20 Sept. 2008. Web. 5 Apr. 2014. .
Another archetype seen in the novel is The Great Devil or Evil. An example of this is in the story Sweat. The character Sykes is evil
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
Dorothy Johnson in “A Man Called Horse” writes about a young man who was born and raised in Boston. He lives in a gracious home under his grandmothers and grandfather’s loving care. For some reason, he is discontent. He leaves home to try to find out the reason for his discontent. Upon leaving he undergoes a change in status and opinion of himself and others. He begins a wealthy young man arrogant and spoiled, becomes a captive of Crow Indians- docile and humble, and emerges a man equal to all.
Batman Begins has an incredible amount of struggles that not only Bruce Wayne must face but all of Gotham must face. The first of many of these was Thomas and Martha Wayne's sudden death at the beginning. This left both the people of Gotham and Bruce Wayne to struggle along without them “Their deaths galvanized the city into saving itself and Gotham has limped on ever since.” (Batman Begins, Ras Al Ghul, Scene 31) This also created much anger and rage in Bruce Wayne that he released as Batman. There is also the struggle with the crime rate in Gotham and keeping alive the cities slowly falling government. These things differ from the Dark Knight where the struggles are with mainly the Joker and his actions. Many more unexpected and out of control struggles occur in The Dark Knight. The Joker (mastermind terrorist) creates many series of problems and difficulties for Batman, Gordon, Dent, and all of Gotham in general. Another big problem, quite different from the first one is the capturing of Joker. Unlike the first film, the struggles of The Dark Knight are much more external while the first one was fixing what was on Gotham’s internal problems. An example was after Rachel’s death it changed Harvey into an evil person therefore changing the whole ending of the movie, and a lot of the next one. Another big difference between the two films is The Dark Knight has a lot more violence and explosions,
We represent evil as an entity, or 'individual' with insensitive abilities and sinister intention. This is what we refer to as a monster. They often give a story a central conflict, something to overcome. A more than fitting case of a fictional story that accurately embodies a monster is Bram Stoker's suspenseful and unpredictable gothic novel, Dracula. The antagonist in this story, Count Dracula, is a vampire who resides in a Transylvanian fortress