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Characteristics of a villain in literature
Villains in literature essay
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Literary villains are all around us. For instance, Voldemort from Harry Potter and Darth Vader from Star Wars. What makes a villain? They will go through anyone or damage anything to reach their goal. No matter how small or how tall they are, anyone can be a villain. One of the worst literary villains is Erik Fisher from Tangerine, written by Edward Bloor. He is a liar and a thief. Those traits are what makes the best villains. Throughout the book, Erik shows that he is a villain through his vile and offensive behavior, his need for power, and his insanity. Villainous traits are found in many books and movies; however, one of the most common is being vile and offensive. Everyone who says or does something that is completely inappropriate and harsh, is headed down a villainous path. Erik Fisher executes vile and offensive well. In During the novel, Erik does many different things that demonstrate he is possessed or insane. In Tangerine, erik orders his slave, Arthur, to hit Luis Cruz with his blackjack. The book states, “I said, ‘I’ve already been in the right place at the wrong time, you low life creeps. You pathetic losers. I was under the bleaches on Tuesday afternoon.’ I raised my finger like it was loaded, and I pointed it at Arthur. ‘I saw you kill Luis Cruz.’.” This definitely proves that Erik Fisher is a maniac! Whereas, Paul is sane and talks his problems out with words not with grim actions. An example from the novel of Paul being sane, is when he found out he was getting kicked off the Lake Windsor soccer team. CRAZILY, he freaked out a little he didn’t take it extreme. Tangerine says, “I knelt down on that sideline, took off my sports goggles, and started to cry.” This takes place after Coach Walski kicks Paul off the team because he visually handicapped. Although, Paul has little meltdowns he stays calm, unlike Erik who is insane and does truly crazy
“I saw him do it. I saw Arthur Bauer sneak up on Luis Cruz, like a coward, and hit him on the side of the head" In the book Tangerine, Paul Fisher is a young boy who had struggled with confidence. Throughout the story, Paul learned to be strong and stand up for himself. Even though Paul started off scared, he learned that he is powerful and can stand up to others.
Doug Swieteck, from “Okay for Now”, by Gary D. Schmidt, lived a life in anger. At the beginning of the book, he was very hateful of everything. He had spent a long time in anger and disgust, trying to find a way in life. Near the beginning of the book, Joe Pepitone gave Doug his baseball cap and jacket in person, to Doug. But, Doug’s mean older brother took the cap and his dad took his jacket. That added to Doug’s anger even more. But, luckily he turned it around in the middle and end of the book. He ended being a lot happier and was able to control his emotions better.
In conclusion, Erik has affected Paul in many ways throughout their time together. Erik has caused Paul to have vision loss, lose a friend, and for Paul to lose self esteem. Erik chose to hurt Paul to either fit in, be funny, or even to be as cruel as possible. Paul has suffered a lot from Erik and he needs to know the
“He had something pulled over his face, some kind of ski mask, and he was holding a long metal baseball bat in both hands, like a murder weapon. Then he brought it forward in a mighty swing, right at my head.” Erik makes terrible choices that some of those choices affect Paul majorly. Obviously they don't get along that well because Paul had a flashback about Erik, and that flashback wasn't a good one.
His parents lied to Paul his whole life. They said, “ We wanted to find a way to keep you from always hating your brother.” Erik is a bully and blind to appropriate social behavior. Erik thinks he has discretion over everyone else. He is a star kicker for the High School football team, and hopes to play in college and then professional ball. He jokes about a football teammate being killed by lightning. Erik tells Arthur, his ball holder and sidekick goon, to punch Tino’s big brother Luis, and hits him on the head with a “blackjack” club. Luis then dies of an aneurysm about a week later. Erik is blind to how his actions affect others. He is not able to take accountability for what he does to other people. He is not accountable for the harm he has caused Paul, Luis, or anyone else. If he is good at football he acts like he can be an exception to the rules of
In every protagonist, there is an antagonist, since, without it, there is no story. The readers may despise the villains terribly and may not want them to exist. However, everyone can concur that pronounced villains are what makes the stories interesting; they are what makes the stories come alive. "But," people may wonder, "what makes a villain considerable?" One example is Jafar from the Disney movie Aladdin, whose wicked behavior, intimidating appearance, and contradictory to the hero produces him as the epitome of a great villain.
Villains today are typically shown wearing dark colors, large capes, mean eyes, and maybe a pointy-nose. The villain has their evil cackle that suggests that they know what they are doing is evil, but they love doing the evil things. For the most part, they are never regretful of their actions. Take Gargamel, from the movie The Smurfs. Gargamel is the evil wizard and enemy of the smurfs, whose main goal is to destroy them. He wears a dark cape, has a pointy nose, and an evil laugh. Throughout the movie, he never changes his views on his actions or questions his reasoning for attempting, what we would call murder. In the end he is defeated by the hero of the movie, while still coming back in follow-up movies to attempt his goal again and again. This archetype is not quite the villain archetype presented through Claudius of the novel
Writing a story is pretty difficult. Writing a short story is even harder, there is so much that has to be accomplished; in both commercial and literary fiction! The plot, the structure, whether it has a happy, unhappy, or indeterminate ending. There must be artistic unity, chance, coincidence, rising action, climax, falling action. Most importantly there must be characterization. Characters make the story! “anyone can summarize what a person in a story has done, but a writer needs considerable skill and insight into human beings to describe convincingly who a person is” [page 168]
The evil nature of this individual is made manifest, and thus evil enters the story in a significant way.
Chris Colfer says “ a villain is a victim whose story hasn't been told yet.” When the word villain comes to mind people always assume the worst, that the character is cold, evil, and manipulative. An audience will not except that villains were not always evil, something or someone made them that way. Abigail Williams the antagonist of Arthur Miller’s The Crucible and Shylock the antagonist of Shakespeare’s The Merchant of Venice both fall prey to this accusation. Abigail and Shylock are both debatable villains because they both suffered violent pasts and were victims of their societies.
relationship you can say. Paul Fisher is a Tangerine middle schooler. He has made a lot
The Joker, Sauron, Plankton, Lord Voldemort, Kronos, Shego, and Hades are all very well-known villains in today’s world (at least in the U.S.). But, what makes them villains? A villain is made out of who the person is and what he or she does with his/her life. A villain is a person who is evil, hates people, gets even/gets revenge, is conniving and/or sneaky, a person who is manipulative, and a person who can (and does) keep up a false reputation. The character Iago, the main antagonist of William Shakespeare’s The Tragedy of Othello: The Moor of Venice definitely qualifies as a villain under these circumstances because he is manipulative, conniving, and keeps up a false reputation (that he’s honest and trustworthy).
There are many literary works that contain villains who play an essential role in the development of the work as a whole. However, I believe that the ultimate villain of this kind is Iago in Shakespeare’s play, Othello. Through manipulation and scheming, he beguiles the other characters of the novel.
“What makes a character a monster”? An individual in a text could be considered a monster based on their actions. A “monster” would be considered a character who has committed cruel behaviors and actions, as well as demanding others to commit cruel actions for pleasure. Since monsters commit these type of actions, they tend to have specific personality traits and characteristics. A “monster” may possess characteristics such as cruelty, evilness, selfless, and inhumanity. This individual’s personality is typically filled with ugliness. Often times, a monster would also be considered the antagonist of the story. During this semester, we were instructed to read a number of texts which included Hamlet, Rosencrantz and Guildenstern are Dead, and
In every great play, there must be a villain to assist in forming the base of the plot. Without a villain, no story or play will be successful or interesting. Shakespeare is well known for his use of different types of villains in his plays. “What constitutes a villain? -- You could probably write a whole thesis on that one. I'm going to adopt a rather loose working definition - villains are people who do bad stuff.” (Dooley) Dooley’s description of villains is a very accurate summary of the description of villains. They are, essentially, people who do things that are seen as morally wrong by readers. Many of the villains in Shakespeare’s plays come across as almost sociopathic. In Shakespeare’s plays Othello, Midsummer Night’s Dream, and Hamlet, the villains are Iago, Oberon, and Claudius, respectively.