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Flower Imagery in The Stone Angel Margaret Laurence uses flower imagery in her novel The Stone Angel to represent Hagar's way of life. There is two types of flowers, wild and civilized. These two types of flowers are associated with the educated, controlled way of life and the material way of life. In summer the cemetery was rich and thick as syrup with the funeral-parlor perfume of the planted peonies, dark crimson and wallpaper pink, the pompous blossoms hanging leadenly, too heavy for their light stems, bowed down with the weight of themselves and the weight of the rain, infested with upstart ants that sauntered through the plush petals as though to the manner born . . . But sometimes through to hot rush of disrespectful wind whtat shook the scrub oak and the coarse couchgrass encroaching upon the dutifully cared for habitations of the dead, the scent of the cowslips woud rise monentarily. They were though-rooted, these wild and gaudy flowers, and altough they were held back at the cemetery's edge, torn out by loving relatives determined to keep the plots clear and clealy civilized, for a second or two a person walking there could catch the faint, muskey, dust-tinged smell of things that grew and had grown always, before the portly peonies and the angels with rigid wings, when the prarie bluffs were walked though only by Cree with enigmatic faces and greasy hair. (p. 4-5) Hagar was the lucky one in her family. She was able to go to college where she learned how to be more cultivated and civilized and how to act like a lady. Nothing seems to be natural about her, she criticizes everything that seems to be wild or out of control. When Hagar marries Bram Shipley, she is content and in love. It was spring that day, a differnt spring from this one. The poplar bluffs had budded with sticky leaves, and the forgs had come back to te sloughs and sang like choruses of angels with sore throats, an th mars marigolds were opening like shavings of sun on the brown river where the dadpoles danced and the bloodsuckers lay slimy and low, waiting fo the boy's feet. And i rode int blacke-topped buggy beside the man who was no my mate. (p. 50) After the wedding, Hagar becomes determined to change the way her husband behaves. His manners are rude and unexpected. This only embarrasses her. Later on in the novel, Hagar realizes that she herself is he embarrassing one, having humiliated people like her son, John or her daughter-in-law, Doris. The references dealing with cultivated flowers are grim. They have the smell of a funeral-parlor and speak of death and emptiness, almost like Hagar's aging life. "I would not expect her to know that the lilies of the valley, so white and almost too strongly sweet, were the flowers we used to weave into the wreaths for the dead" (p. 33). In her old age, Hagar realizes that her life was bleak. She did not let anything about herself go free. She wanted to be well known as an educated, independent woman who needed no help from anyone, yet she fails in the end having to depend on her own son, Marivn, and his wife. Her flowers deteriorate just the same as Hagar grows old. My marigolds were a dead loss by this time, of course. I'd planted them behind the house to use as cutting flowers and they'd kept on seeding themselves, but now only a few wizened ones remained, small enexpected dabs of orange among the choking weeds, dry sheepfoot and thistle. The sunflowers had risen beside the barn as always, fed by the melting snow in the spring, but the'd had no other water this year - their tall stalks were hollow and brown, and the heavy heads hung over, the segments empty as unfulled honey-combs, for the petals had fallen and the centers had dried before the seeds could form." (p. 169) At the end of the novel, before Hagar dies, she realizes that her life was empty with all the wrong decisions. She faked her whole life being strong and civilized when she should have been alive and spontanious. "I take off my hat - it's hardly suitable for here, anyway, a prim domestic hat sprouting cultivated flowers. Then with considerable care I arrange the jades and copper pieces in my hair. I glance into my purse mirror. The effect is pleasing. They liven up my gray, transform me." At Shadow point where Hagar puts junebugs in her own hair is a way of escaping. It signifies living.
In Toni Morrison’s novel, The Song of Solomon, flowers are associated with romance and love, and so the way in which the central female characters interact with flora is indicative of the romance in their lives. Flowers, red roses in particular, are a universal symbol for love and fertility. Though Ruth Foster, Lena called Magdalene Dead, and First Corinthians Dead are associated with different types of flowers in distinctive ways, the purpose of the motif stays the same; flowers reveal one’s romantic status and are a precursor for the romance that is to come. Throughout the entire novel, the flowers share in common that they are not real. Some flowers appear printed, others as fake substitutes, and some are imaginary. This is an essential
...er obligation to her children, and is unable to flee from her problems as she did in the past. The final paragraph is proof of Helga’s inevitable doom. As it would seem throughout Helga’s life, she has struggled to be free of her sexual and racial confusion. Becoming pregnant for the fifth time explains with a bold certainty the title of Larsen’s novel. It seems that the more Helga struggles to be free, the more she sinks herself deeper into the quicksand.
Independence is something most humans strive for, although some are not lucky enough for it to be an option for them. When a person loses their independence they lose the faith in themselves that they are even capable of being independent. Once the right is taken away, a person will become dependent on others, and unable to function as they used to. Most people would sit back and let their right be taken, but not Hagar Shipley. Hagar loses her independence as most do, because of her age. Doris confronts Hagar about an accident she had when she wet the sheets, and Hagar begins to feel the vice slowly closing down on her already tiny slice of independence. Feeling threatened, Hagar snaps, “That’s a lie. I never did any such thing. You’re making it up. I know your ways. Just so you’ll have some reason for putting me away.” (Lawrence 74) As if Hagar wasn’t having a difficult enough time wat...
Hagar’s duality and ambivalence towards Manawakan values is revealed as she simultaneously seems to flout as well as continue those. It gives way to the development of her complexity as a character that remains with Hagar throughout her life and affects her relationship with others. She finds herself unable to express herself to either of her brothers. She wanted
Although Hagar flaunts her pregnancy with Abraham in the face of Sarah who is barren, Sarah is ultimately responsible for generating trouble in Abraham’s household. Through Sarah’s decision to give Hagar to Abraham, Sarah’s jealousy and anger towards Hagar’s reaction to conception, and also Sarah’s harsh treatment of Hagar, we are able to understand why Sarah is truly the one accountable for the negative circumstances throughout her relationship with Hagar.
...of a minor character in the story but she is referred to as having two emotions, “forward and reverse”. This is important because when a person is forced to go in reverse they must face something or learn something they don’t want to know about themselves. This seems to be what happens during the course of the story for Joy-Hulga. Although all the characters in the story are stuck in reverse, the only character that is forced to realize her weakness, which destroys the façade that she created is Joy-Hulga. It seems that in this story as in life the most high and mighty suffers the greatest fall. Joy-Hulga was the one who perceived herself to be the high and mighty of the characters. This attitude is displayed with many of her comment to Mrs. Hopewell. Perhaps when Joy-Hulga remarks to Mrs. Hopewell, “Woman, do you ever look inside?” she should’ve taken her own advice.
Eugenia Collier’s story “ Marigolds” is a short story about a girl, Lizabeth, who is becoming a woman. Collier uses marigolds as a symbol of beauty to develop Lizabeth. Collier introduces the marigolds as “ a dazzling strip of bright blossoms … warm and passionate and sun golden”(Collier 3). Lizabeth and her friends saw the marigolds as a defacement of the house’s ugliness by their beauty, “They interfered with the perfect ugliness of the place; they were too beautiful”(Collier 3). The marigolds were used to show how ugly the rest of her life was, and Lizabeth did not like the marigolds, because she did not want to see her life in that light. At the end of the story, Lizabeth pulls the marigolds and shows that
The hag is an old and ugly peasant women. However, during the course of the story, both of these
...ots her memory, the blossoms her dreams, and the branches her vision. After each unsuccessful marriage, she waits for the springtime pollen to be sprinkled over her life once again. Even after Tea Cake's death, she has a garden of her own to sit and revel in.
...bringing. The unbending pride associated with her character was an inheritance from her father and the past Currie glory, while the town and her status as a young girl shaped her speech and manner. Over the years, Hagar has come to represent the stone angel that marks her mother's grave, but not a beautiful image of serenity, as one may conjure when thinking of angels, but rather an expression of immovable pride that lead to her demise.
Many people have always wondered why people who had always ate meat their entire lives, decide to become vegetarians. People would presume that they wanted to lose weight, become healthier, or even just to try it out. Several would say non-vegetarianism is healthier and could help your body; however, vegetarians can be healthy too by what they eat and how much they eat of that particular food. Although I eat meat and I’m not a vegetarian, being a vegetarian can help your body in more ways than one and have many advantages in helping your body. Many become vegetarians to remove non-healthy things from their body, are animal lovers, or even religious or cultural reasons.
In “The Stone Angel” by Margaret Laurence Hagar is her own tragic hero. Hagar Shipley unfulfilled life is the result of her tragic flaws. Hagar flaws are that she is filled with pride that overcomes her in a negative way that impacts her relationships. Also, that she is very stubborn and will never show her true emotions, which leaves her life with many missed opportunities. As well as, her insensitivity toward everyone that has come and gone in her life and never willing to change for anything or anyone. Through out the whole novel Hagar most represents the stone angel.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
Also Hagar had a son, Marvin, she never adored him, but finally realizes on how honorable Marvin was to her. This opens the doors of acceptance from Hagar to Marvin.
As a result of her upbringing, Hagar possesses pride that despises weakness in any form. As a young girl she displayed this trait when her dad slapped her hand, I wouldnt let him see me cry, I was so enraged (Laurence 9). As previously mentioned before, Hagar could not portray her mother to comfort her dying brother. She characterized her mother as the woman Dan was said to resemble so much and from whom hed inherited a frailty I could not help but detest (Laurence 25). When Hagar brought upon the subject of marriage with Bram Shipley to her father he made it clear that theres not a decent girl in this town would wed without her familys consent (Laurence 49).