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Now and then character analysis
Now and then character analysis
Into the wild character analysis
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With hatred in her mind she often remembers Manawaka with its uglier aspects like the dump: “Here were craters and cartons, tea chests with torn tin strippings, the unrecognizable effluvia of our lives, burned and blackened by the fire that seasonally cauterized the festering place” (26). She identifies herself with wild and passionate nature as well as refutes the town proprieties. Hagar’s duality and ambivalence towards Manawakan values is revealed as she simultaneously seems to flout as well as continue those. It gives way to the development of her complexity as a character that remains with Hagar throughout her life and affects her relationship with others. She finds herself unable to express herself to either of her brothers. She wanted …show more content…
Her ancestral pride takes her beyond the ordinary and gives her personal growth and individuality. She seems to equate her pride with strength of character when she says: “I prided myself on keeping my pride intact, like some maidenhead” (81). She realises her duality and the fact that only the exterior self is not real. When she sees herself in public mirror she is scared and says, “Only the eyes were mine, staring as though to pierce the lying glass and get beneath to some truer image, infinitely distant” (133). Hagar learns to reconcile the two opposing warring forces lying in her and demonstrates personal growth. She acknowledges that she has put on the mask of Manawakan facade and it certainly has cost her something very important in her life and it is explicitly shown by Laurence through Hagar’s flashback …show more content…
The sea is linked with the apocalyptic vision of hell and Frank Pesando has termed it as “sinister”. The place was full of overgrown wild plants, the chill sea was full of “sly-eyed serpents”, monster whales and the “phosphorescent creatures dead to the day time” but Hagar took it in purgatorial terms (224-25). She seeks her identification with the creatures there – fish scaled and writhing and clams with fluted shells pried open and it manifests the way to her redemption through suffering. In D.G. Jones’ view Hagar visits these for her reclamation. Enduring extreme cold and sickness with a bout of hallucination she feels being forgiven by John. She does redeem herself and forgives Mr. Lee and shows kindness and humility for all after this instance of purgation. Hagar must attempt to integrate her fragmented self into her whole individuality and acknowledge the role of her background in structuring
The definition of compassion: sympathetic pity and concern for the sufferings or misfortunes of others. As this definition shows compassion shows concern for other that every person would love to have. In The Chosen written by Chaim Potok, Mr. Potok really presents compassion in his book. Not only does he display compassion in one of his character but in every single one he gives them compassion that is expressed in different ways. He goes into detail example of compassion with each of his characters and really emphasizes the true meaning of compassion. Three main character that he shows compassion through in different ways are, Reuven, Mr. Malter and Reb Sanders.
The first part of the story begins with Rayona’s point of view. She is a fifteen year old girl, who is half black and half Native American. Rayona’s mother, Christine is an alcoholic and is extremely sick because of it. She makes immature decisions and Rayona is forced to tag along. Christine and Rayona do not communicate they are completely different from each other. Christine runs away from her problems whereas Rayona tries to solve them. One example is in the novel where Christine decides to leave Seattle and return to her former reservation. When they arrive, Aunt Ida, Christine’s mother, is upset to see her there, thus Christine runs off and Rayona chases after her because she has a longing for her love. Upset by the fact that her mother left with no reason, she looks at the ground and hates it. She calls it ugly and to get rid of it she pulls at it in frustration while thinking, “No matter how much I pull there’s more. I will never clean it all and yet I can’t stop” (Dorris 32).Here, The dirt symbolizes the ugliness of Rayona’s life and how much she wants to clean it up but it will never be cleaned.
The author shows the reader the sea just as the sailor does as death, but more than death
The struggles that many face while experiencing poverty are not like any other. When a person is experiencing poverty, they deal with unbearable hardships as well as numerous tragic events. Diane Gilliam Fisher’s collection of poems teaches readers about labor battles within West Virginian territories, at the beginning of the twentieth century. Some of these battles include the Battle of Matewan and Battle of Blair Mountain. The collection of poems is presented in many different manners, ranging from diary entries to letters to journal entries. These various structures of writing introduce the reader to contrasting images and concepts in an artistic fashion. The reader is able to witness firsthand the hardships and the light and dark times of impoverished people’s lives. He or she also learns about the effects of birth and death on poverty stricken communities. In the collection of poems in Kettle Bottom, Fisher uses imagery and concepts to convey contrast between the positive and negative aspects of the lives of people living in poverty.
Independence is something most humans strive for, although some are not lucky enough for it to be an option for them. When a person loses their independence they lose the faith in themselves that they are even capable of being independent. Once the right is taken away, a person will become dependent on others, and unable to function as they used to. Most people would sit back and let their right be taken, but not Hagar Shipley. Hagar loses her independence as most do, because of her age. Doris confronts Hagar about an accident she had when she wet the sheets, and Hagar begins to feel the vice slowly closing down on her already tiny slice of independence. Feeling threatened, Hagar snaps, “That’s a lie. I never did any such thing. You’re making it up. I know your ways. Just so you’ll have some reason for putting me away.” (Lawrence 74) As if Hagar wasn’t having a difficult enough time wat...
Deep in the American South lies a swamp so vast, so diverse, so mysterious, perspective changes its very nature. The appeal of this swamp, the Okefenokee Swamp, as an inspiration for writers lies not only in its mystery, but also its many faces. Describing the swamp, from its terrain to its inhabitants, authors can bring out its beauty or terror, depending on their purpose. While both Passage 1 and Passage 2 define and describe the Okefenokee Swamp, they differ in their style, intended audience, and general purpose. While Passage 1 attempts to provide an authoritative, objective, and precise description of the swamp, Passage 2 uses descriptive imagery to convey its essence and spirit.
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
She begins talking about her childhood and who raised her until she was three years old. The woman who raised her was Thrupkaew’s “auntie”, a distant relative of the family. The speaker remembers “the thick, straight hair, and how it would come around [her] like a curtain when she bent to pick [her] up” (Thrupkaew). She remembers her soft Thai accent, the way she would cling to her auntie even if she just needed to go to the bathroom. But she also remembers that her auntie would be “beaten and slapped by another member of my family. [She] remembers screaming hysterically and wanting it to stop, as [she] did every single time it happened, for things as minor as…being a little late” (Thrupkaew). She couldn’t bear to see her beloved family member in so much pain, so she fought with the only tool she had: her voice. Instead of ceasing, her auntie was just beaten behind closed doors. It’s so heart-breaking for experiencing this as a little girl, her innocence stolen at such a young age. For those who have close family, how would it make you feel if someone you loved was beaten right in front of you? By sharing her story, Thrupkaew uses emotion to convey her feelings about human
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
...of a minor character in the story but she is referred to as having two emotions, “forward and reverse”. This is important because when a person is forced to go in reverse they must face something or learn something they don’t want to know about themselves. This seems to be what happens during the course of the story for Joy-Hulga. Although all the characters in the story are stuck in reverse, the only character that is forced to realize her weakness, which destroys the façade that she created is Joy-Hulga. It seems that in this story as in life the most high and mighty suffers the greatest fall. Joy-Hulga was the one who perceived herself to be the high and mighty of the characters. This attitude is displayed with many of her comment to Mrs. Hopewell. Perhaps when Joy-Hulga remarks to Mrs. Hopewell, “Woman, do you ever look inside?” she should’ve taken her own advice.
...f Hulga’s attitude towards life and other people. She may be smart, but she has low self-esteem and to make her feel better about herself she treats everyone around her with distain. By acting like this she feels like she has control over her life.
...aced with tremendous abuse and violence in various forms. However as she matured, her awareness of the specific racial violence, rampant throughout the region, grew as did her method of combating and resisting it. In the end, no matter which method she used to resist this violence, whether it be through ignoring it or actively fighting against it, it always found a way to impact her. Although, similar to the sources used for our second paper, Anne’s account of events in her life has never been fully verified and the fact that she can clearly remember events and dialog from such a young age can breed a lot of skepticism. This could also be seen as a sign of just how effected she was by the various forms of violence throughout her life, long after any physical scars had healed.
I cannot confidently say I am in the same place as her son, who truly experienced Pamuk’s definition of “hüzün”. To my understanding of what she may have been like in the past, he is suffering a great loss. However, I can see how he genuinely enjoys her company, whether it be remiscing through old travels or something as simple as reading the morning paper. I am certain he must be sad, but he holds a much deeper admiration for her that I have not yet
Lastly Khaled Hosseini looks at a Afghan family and how its each family members commitment and strong bond is what is essential in ones future/identity. In the novel it was evident that Pari’s relationship with her family, mainly her brother, Abdullah was Pari’s source of unconditional love and it was that very thing that kept Pari connected to her roots which is the very thing that shaped her future/identity. Pari’s uncle was the very reason why Pari was sold in the novel and the cause of Abdullah being stripped from his only family. In the novel the separation of Pari and Abdullah caused sever pain as Abdullah was not just a brother rather he played the mother and father figure for Pari. In the novel the author, Khaled Hosseini uses many
Woolf, therefore, takes advantage of the lyrical short stories’ structure to create a liminal space that both breaks through barriers to form a unified, impressionistic world and to emphasize the imposing negative aspects of such a transitory structure. As a result, Woolf prompts the reader to question whether the liminal space created within the short story is positive in its ability to unite nature and human or negative in its apparent unsustainability. Regardless, the form and structure of the short story are pivotal in Kew Gardens. Without the liminal space of the short story, it is questionable if Woolf could have succeeded in creating the unstable, yet peaceful, world in Kew Gardens.