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The Symbolism of the Stone Angel by Margaret Laurence Essay
The Symbolism of the Stone Angel by Margaret Laurence Essay
The Symbolism of the Stone Angel by Margaret Laurence Essay
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Biblical Imagery in The Stone Angel In her novel, The Stone Angel, Margaret Laurence successfully uses builds a character around biblical imagery. Hagar Shipley, a ninety year-old woman, does not accept things easily, like life. The name "Hagar" is recognized from the Old Testament as the Egyptian hand-maiden of Sarah, the wife of Abraham. By reason Sarah was unable to provide an offspring for Abraham. Since Sarah could not conceive, she gave her servant, Hagar, to her husband, so she can produce an heir under Abraham's name. And Sarah said unto Abraham, Behold now, the Lord that restained me from bearing: I pray thee, go in unto my maid; it may be that i may obtain children by her. And Abraham hearkened unto the voice of Sarah... And he went in unto Hagar, and she conceieved, her mistress was aespised in her eyes". (Genesis 16, 2-4) Symbolically, Hargar Shipley became a house keeper in her younger years. Hagar has always felt that she was to take care, nurture, serve others, it became her natural positon. Hagar saw herself as the "chatelaine," or possibly an outcast when she was married to Bram. The Shipley house was square and frame, two-storied, the furniture shoddy and second-hand, the kitchen reeking and stale, for no one had scoured properly there since Clara died. Yet seeing it, I wasn't troubled in the slightest, still thinking of myself as a chatelaine. I wonder who I imagined would do the work? I thought of Polacks and Galicians from the mountains, half-breeds from the river valley of the Wachawa, or the daughters and spinster aunts of the poor, forgetting that Bram's own daughters had hired out whenever they could be spared, until they married very young and gained a permanent employment." (p. 50-51) Hagar is feeling like a prisoner in her own habitat, that she is not "free" in spirit; "I was alone, never anything else, and never free, for I carried my chains wihin me, and they spread out from me and shackled all I touched" (pp. 292). The imagery that Hagar is enslaved like the prisoners in the early era's, B.C.-A.C., she became a slave of her own emotions which is strugggling within her. Also noted, Hagar also was seen and explained as "a creature of wilderness". Like the pharaoh's daughter, she left the security of her father and went to explore the wilderness. Hagar Shipley shows the same imagery. She leaves from her fathers wings so she can peruse a better lifestyle for herself. As another character, John, one of Hagar's sons. John was Hagar's favorite son. John had a character of lying and deceiving himself. Hagar had hoped that John might be a faithful son as the example given, like Jacob from the Old Testament. I wish he would have looked like Jacob then, wrestling with the angel and besting it, wringing a blessing from it with his might. But no. He sweated and grunted angrily. His feet slipped and he hit his forehead on a marble, ear and swore. (p. 179) Also Hagar had a son, Marvin, she never adored him, but finally realizes on how honorable Marvin was to her. This opens the doors of acceptance from Hagar to Marvin. Now it seems to me he is truly Jacob, gripping with all his strength, and barganing. "I will not let thee go, except thou bless me". And I see I am thus strangely cast and perhaps have been so from the begining, and can only release myself by releasing him. (p 304) There are similarities between Hagar of the Old Testament and Margaret Laurence's. The name Hagar is explained to mean "to flee". For example, the Old Testament Hagar fled from Abraham and Isaac. Magaret Laurence's Hagar's flights where when she fled from the Shipley place, from her husband Bram, taking her two sons, and secondly, she fled home to seek revenge on Marvin and Doris, her son and daughter-in-law, being childlike and ran away to create a scare. Later on, as the novel progresses, Hagar experiences an epiphany, celebrating the manifesting of Christ's divinity, as Mr. Troy sang hymns when he visted Hagar in the hospital. Hagar realized on what she was missing in her life. "I'll drink from this glass, or spill it, just as i choose" (p. 308). This indicates that Hagar has a thirst, perhaps a spiritual thirst, that she began to make peace with herself. This stubborn woman learned to accept things as they are when they cannot be changed. Hagar had a chance to repent before passing away which lets her rest in peace.
... to nothingness so she feels the name fits her. The changing of her name also represents Hulga’s false beliefs and prideful nature. Hulga’s pride in her name and her leg backfires when not only her leg is stripped away but her superior attitude from her education is also dismembered.
...s because Helga has not experienced inner happiness. Helga uses her ethnicity as a crutch of why her life has not panned out as it should and she indulges in her own self-pity that only fires her negative defiance. This personal factor has an effect on her outlook and attitude on life and causes her to make selfish and irrational decisions further more leaving her in sorrow and self-pity. When Helga taught at Naxo, she built inside of her a rage of anger and instead of using her disapproval as momentum in changing the world; she used it to fire her thoughts of unfairness and resentment, which she brings her to spiritual and physical defeat in the end.
...y and mind. The name is opposite to her real name Joy, with Catholic features. Hulga is the character who rejects society, Catholic religion and any human contact. But Joy is the personality inside Hulga who wants to mix with people. When she is with Manley in the hayloft and he has her wooden leg, Joy-Hulga dreams about the possibility of staying with him the rest of her life: " "Put it back on," she said. She was thinking that she would run away with him and every night he would take her leg off and every morning put it back on again."
...ndon her children (1609); she has trapped herself by anxiously fleeing from free choices, making only reactionary decisions. Larsen describes Helga's reflection: “She had ruined her life[, m]ade it impossible ever again to do the things that she wanted” (1608) by making an inauthentic choice and compromising herself and her happiness.
She can’t be completely at home in either of these places but in all actuality, during this time period, there isn’t truly a place where Helga can feel completely at home. What she wants is to be fully accepted and in a world where racial mixing is practically a sin, and one of the races that she is mixed with is treated as no better than animals she can never be fully accepted. Tragically, her mere existence accounts for a huge amount of her unhappiness and even though she can choose to completely pass as one or the other she’ll know in her heart that no one accepts the real
The deeper you get into the characters its clear that they are just two weird people who probably would need each other in their own little world. Manley Pointer found every way to get his hands on his leg, but in a way I felt that was a karma thing because hulga always made so much noise with the leg and it always bothered her mother, so the one thing she used to annoy her mother was taken from her so it was karma. So my sympathy for hulga is not much at all because she knew what she was getting into but she thought she could changed a man who was lost, but it only changed her mentally and
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...e even more self-protective, hostile, and antisocial. She might become less willing to trust others, especially those who come across as "good country people." One would hope, however, that Joy will continue to recognize and admit her own naïveté and to make fewer assumptions about the naïveté of others. Throughout the entire story, Hulga holds that she is wise and, therefore, she is better than the good country folk that surround her. However she realizes that she has to depend on others in order for her to survive. Most notably she has to depend on God. Ironically she finds her self depending on those "good country people" that she first perceived to be ignorant while in actuality she was the ignorant one.
...ated and had a Ph.D. in Philosophy. She could not call her daughter a schoolteacher, a nurse, or a chemical engineer and that bothered her. These people and episodes in Joy's life made her a very miserable person. They made her hate all that surrounded her, which included flowers, animals, and young men. This is why Joy changes her name to Hulga when she was twenty-one years old. She believed the name represented her as an individual. The name was fierce, strong, and determined just like her. The name reminded her of the broad, blank hull of a battleship. Joy felt the name reflected her inside and out. It separated her from the people who surrounded her that she hated the most.
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
...s, I believe, taken over; the separation between mother and daughter, the invisible umbilical cord, is still attached. Hulga does want to believe in “good country people”, her roots are strong, but just as easily she was disillusioned and swindled by the promise of new things away from the Hopewell farm.
No other character better represents imprisonment than Joy Hulga. Hulga isolates herself as a rejection of her mother's positive philosophy. She is stuck in her atheism, in her physical shortcomings, in her appearance and in her privacy. She changes her name from Joy to Hulga because it is “uglier”, yet gets upset when Mrs. Freeman uses her new name. These things display that Hulga is stuck in a self-destructive rut. Even intellectually she is stuck. Mrs. Hopewell is quoted saying “she was brilliant but she didn't have a grain of sense”. When it comes to the encounter with Manley Pointer, it is her intellectual vanity that is her weakness. He easily takes advantage of Hulga and seduces her in a hay loft. Hulga ends up imprisoned within the barn, unable to move without a leg to stand on. This final imprisonment serves as a symbol for Hulgas stubbornness and self destructiveness throughout the
Hulga lost her leg at the young age of ten, and being reminded for the entire episode, she is stripped of the capacity for both hope and joy. Hulga’s deformity, has helped shaped her as a character. She used to be insecure about her wooden leg, but now she believes it defines her quality, besides her education. She takes care of it by herself and never lets anyone see it. Therefore, this type of attitude and the lack of faith in God is represented as the cause of her to go donwhill, since she lets Manley take off her leg, she becomes very susceptible. She doesn’t know how to live without it, she panics, and Manley ends up stealing it and abandoning her in the loft.
The climax occurs when Manley refuses to give Hulga’s artificial leg. This event in the story displays Manley’s true intentions and later leads to Manley stealing the leg. I think the artificial leg could represent Hulga’s soul. The story has a lot of religion mentioned since Hulga was an atheist and Manley was a Bible salesman. Another representation of Hulga’s leg could be the loss of her innocence. This experience took away her innocence by showing her people are not always what they say they are.
Catherine is still in love with Heathcliff but for her need to have a social advancement she gets engaged with Edgar instead. Hindley’s wife, Frances, dies while giving birth to their son, Haerton, which pushes Hindley into alcoholism. Then Heathcliff runs away from Wuthe...