In the Flannery O’Connor’s “Good Country People,” Joy/Hulga Hopewell is the main protagonist. In “The Minister’s Black Veil,” written by Nathaniel Hawthorne the protagonist is Minister Hooper. Both of the main characters represent different views on religion, humanity, and humility. Hulga does not really believe in anything. Her main focus is trying to be smarter than others to compensate for her medical problems. Minister Hooper is a very good man, believes solely in Christ, and throughout the story we come to see how his views on religion reflect his humanity and humility. In “The Minister’s Black Veil,” Minister Hooper dons a black veil that causes an eruption of gossip in his community . The townspeople do not have any clue as to why he is wearing this black veil and see it as scary and devilish. The people in the community believe that Minister Hooper is wearing the veil to cover up a horrible sin. This may not be the case however, because he may be wearing it as a symbol of his faith. As Judy McCarthy voices that Moses and the minister have a relation by in this quote “Moses in the bible wore a black veil to conceal his shining face after meeting and talking with Christ.” Judy McCarthy also stated that “the veil that hangs over the heart cannot be lifted other than by God’s gracious hand,” meaning that Hooper relates his real veil as a very powerful and spiritual object. Hooper wears this veil as an expression of faith and will not remove it until he departs from this world. This behavior in itself reflects how much Hooper’s relationship with religion means to him. As John Timmerman states, “[Hooper] is a person who has abrogated earthly relationships for his heavenly meaning …This may be clearly seen by Hooper’s refusa... ... middle of paper ... ... to nothingness so she feels the name fits her. The changing of her name also represents Hulga’s false beliefs and prideful nature. Hulga’s pride in her name and her leg backfires when not only her leg is stripped away but her superior attitude from her education is also dismembered. Undoubtedly, both protagonists had completely opposing views on life. Whereas Hooper was a religious man, Hulga was an atheist. Hooper was a man who showed true humility when he was saving his congregation form damnation because of their sins, but Hulga showed humility by being too prideful in her intellectual self. Hooper wore his veil till death to show that everyone can be found in the shadow of their own sins. Much like Hooper held tight to his veil, Hulga held tightly and firmly believed in her leg. Both the veil and the leg symbolized humility, humanity, and religious views.
...she has also lost the foundation of her identity, her leg. She is faced with the realization that she has been naïve all along. In her pattern of being quick to make assumptions to build her own self esteem, Joy-Hulga has not used her intelligence in a socially beneficial way.
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
In the short story “The Minister’s Black Veil”, fear of the unknown is used by the main character, Mr. Hooper, to draw attention to what he believed was a necessary in order to achieve salvation. He believed people should be honest and forward with God, and should avoid wearing a “veil” to hide their true faces when speaking with God. He wore the veil to symbolize the indirectness most people use to cover themselves when speaking to God. Hooper refused to remove his veil, saying he would cast aside his veil once everyone else did, Unfortunately, Hooper never explained why he choose to wear his veil, which led to an uproar of confusion in the community. The community members looked for a simple explanation for his actions. For instance, some believed he had relations with a young girl who recently died, and he was in mourning, or committed a sin so severe he refused to show his face. The community began to avoid Hooper and fear the Reverend they once respected, just because of his one unexplained action. The community began to fear him in such a way that he losses almost all the respect he held within the community, and dies without his betrothed by his side. Even upon his deathbed he refuses to share, with the community, why he chose to wear his veil. Hawthorne reveals in this short story how people crave an explanation for the abnormal, and when they fail to find a satisfactory answer, they will reject and fear the
Joy/Hulga has two items that are used alternately to describe her, the eyeglasses that counter her weak eyes and are a sign of her intellectuality, and the wooden leg that she wields through sound and appearance as a weapon against her mother’s solicitude. When Manley Pointer removes her glasses and steals her wooden leg, she is left totally weak and vulnerable. The Bible salesman himself uses the illusion of Bibles as a symbol. He has claimed to have a suitcase full of Bibles to sell, but his moral laxness is revealed when he opens the case to reveal two Bibles, one of which has a hidden
The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.
Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a...
Hulga has been to college for many years, earning a Ph.D. in Philosophy. Coming from such a rural background, she feels that her education raises her status in the intellectual world, and therefore life in general, above anyone not as educated as she is. "You poor baby…it’s just as well you don’t understand"(404). The young woman fails to see that there is much more to life than what you can learn in a book. Due to a heart condition, however, Hulga is forced to remain home on the farm, instead of being in an academic setting where her education would be recognized and encouraged. This attitude that she is above most other people isolates Hulga from everyone around her. Even her mother c...
...ated and had a Ph.D. in Philosophy. She could not call her daughter a schoolteacher, a nurse, or a chemical engineer and that bothered her. These people and episodes in Joy's life made her a very miserable person. They made her hate all that surrounded her, which included flowers, animals, and young men. This is why Joy changes her name to Hulga when she was twenty-one years old. She believed the name represented her as an individual. The name was fierce, strong, and determined just like her. The name reminded her of the broad, blank hull of a battleship. Joy felt the name reflected her inside and out. It separated her from the people who surrounded her that she hated the most.
Hawthorne's parable, "The Minister's Black Veil," uses symbols to illustrate the effect of shame and guilt. In the story, Mr. Hooper represents the average Christian with a deep longing to be holy, and have fellowship with man. However he allows the cross that he bears to come between himself and the latter. His secret is represented by the veil he wears. The veil itself is black, the color of both secrecy and sin. Spiritually, the veil embodies the presence of evil in all of mankind. In the physical realm it serves as emotional barrier between himself and everyone else (Timmerman). During his first sermon after donning the veil, it is observed that, "... while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?" (par 10). The veil made Mr. Hooper a powerful preacher. But even the people his messages touched the most would shudder when Mr. Hooper would move close to comfort them, his veiled face making them tremble (par 45). His personal relationships all but ceased to exist. Outside of church, he was seen as a bugbear, or monster. (par 44). Seemingly, the only one that did not fear the veil was his loving fiancée, Elizabeth. Elizabeth symbolizes purity. She is innocent and...
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
The mid-century American south was heavily influenced by Christianity and the desire to look at non-believers with judgmental eyes. Flannery O’Connor often wrote short stories and books on the influence of religion and desperation for a clean appearance. In her book Wise Blood, she wrote about the struggle of one man to abandon his religious upbringing. Hazel (Haze) Motes is a complex character in many subtle ways. Throughout the story, he steers away from his previous self. Haze’s rejection of Christianity led him to grow increasingly more aggressive in his attempt to spread Atheism across a small town in Tennessee.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
From the beginning of the story, Mr. Hooper comes out wearing a black veil, which represents sins that he cannot tell to anyone. Swathed about his forehead, and hanging down over his face, Mr. Hooper has on a black veil. Elizabeth urged, “Beloved and respected as you are, there may be whispers that you hid your face under the consciousness of secret sin” (Hawthorne 269). His fiancé says that in the black veil there may be has a consciousness of secret sin. Also, he is a parson in Milford meeting-house and a gentlemanly person, so without the veil, Hooper would be a just typical minister, “guilty of the typical sins of every human, but holier than most” (Boone par.7). He would be a typical minister who is guilty of the typical sins of every human without the black veil. Also, Boone said, “If he confesses his sin, the community can occur” (Boone par.16). If he confesses his sin about the black veil, all of the neighbors will hate him. Last, he said, “so, the veil is a saying: it is constantly signifying, constantly speaking to the people of the possibility of Hooper’s sin” (Boone par.11). Mr. Hooper’s veil says that he is trying to not tell the sins about the black veil. In conclusion, every people have sins that cannot tell to anyone like Mr. Hooper.
There are many themes within Flannery O’Connor’s short story “Good Country People”. Religion is definitely one of the more prominent themes that the story holds. Like most of O’Connor’s works, it plays a big part in the actions or characteristics of the main characters. This is all on the surface however. The more important and less accentuated theme is the various facades the characters create for themselves. These facades prevent them from facing their true “grotesque” selves. These facades also hide their weaknesses that they have no wish to face ort just can’t understand. People must be comfortable with every aspect of themselves, because certain people, who in this story are represented by Manley Pointer’s character, can easily exploit their weaknesses. He’s “good country people” and “the salt of the earth” as Mrs. Hopewell refers to Manley Pointer who really is a demon that they must face. A demon to remind them of their weaknesses.
While living in the Widow Douglass’ home, Huck had been exposed to and forced to participate in religious practices. He was forced to read the bible and say prayers at meal times. “When you got to the table, you couldn’t go right to eating, but you had to wait for the widow to tuck her head and grumble over the victuals” (Twain 12). Huck depicts the widow as an over-the-top Christian who is dedicated to her religion, while Twain uses this to satirize religion in general. At this time in history, society views being religious as knowing passages from the bible and saying your prayers. These standards classify Widow Douglass as a good Christian woman with strong val...