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Symbols in the the fall of the house of usher edgar allan poe
Essays on gothic literature
Gothic literature
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James Schwartz Ms. Schiffgens English III.II 12 December 2013 Secret Sins The gothic characteristics that are found in Edgar Allan Poe’s “The Fall of the House of Usher” and Nathaniel Hawthorne’s “The Minister’s Black Veil” delve into the dark side of the human mind where secret sin shrouds the main characters in self anguish and insanity. Both Poe and Hawthorne focus on how much of a burden hiding sins from people can be, and how the human mind grows weak and tired from carrying such a burden. Poe illustrates that with his perturbed character Roderick Usher who was rotting from the inside like his “mansion of gloom” (Poe 323). Hawthorne dives deep into the mind of one Mr. Hooper, a minister, a man admired by all, until he starts wearing a black veil to conceal his face because “ The subject had reference to secret sin” (Hawthorne 311) . An analysis of both Mr. Hooper and Roderick Usher show through their speech, actions, behaviors, and interaction with other humans, the daily strain of hiding sin from one another. Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a... ... middle of paper ... ...int ultimately to his demise, when he paints, he paints a horrid picture of a woman in tattered robes, when he plays his guitar and sings of “evil things, in robes of sorrow” attacking him (Poe 327). It’s as if Roderick knows that his time has come and decides to go along with it in a self destructive manner. If Roderick Usher and Mr. Hooper have anything in common it is that they both share the burden of hidden sin. Both Poe and Hawthorne use gothic elements to emphasize the human mind that is put through anxiety and depression because of their guilty conscience. Through body language and social interactions the reader becomes aware of the internal conflict that is going on inside a mind that is hiding a secret sin. It is apparent that the authors wanted the audience to put secret sins in perspective by examining an individual in society that has a secret sin.
Mr. Hooper the minister’s is perceived to be a “self-disciplined man”. When he was wearing the veil people in his village believed that he went insane and is guilty of a dark and terrible sin. “He has changed himself into something awful, only by hiding his face” (1253).The author explains how Mr.Hooper would wear a mask to hide his sins and face which cause people to believe he was awful. The veil becomes the center of discussion for all of those in the congregate the mask all the people wore around others to hide their sins and embraces there guilty. Elizabeth in the story ends her relationship with Mr. Hooper because he will not remove the veil that he's wearing. The veil actually symbolize for the puritans belief that all people souls are black from
From the onset of the story, it is apparent that Poe is employing a gothic theme upon his work. The narrator’s portrayal of the home of his longtime friend, Roderick Usher was as follows, “I looked upon the scene before me – upon the bleak walls – upon the vacant eye-like windows – upon a few rank sedges – and upon a few white trunks of decayed trees” (Poe, 75). T...
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
In the short story “The Minister’s Black Veil”, fear of the unknown is used by the main character, Mr. Hooper, to draw attention to what he believed was a necessary in order to achieve salvation. He believed people should be honest and forward with God, and should avoid wearing a “veil” to hide their true faces when speaking with God. He wore the veil to symbolize the indirectness most people use to cover themselves when speaking to God. Hooper refused to remove his veil, saying he would cast aside his veil once everyone else did, Unfortunately, Hooper never explained why he choose to wear his veil, which led to an uproar of confusion in the community. The community members looked for a simple explanation for his actions. For instance, some believed he had relations with a young girl who recently died, and he was in mourning, or committed a sin so severe he refused to show his face. The community began to avoid Hooper and fear the Reverend they once respected, just because of his one unexplained action. The community began to fear him in such a way that he losses almost all the respect he held within the community, and dies without his betrothed by his side. Even upon his deathbed he refuses to share, with the community, why he chose to wear his veil. Hawthorne reveals in this short story how people crave an explanation for the abnormal, and when they fail to find a satisfactory answer, they will reject and fear the
Throughout Hawthorne’s short stories which examine secret sin based in Puritan societies, the protagonist, Mr. Hooper, a preacher in Milford, describes to his wife “Do not desert me though this veil must be between us here on earth” (32). Hooper who has arrived at a point where his community and wife have abandoned him while on his deathbed realizes that he is deserted because of his secret sin. This description of utter loneliness is in contrast with Hawthorne’s portrayal of Hooper, who once was a prominent priest in the Milford area. Hawthorne’s depiction of Mr. Hooper’s secret sin, taking form in the black veil alters his life indefinetely. In Nathaniel Hawthorne’s short stories, the author identifies secret sin as the cause of isolation, relationship struggles, and the community’s behavior.
Roderick and the fall of the house of usher have a deceiving appearance. Poe introduces “In this was much that reminded me of the specious totality of woodwork which has rotted for long years in some neglected vault with no disturbance from the breath of the external air” (312). After meeting Roderick and going inside the house, which appear to be normal, it is revealed that the interior is deteriorated. This home is void of others existence, excepting Roderick and Lady Madeleine. He has “A cadaverous of complexion, an eye large,liquid and luminous beyond comparison, lips somewhat thin and very pallid.” (363). It appears to the readers that Roderick has lost his soul due to his ghostly appearance. His illness has taken a toll on his outward appearance.”The ‘House Of Usher’ an appellation which seemed to include… both the family and the family mansion” (311). The house of usher reflects what is going on within the family. Craziness and neglection engulf Roderick’s as much the house. Roderick’s mental illness and the house are
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Throughout Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the sensation of the veil, the separation it creates from good things in life, and the persistence of the black veil on earth symbolize sin in mankind. During the whole parable, Mr. Hooper is restrained by the black veil and cannot live a free, enjoyable life. Also, people around him cannot tolerate the overwhelming, dark feeling that the black veil generates. Similarly, sin can take over people’s lives and create a feeling of hopelessness and gloom. Hawthorne’s parable overall demonstrates power and impact of sin on
Poe also uses symbolism to compare the deterioration of the house to the fall of the Usher dynasty. In Roderick’s poem, “The Haunted Palace”, he describes the history of the house as it began as a strong and “radiant palace”, which over time became a decrepit, disease-ridden cage. The radiant palace repres...
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
By giving insight into Roderick Usher’s life, Poe reveals how individuals can make themselves believe they are mentally ill. From the start of story, it is revealed that the narrator has been requested by Usher to help him through his “acute bodily illness” (18). The narrator immediately leaves
416), while it gave Hooper a more intimidating, enigmatic and somewhat inhuman demeanor that isolated him from the community his services were still available for his community. The book even says that it “enabled him to sympathize with all dark affections” (pg. 416) as many people, particularly the ones who were guilty of ‘secret sin’ felt comfortable and/or compelled by Hooper into confessing their sins. The people felt that they could tell him everything they kept secret, because the veil’s “gloom” and foreboding aura gave him the same aura of mystery. The black veil kind of symbolizes a cover-up that humans use every day to hide their real feelings and thoughts, as many people are never truly honest with others and each convey some sort of secret. It appears that the idea in this story is that humans by nature are sinful and are all guilty of some hidden sin that they try to keep in the dark because having sins is not considered human or moral. It’s not a very positive outlook on humans, but the book does seem to convey that idea, as Reverend Hooper himself is a flawed man guilty of secret sin as revealed in the end, making him no different from the rest of the townsfolk who have their own sins that they hide. However, it also shows that humans are hypocritical by nature because they are so flawed as in the end Hooper proved that he did exactly practice what he
Popular Romantic writers of the 1800s focus their writing on many facets of human nature, both benevolent and malevolent. However, three aspects of human nature are key to Romantic literature: those being madness in the human mind, the forces of good and evil, and the result of guilt after sin. Hawethorn’s The Scarlet Letter incorporates all of those aspects, and various works of Poe’s do as well, creating multiple parallels in their stories. The first comparison of their works is in Usher in “The Fall of the House of Usher” and Chillingworth, the second is with the narrator of “The Tell Tale Heart” and Dimmesdale, and the third is with Montresor from “The Cask of Amontillado” and Puritan
Edgar Allan Poe is notorious for his use of imagery. As he begins his account of his reunion with Roderick Usher in “The Fall of the House of Ushe...
Edgar Allen Poe, a famous novelist from the 18th century, is known for being a treasure trove for allusions, illusions, clues, and all sorts of literary fun. Born in 1809, this Bostonian never had it easy. Marriage to a 13 year old cousin, family problems, and deaths surrounded him. Over time, such tremendous struggle began to reflect in his writing, creating the dark and moody tone we now see today. One such piece, The Fall of the House of Usher, tells the tale of a man who goes to visit a dying friend on his last days. Roderick Usher is the name of this dying man, although he doesn’t seem dead in the beginning. However, the deathly state should be of no importance to the reader; death is the very essence of Poe’s writing. Rather, the reader’s attention should be deviated toward the unusual twin of the story,