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Flannery O'Connor's "Good Country People" has a steady demonstration of irony, much of it based on the title of the story. Ignorance is also a major issue in the work, both Ms. Freeman and Ms. Hopewell exhibit this clearly. However ironically, Hulga exhibits this with her knowledge. She takes pride in her own intellect and in her knowledge of existentialism. Hulga's existentialist ideas come crashing down because of her naïveté and lack of dependence on others. Hulga believes she is self sustained however she realizes when the bible salesman steals her leg that this isn't so. Hulga's lack of dependence on others may be the cause of her emotional downfall when she realizes that she can't depend solely on herself. Her pride and wisdom as well as her emotions could also be the reason for her gullibility and her being easily manipulated by the young bible salesman.
Hulga always tries to be perceived as being a stern person with an established set of ideas. "I don't have illusions," she says at one point. "I'm one of those people who see through to nothing."(112). Ironically, however, we see that this is false. Manly Pointer, the young bible salesman, easily manipulates Hulga and tricks her into believing that he actually liked her. Manly makes Hulga vulnerable when he asks for her wooden leg. In reality the reader can sense that in asking for the leg, Manly is asking her to submit herself to him body and soul. Hulga does so and thus becomes "entirely dependant on him" (113). Before giving up her leg, however, Hulga would have seen her self as far more superior than Manly on the basis of her being more knowledgeable than him, "She imagined that she took his remorse in hand and changed it into a deeper understanding of life. She to...
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...e even more self-protective, hostile, and antisocial. She might become less willing to trust others, especially those who come across as "good country people." One would hope, however, that Joy will continue to recognize and admit her own naïveté and to make fewer assumptions about the naïveté of others. Throughout the entire story, Hulga holds that she is wise and, therefore, she is better than the good country folk that surround her. However she realizes that she has to depend on others in order for her to survive. Most notably she has to depend on God. Ironically she finds her self depending on those "good country people" that she first perceived to be ignorant while in actuality she was the ignorant one.
Works Cited
O'Connor, Flannery. Good Country People. Literature an Introduction to Fiction, Poetry, And Drama. X. J. Kennedy and Dana Gioia. Longman. 2002.
“Good Country People” is a story about Joy Hopewell, a very well educated young woman living in the rural south. Joy lost a leg in a hunting accident when she was ten and since then had been forced to wear a wooden replacement. She also had a weak heart and it was this affliction that forced her to remain amongst these “good country people” whom she considered to be intellectual inferiors. Though she had great confidence in her intelligence she had very little self-esteem. Joys’ handicap made her feel ugly, so ugly that much to her mothers’ dismay, she had her name legally changed to the ugliest one she could think of, Hulga. One day a traveling bible salesman named Manley Pointer made a sales call and ended up having dinner with the family.
The results of her shocking experience could be one of many, but considering Joy-Hulga's personality, she is likely to become even more defensive, hostile, and antisocial. She might become less willing to trust others, especially those who come across as "good country people." One would hope, however, that Joy will continue to recognize and admit her own naïveté and to make fewer assumptions about the naïveté of others.
Hopewell’s daughter, Joy who renames herself to Hulga. Hulga who is also like Phoenix, a victim of circumstances, is highly educated, was shot in the leg while young, and thus has a wooden leg and is also sick in that she has a weak heart. Hulga, goes through these circumstances and takes them negatively, she is seen as not only rude but also always cross and insensitive to other people’s feelings or emotions an example of this is when she shouted at her mother, Mrs. Hopewell, at the table “Woman! Do you ever look inside? Do you ever look inside and see what you are not? God!” (Clugston,
He has qualities of “good country people” by selling bibles and “not attending college but devotes his life to Christian service” (178). His appearance and name is a great symbol that signifies of something that is not real which connects to Hulga’s name. Manley’s name has an impact towards Hulga because his name signifies a manly figure which is a missing part in Hulga’s life. On the other hand his last name Pointer symbolizes great divulge of something amazing that will stand out in Hulga’s way. However his name is seen as a false and in reality symbolizes the emptiness of a male presence and the revelation that her life consists of only falsities. O’Conner also used a great mirror description between a bible and his name. Manly pulled out two bibles though one “was hollow and contained a pocket flask of whisky, a pack of cards and a small blue box with printing on it” (192). O’Conner used this hallow bible filled with several profane and contrary items as a symbolism to expose the meaning of Manley’s true self character. Manley is seen as a true nihilist, and through his name, hollow bible and false Christian morals he has revealed himself towards Hulga, as a true meaning of simply believing in nihilistic
Joy/Hulga has two items that are used alternately to describe her, the eyeglasses that counter her weak eyes and are a sign of her intellectuality, and the wooden leg that she wields through sound and appearance as a weapon against her mother’s solicitude. When Manley Pointer removes her glasses and steals her wooden leg, she is left totally weak and vulnerable. The Bible salesman himself uses the illusion of Bibles as a symbol. He has claimed to have a suitcase full of Bibles to sell, but his moral laxness is revealed when he opens the case to reveal two Bibles, one of which has a hidden
Larsen notes how Helga is “unused to happiness,” (1542) and how she wonders, “What, exactly...was happiness” (1535). The only hit of Helga’s happiness is her love for Dr. Anderson, and her only true reaction is her consequent disappointment over destroying her potential happiness with him: Helga ultimately realizes “how passionate, how deeply she must have loved him,” (1605) making her inaction tragic.
Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her happiness) and the Bible salesman's own attempt to satisfy his own "manly pointer" proves to the reader that, by coincidence or not, the names of "Good Country People" are indeed very well selected.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
...ated and had a Ph.D. in Philosophy. She could not call her daughter a schoolteacher, a nurse, or a chemical engineer and that bothered her. These people and episodes in Joy's life made her a very miserable person. They made her hate all that surrounded her, which included flowers, animals, and young men. This is why Joy changes her name to Hulga when she was twenty-one years old. She believed the name represented her as an individual. The name was fierce, strong, and determined just like her. The name reminded her of the broad, blank hull of a battleship. Joy felt the name reflected her inside and out. It separated her from the people who surrounded her that she hated the most.
For example, in the beginning of the story, the narrator starts by talking about Mrs. Freeman. “Besides the neutral expressions that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings” (433). The irony in this first line is that she is a “Freeman,” yet only has three different expressions. Another example of an irony that is easily noticeable is when Mrs. Hopewell considered Manley Pointer as “good country people.” “He was just good country people, you know” (441). The irony in this line is that in the end, Manley Pointer, whom is supposedly is “good country people,” ends up being a thief who steals Hulga’s prosthetic leg and runs and not only steals, but admits that he is not a Christian, making the line, “good country people,” a dramatic irony. However, one of the most ironic characters in the story is Hulga herself as she understands little of herself, regardless of the high education she holds in philosophy. For example, Hulga imagines that Pointer is easily seduced. “During the night she had imagined that she seduced him” (442). Yet, when they kissed, she was the one who was seduced and having the “extra surge of adrenaline… that enables one to carry a packed trunk out of a burning house…”
Some may think that Hildegard is treated, at times, too harshly for her visions. Hildegard finally decides to express her visionary gift, but unfortunately, she is not openly shown ecstatic emotions. She confides in her friend, Volmar, and is greeted with the proper expressions of excitement and enthusiasm. She is also greeted with these expressions from Abbot Kuno, although slow to show at first but eventually persuaded into enthusiastic reviews. However, when a council of monks inspects the products of her gift, she is met with skepticism and denial. These emotions are mainly brought up because of her gender. Many may believe this is reinforced with the lines: “You’re saying that you can understand, but we can’t?”; “To claim to hear secrets that prophets were denied? Outrageous!”; “Only the Holy Father can judge her case”; and “She will probably be expelled from the Church as a heretic!” Not only
The central theme of Flannery O’Connor’s three short stories is irony. Her stories are parables, that is, short stories with a lesson to be learned.
The first name Manley, might suggest to the reader that he will fill a male void for Hulga. The reader is told that Mr. and Mrs. Hopewell are devoiced and there is no other mention of her father in the story. Also, the fact that Hugla sees herself as being hideous suggest that she probably doesn’t have many if any male suiters. While the last name Pointer, could suggest that he will most likely reveal, or point out something in Hugla’s life. Manley is a skilled conman and is able to trick both Mrs. Hopewell, who believes that he is good christian and Hulga, who thinks she is to smart to be fooled by anyone. At the end of the story the reader learns that not only is Manley not a bible salesman, but that his name isn’t even Pointer. “You needn’t to think you’ll catch me because Pointer ain’t really my name. I use a different name at every house I call”(O’Connor 1644). He then goes on to say to Hulga “ you ain’t that smart”(O’Connor 1644). Manley had tricked Hulga into thinking that he was a good Christian and that he was interested in her sexually, but really what he wanted was her false leg and some might also suggest to humiliate her.
Joy/Hulga, as the story?s main character, is the singly most significant character to the themes of this story. She is characterized as brilliant and academically sophisticated, yet naïve to the feelings and motivations of others. Ironically, Hulga has a Ph.D. in philosophy, yet she has a very narrow view of her world and no insight into other people?s true character. This contrast in Hulga?s character is the topic of one of the story?s themes: academic knowledge is not to be confused with common sense.
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.