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Walk about character analysis
Walk about character analysis
Walk about character analysis
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In “Good Country People” by Flannery O’Connor, O’Connor uses many different types of symbolism. The symbolism that is used in each of the characters’ names not only gives another layer to the literal descriptions that can be found throughout the story, but it also tells the reader about the characters. O’Connor uses the characters’ names as a way of showing the personality of each character, while also giving the reader insight to help them to understand the plot of the story. Mrs. Freeman, Mrs. Hopewell, Hulga (Joy), and Manley Pointer are more then just names; they help the reader understand the message that O’Connor in trying to portray.
Just like her name suggests, Mrs. Freeman (free man) is a free thinking, free speaking woman who is
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The first name Manley, might suggest to the reader that he will fill a male void for Hulga. The reader is told that Mr. and Mrs. Hopewell are devoiced and there is no other mention of her father in the story. Also, the fact that Hugla sees herself as being hideous suggest that she probably doesn’t have many if any male suiters. While the last name Pointer, could suggest that he will most likely reveal, or point out something in Hugla’s life. Manley is a skilled conman and is able to trick both Mrs. Hopewell, who believes that he is good christian and Hulga, who thinks she is to smart to be fooled by anyone. At the end of the story the reader learns that not only is Manley not a bible salesman, but that his name isn’t even Pointer. “You needn’t to think you’ll catch me because Pointer ain’t really my name. I use a different name at every house I call”(O’Connor 1644). He then goes on to say to Hulga “ you ain’t that smart”(O’Connor 1644). Manley had tricked Hulga into thinking that he was a good Christian and that he was interested in her sexually, but really what he wanted was her false leg and some might also suggest to humiliate her.
The names that O’Connor used throughout the story “Good Country People” gives the reader a quick glimpse into the character’s personality and their purpose in the story. From Mrs. Freeman as free to Mrs. Hopewell as hope, O’Connor placed a great deal of thought into each of the character’s names that were used in story. Her ultimate purpose for choosing each of the names was to a affirm Christian values, while at the same time lowering the view of the nonspiritual way of
O'Connor crafts the story so that the plot does not actually begin until insight into the characters has been provided. The limited omniscience persona of the narrative voice alternates between Joy and her mother, Mrs. Hopewell. The exposition provides an understanding of how the characters have developed the personality traits they possess when the drama begins to take place, which is on a Friday evening during the Spring sometime during the mid-1950s. The exposition demonstrates how Joy develops the social and philosophical assumptions that deeply affect the way she sees herself and relates to others.
While she may appear to some as a way to tie the other characters together, she is an essential part of the story. The geography and people of Appalachia have historically been demoralized by outside influences. The land and people are extraordinary for numerous reasons, one of which is their resilience to the offenses they have suffered for the greater good of others. They have been repeatedly sacrificed for the good of people or businesses elsewhere. The endurance, faith and interdependence, of the people and the land, are embodied in Widow Glendower.
Throughout this story it appears that there are two distinctly different sides of Hulga Hopewell. One side is that of Hulga large, brooding, and rude. The other side however, is softer and much more vulnerable. That side is Joy Hopewell. By using these two names together O’Conner creates a unique picture of this character. The revelation that Hulga’s real name is Joy gives the reader some insight and helps the reader to see the softer side of Hulga more easily. By using something as simple as a name in this story the author creates deeper meaning for each character.
The Jump-Off Creek introduces the reader to the unforgiving Blue Mountains and the harsh pioneer lifestyle with the tale of Lydia Sanderson, a widow who moves west from Pennsylvania to take up residence in a rundown homestead. She and other characters battle nature, finances, and even each other on occasion in a fight for survival in the harsh Oregon wilderness. Although the story is vividly expressed through the use of precise detail and 1800s slang, it failed to give me a reason to care because the characters are depicted as emotionally inhibited.
Edwards, Jr., Bruce L. "O'Connor's 'Good Country People.'" Masterplots II-Short Story Series. Ed. Frank N. Magill. Pasedena, CA: Salem P, 1986. Vol. 2. 901-902.
The statement, “She had telephoned the man whose name they had given as a reference and he had told her that Mr. Freeman was a good farmer but that his wife was the noisiest woman ever to walk the earth” suggests, when the term farmer is used, that this story takes place in a farm town. Also the way Mom describes herself can lead the reader to think that she works on a farm herself. She says, “I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man” (744). From the way she describes her working hands to explaining how she slaughtered a cow, the reader understands that she has a farm that they live on and is an extremely hard worker. The setting in these stories are used in a way that impact the theme tremendously because the individuals who go to college are both from small rural communities where opportunities like this do not happen very often especially during this time, which is probably around the mid to late 1950s and 1960s. While, in the story “Good Country People”, a comment is made about the make of a car when the author notes that, “She said he owned a ’55 Mercury but that Glynese said she would rather marry a man with only a ’36 Plymouth who would be married by a preacher” (195). This statement can indicate that the time frame that ”Good Country People” happens in is around 1955 because the way it is talked about the older
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
He states “I want to devote my life to Chrustian service. ‘ I got this heart condition. I may not live long’” (O’Connor 388). Pointer states this because he is trying to make a connection with Hulga. The doctors told Mrs. Hopewell that Hulga might not make it to see 45 because of her weak heart (O’Connor 386). Pointer lied about having a heart problem so that Mrs. Hopewell would have sympathy and ask him to stay for dinner, which worked (Shmoop Editorial Team). Manley knows how to control a situation and get what he wants. First, he charms Mrs. Hopewell by stating that her friends say she is a “good woman” (O’Connor 387) than states “people like you don’t like to fool with country people like me!” (O’Connor 388) making Mrs. Hopewell insist that he stay for dinner. Second, he charms Hulga by complimenting her repetitively with statements such as “‘I see you have a wooden leg…I think you’re brave. I think you’re real sweet’” and “‘I like girls that wear glasses…I’m not like these people that a serious thought don’t ever enter their heads. It’s because I may die’” whereas than she states, “‘I may die too’” (O’Connor 392). He uses this as a pick up line to get Hulga interested in him but also get her to trust him. Afterwards, he makes the comment “‘don’t you think some people was meant to meet on account of what all they got in common and all?’” (O’Connor 392). These comments and remarks are what get Pointer to get Hulga to meet him on Saturday and go for a walk in the
The story, “Good Country People,” by Flannery O’Connor, is a third person limited narration which means the reader can only look into the mind of only a few of the characters. Those characters are Mrs. Hopewell and Hulga, or Joy. Schmoop discusses a deeper understanding about the narrator of the story.
The major idea I want to write about has to do with the way Mrs. Hale stands behind Mrs. Wright even though it seems like everyone else especially (the men) would rather lock her up and throw away the key. We see this right away when she gets on the County Attorney for putting down Mrs. Wright’s house keeping. I find this to be wonderfully symbolic in that most women of this time usually allowed the men to say whatever they wanted about their sex, never standing up for themselves or each other
Violence, Humanity, Grace. These are three reoccurring themes throughout Flannery O’Connors short stories. As one looks at O’Connor’s stories one starts to see a pattern, or a similarity between each of the stories. One might describe it as “getting to know a personality” (Mays 419). As we focus on three stories, A Good Man is Hard to Find, Everything That Rises Must Converge, and “Good Country People”, by American fiction writer Flannery O’Connor we start to see distinct characteristics. O’Connor’s stories are set in the deep south where racism is often times prevalent. O’Connor’s characters often find themselves in difficult situations which can even be tragic. Most of her stories start out on a happier
Hopewell’s love for her daughter Joy, Mrs. Freeman also has tremendous love for her own daughters, Glynese and Carramae. Her affection for them is demonstrated by her constant need to disclose every mundane detail concerning their personal affairs to Mrs. Hopewell. However, regarding her flaws, Mrs. Freeman’s faults are not quite as extreme as the other characters’ flaws. Instead her faults are mostly mere annoyances. Her obsession with knowing the latest gossip about everyone combined with her inability to admit to any wrongdoing is not necessarily harmful, only irritating. Regardless of her minor offences, she ultimately has a good heart and only the best of intentions for those around
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
Freeman’s name is also ironic to the story, it may not seem like it in the beginning of the story but Mrs. Freeman stands for freedom herself. In the very last line of the story, the author says, “Mrs. Freeman’s gaze drove forward and just touched him before he disappeared under the hill. Then she returned her attention to the evil smelling onion shoot she was lifting from the ground. ‘Some can’t be that simple… I know I never could,’ she said,” (p.2537). This just shows that unlike, Mrs. Hopewell or Joy, she is able to see what goes on around her. The ability to listen and respond gives Mrs. Freeman a real sense of freedom, knowledge. Although Mrs. Freeman is a farmer and seems like she does not know much, she lives up to the name given to
The first character we encounter is Mrs. Freeman. She is the wife of Mrs. Hopewell's tenant farmer. She is a very outspoken woman, and "she [can] never be brought to admit herself wrong on any point" (O'Connor 180). Mrs. Freeman is a gossip; she is nosy and she "ha[s] a special fondness for the details of secret infections, hidden deformities, assaults upon children" (O'Connor 183).