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The tragic irony is employed by flannery o’connor in “good country people”
The tragic irony is employed by flannery o’connor in “good country people”
The tragic irony is employed by flannery o’connor in “good country people”
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The Significance of Names in Flannery O'Connor's "Good Country People"
Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her happiness) and the Bible salesman's own attempt to satisfy his own "manly pointer" proves to the reader that, by coincidence or not, the names of "Good Country People" are indeed very well selected.
For example, Mrs. Freeman is "free? from any type of incorrectness because she can "never be brought to admit herself wrong on any point? (172). Also, Mrs. Freeman is a tenant farmer and is "free? from the slavery of regular farming. Moreover, Mrs. Freeman's daughters, Glynese and Carramae, have names just as ridiculous as their living situations which are deprived of normalcy. Carramae is only fifteen, but already married and pregnant which is very peculiar for someone of that age.
Glynese is older at eighteen, "but has many admirers? (172). This could imply that Glynese could be promiscuous in her sexual activities or has "whorish qualities.? O'Connor could have chosen to say "admirers? since this was written in 1955, a time where such implications were a lot stronger than they would be t...
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...k of whiskey, a pack of lewd playing cards and condoms and Joy-Hulga discovers that Manley is not the slow, country bumpkin as perceived by everyone within the community (183).
But then again, maybe the names have nothing at all to do with the story. Perhaps, O'Connor simply picked the names randomly out of a hat. It's not an impossible idea. But the chance of the names fitting so superbly to each character of the story, just by happenstance, is one in a million. In conclusion, readers should start to focus more on the names of the characters, because the names might give more insight that what is seen on the surface. Besides, Hulga Hopewell doesn't sound like that bad of a name.
Works Cited:
O'Connor, Flannery. ?Good Country People.? A Good Man is Hard to Find and Other Stories. Comp. Flannery O'Connor. San Diego: Harcourt Brace & Company, [2006?].
Boudreaux, Armond. "There Are No Good Men To Find: Two Stories By Flannery O’Connor." Explicator 69.3 (2011): 150. Biography Reference Bank (H.W. Wilson). Web. 1 Nov. 2013.
Throughout this story it appears that there are two distinctly different sides of Hulga Hopewell. One side is that of Hulga large, brooding, and rude. The other side however, is softer and much more vulnerable. That side is Joy Hopewell. By using these two names together O’Conner creates a unique picture of this character. The revelation that Hulga’s real name is Joy gives the reader some insight and helps the reader to see the softer side of Hulga more easily. By using something as simple as a name in this story the author creates deeper meaning for each character.
Freeman, mother of Carramae and Gylnese and Mrs. Hopewell Hulga’s mother. Both characters have a major impact towards Hulga’s life. Mrs. Freeman, as described by O’Conner is seen more of a realist who speaks and thinks freely. She is a very passionate woman and “had a special fondness for the details of secret infections hidden deformities, assaults upon children”, which in this case applies to Hulgas state of appearance, her deformity the artificial leg. This quote shows the bond Hulga has with Mrs. Freeman since she is very passionate about deformity. Hulga appreciates Mrs. Freeman because she helps her distinguish a more realistic view of life and the world, rather than following the same old good Christian morals. On the other hand Mrs. Hopewell, joys mother is seen as a good woman who has good Christian values. O’Conner uses this symbolistic name of Mrs. Hopewell because she carries hope with her where ever she is. “People who looked on the bright side of things would be beautiful even if they were not” (173). She is a very optimistic good Christian and follows good country people morals. She is as well proud of her ability to see well in anyone she crosses and help any situation that is in a bad state. O’Conner’s usage of indirect characters like Mrs. Hopewell and Mrs. Freeman play a role in Hulga’s nihilistic life as an angel and a demon. Both constantly attempt to influence their beliefs without forcing their opinions towards
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
A brilliant storyteller during the mid-twentieth century, Flannery O'Connor wrote intriguing tales of morality, ethics and religion. A Southern writer, she wrote in the Southern Gothic style, cataloging thirty-two short stories; the most well known being “A Good Man is Hard to Find.”
The ironic quality of each character’s name is apparent immediately. Joy Hopewell, a woman crippled in a gruesome hunting accident, is depicted as bitter, sullen, and nihilistic. She is anything but well-whishing or Joyful. Her mother named her daughter because she expected her ch...
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11)
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
Violence, Humanity, Grace. These are three reoccurring themes throughout Flannery O’Connors short stories. As one looks at O’Connor’s stories one starts to see a pattern, or a similarity between each of the stories. One might describe it as “getting to know a personality” (Mays 419). As we focus on three stories, A Good Man is Hard to Find, Everything That Rises Must Converge, and “Good Country People”, by American fiction writer Flannery O’Connor we start to see distinct characteristics. O’Connor’s stories are set in the deep south where racism is often times prevalent. O’Connor’s characters often find themselves in difficult situations which can even be tragic. Most of her stories start out on a happier
Flannery O’Connor lived most of her life in the southern state of Georgia. When once asked what the most influential things in her life were, she responded “Being a Catholic and a Southerner and a writer.” (1) She uses her knowledge of southern religion and popular beliefs to her advantage throughout the story. Not only does she thoroughly depict the southern dialect, she uses it more convincingly than other authors have previously attempted such as Charles Dickens and Zora Neale Hurston. In other works, the authors frequently use colloquialism so “local” that a reader not familiar with those slang terms, as well as accents, may have difficulty understanding or grasping the meaning of the particular passage. O’Connor not only depicts a genuine southern accent, she allows the characters to maintain some aspect of intelligence, which allows the audience to focus on the meaning of the passage, rather than the overbearing burden of interpreting a rather “foreign language.”
O'Connor, Flannery. "A Good Man Is Hard to Find." The Story and Its Writer An Introduction to Short Fiction. 8th ed. Boston: Bedford / St. Martin's, 2011. 1042-053. Print.
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
Whitt, Margaret. Understanding Flannery O’Connor. Columbia: University of South Carolina Press, 1995. 47-48, 78. Print.