Flannery O’Connor is best known for her Southern Gothic writing style and grotesque characters. Dorothy Tuck McFarland states that “O’Connor created bizarre characters or extreme situations in order to attain deeper kinds of realism” (1). This writing style is seen in Flannery O’Connor’s short story “A Good Man is Hard to Find”. Flannery O’Connor uses many techniques to gain the reader’s attention and keep them captivated. One way that O’Connor does this is by revolving her stories around symbols and integrating religious elements into her works. O’Connor is widely recognized for incorporating her Catholic faith into her stories. “She was a devout Roman Catholic, with a Southern upbringing” (Whitt 1). There are many types of ways to interpret “A Good Man is Hard to Find”. One method is by using formalist criticism. Formalist criticism exists when a reader can approach, analyze, and understand a story by using elements like the setting and symbolism. Flannery O’Connor’s religious background influenced almost all her stories. She received criticism for her harsh representation of religion. Richard Giannone describes “A Good Man is Hard to Find” as “God’s transforming love by confronting the reader with a condition of true goodness amid the stark brutality of serial murder” (46). In “A Good Man is Hard to Find”, Flannery O’Connor frequently references religious symbols to describe the characters and their actions. Toward the end of the play the grandmother frantically tries to persuade The Misfit to pray and that Jesus would help him. The Misfit replied stating, “Jesus was the only One that ever raised the dead, and he shouldn’t have done it. He thown everything off balance. If He did what He said, then it’s nothing for you to do ... ... middle of paper ... ...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
In "A Good Man Is Hard to Find," Flannery O'Connor's character searches for grace and redemption in a world full of sin. Grimshaw states, "each one, nonetheless, is free to choose, free to accept or reject Grace" (6). The Grandmother in "A Good Man is Hard to Find," is on a journey for grace and forgiveness in a world where the redemption she is searching for proves to be hard to find.
Flannery O’Connor’s personal views on the justification of religion and the resulting world or corruption and depravity are apparent in her short story “A Good Man is Hard to Find”. She analyzes the basic plight of human existence and its conflict with religious conviction. The first two-thirds of the narrative set the stage for the grandmother, representing traditional Christian beliefs, to collide with The Misfit, representing modern scientific beliefs. The core of symbolism and the magnet for interpretation is at the end, the conversation between the grandmother and The Misfit. The conversation represents the examination of the clash between animal and metaphysical human nature and the Misfit is the literary depiction of the outcome of that clash.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
In "A Good Man Is Hard to Find," Flannery O'Connor represents her style of writing very accurately. She includes her "themes and methods - comedy, violence, theological concern - and thus makes them quickly and unmistakably available" (Asals 177). In the beginning of the story O'Connor represents the theme of comedy by describing the typical grandmother. Then O'Connor moves on to include the violent aspect by bringing the Misfit into the story. At the end of the story the theme changes to theological concern as the attention is directed towards the grandmother's witnessing. As the themes change throughout the story, the reader's perception of the grandmother also changes.
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
A brilliant storyteller during the mid-twentieth century, Flannery O'Connor wrote intriguing tales of morality, ethics and religion. A Southern writer, she wrote in the Southern Gothic style, cataloging thirty-two short stories; the most well known being “A Good Man is Hard to Find.”
Flannery O’Connor grew up in the 1940s which was a time when America was rapidly changing. At this time there was a great divide in class structure. This dramatic separation of classes instilled a sense of superiority and hypocrisy in the minds of the upper class individuals. The attitudes of O’Connor’s characters in “Revelation” and “A Good Man is Hard to Find” reveal a lot about the tainted mindset of those living in the south during that time. In both stories Flannery O’Connor is able to juxtapose the superior and hippocratic attitudes of upper with the attitudes of the lower class people during this civil war period.
Flannery O’Connor is a master of the ironic, the twisted, and the real. Life is filled with tragic irony, and she perfectly orchestrates situations which demonstrate this to the fullest extent. A Good Man is Hard to Find is an excellent example of the mangled viewpoint which makes her work as compelling and striking as it is.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
In A Good Man Is Hard to Find, Flannery O’Connor utilizes foreshadowing, characters and symbolism to impart her lesson of mortality and salvation. We are able to observe minor details within the story through these academic instruments, urging the reader continue on to see how the story will come to conclusion. The knowledge that evil exists in the world, and that stories like this are not uncommon, brings to mind thoughts of my own mortality and salvation. Does this accidental meeting with the grandmother and her family lead to a personal and spiritual growth for The Misfit? The ability to recognize and apply literary tools when reading stories can greatly enhance a reader’s overall
... Although Flannery O’Connor didn’t even live to see her 40th birthday, her fiction endures to this day. In “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” O’Connor effectively deals with the two huge themes of religion and racism. These two themes are crucial to understanding much of O’Connor’s great works and are relevant to all readers of O’Connor throughout all ages.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
To the uninitiated, the writing of Flannery O'Connor can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character's emotional devastation. Working his way through "Greenleaf," "Everything that Rises Must Converge," or "A Good Man is Hard to Find," the new reader feels an existential hollowness reminiscent of Camus' The Stranger; O'Connor's imagination appears a barren, godless plane of meaninglessness, punctuated by pockets of random, mindless cruelty.
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.