As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear. With these two divergent personas that define the grandmother, I believe the ultimate success of this story relies greatly upon specific devices that O’Connor incorporates throughout the story; both irony and foreshadowing ultimately lead to a tale that results in an ironic twist of fate and also play heavily on the character development of the grandmother. The first sense of foreshadowing occurs when the grandmother states “[y]es and what would you do if this fellow, The Misfit, Caught you” (1042). A sense of gloom and an unavoidable meeting with the miscreant The Misfit seem all but inevitable. I am certain that O’Connor had true intent behind th... ... middle of paper ... ... the stories by O’Connor so timeless. Works Cited Boudreaux, Armond. "There Are No Good Men To Find: Two Stories By Flannery O’Connor." Explicator 69.3 (2011): 150. Biography Reference Bank (H.W. Wilson). Web. 1 Nov. 2013. Charters, Ann. The Story and Its Writer – An Introduction to Short Fiction. Boston: Bedford/St. Martin’s, 2011. Print. Cofer, Jordan. "Flannery O'connor's Role In Popular Culture: A Review Essay." Southern Quarterly 47.2 (2010): 140-157. OmniFile Full Text Mega (H.W. Wilson). Web. 2 Nov. 2013. Nadal, Marita. "Temporality And Narrative Structure In Flannery O'connor's Tales." Atlantis (0210-6124) 31.1 (2009): 23-39. Fuente Académica. Web. 1 Nov. 2013. Petit, Susan. "Finding Flannery O'Connor's "Good Man" In Marilynne Robinson's "Gilead" And "Home.." Christianity & Literature 59.2 (2010): 301-318. Academic Search Complete. Web. 31 Oct. 2013.
O'Connor, Flannery. "A Good Man Is Hard to Find." 1955. Literature: Reading Fiction, Poetry, Drama, and the Essay. 4th ed. Ed. Robert DiYanni. Boston: McGraw-Hill, 1998. 193-203.
Lessons are learned through mistakes and experiences, but to completely understand the lesson, a person must be smart enough to profit from their errors and be strong enough to correct them. However, this was not the case for the main character in the short story; A Good Man is Hard to Find written by Flannery O’Connor. In this tale of manipulation and deception, O’Connor depicts the main character, the grandmother, as a shrewd self-centered woman, who considers herself morally superior than the other individuals. Throughout the entire story, she is seen using her manipulative tactics on everyone, which brought her to a sinister ending. O’Connor expertly portrayed the grandmother as a character that did not correct her negative characteristics throughout the story. To prove this statement, the use of time will be applied to help focus on the main idea of the grandmother not changing her deleterious ways throughout this story.
Flannery O’Connor is a master of the ironic, the twisted, and the real. Life is filled with tragic irony, and she perfectly orchestrates situations which demonstrate this to the fullest extent. A Good Man is Hard to Find is an excellent example of the mangled viewpoint which makes her work as compelling and striking as it is.
Works Cited Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11). O’Connor, Flannery. The Complete Story of the. Farrar, Straus, and Giroux.
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
O’Connor, Flannery M. “A Good Man Is Hard To Find”. Literature: Reading, Reacting, Writing. 5th ed. Boston: Heinle, 2004.
Each of the characters in, “A Good Man Is Hard to Find,” by Flannery O’Connor, have their own set of morals, and they each have a series of anomalous complications. John Wesley, June Star, Bailey, grandmother, and the Misfit all have contrasting psychological issues that repel the reader from esteeming them.
In the short story of, “A Good Man is Hard to Find,” by Flannery O’Connor, the reader takes insite on one certain character that is all but what she makes herself out to be. In this case, the grandmother, takes on numerous traits of being judgmental, selfish, and hypocritical.
O?Connor, Flannery. "A Good Man is Hard to Find." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York. HarperCollins, 1991. 907-917.
O'Connor, Flannery. "A Good Man Is Hard to Find." The Story and Its Writer An Introduction to Short Fiction. 8th ed. Boston: Bedford / St. Martin's, 2011. 1042-053. Print.
The short story A Good Man is Hard to Find written by Flannery O'Connor concerns unique characters and a tragic climax crisis. From the beginning to the grim ending, a reader cannot help but chuckle throughout the story due to the dramatic irony from the character known as the grandmother and how she fails to see herself for who she is, a sinner.
In every good story there is a hero and a villain. Traditionally the villain will be defeated by the hero and the day will be saved. In every Great story the villain is redeemed and grace and forgiveness is identified. Flannery O’Connor’s short story “A Good Man is Hard to Find” is not a traditional heroic story. In fact, her story is honestly tragic at first glance. Once you move past the deaths and horrific predicaments the characters of this story are consequently in, the story holds a greater meaning. Looking specifically at the grandmother, a self-centered, manipulative, prestigious human being, finds herself and her family on the side of the road in Georgia after a car accident. The grandmother and the rest of the family is being held
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
O'Connor, Flannery. A Good Man Is Hard to Find and Other Stories. New York: Harcourt Brace Jovanovich, 1977. Print.