Irony and Characterization in O’Connor’s Good Country People

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“Good Country People,” is a classic example of the use of irony as a technique for imbuing a story with meaning. Irony works on many different levels through the piece. Examples of this range from O’ Connors use of clearly ironic dialogue to the dramatic irony that unfolds between Manley and Joy-Hulga. However the most obvious examples can be found in O’Connor’s characterization of these, “Good Country People.” The technique of irony is applied prominently to the character’s names and behaviors to present the contradictions between their expectations and their reality. O’Connor uses her characters to explore common notions regarding, “good” and “bad” people. Using their expectations for one another, O’Connor ultimately expose their literal and figurative, “deformities.” Like Joys wooded leg the Irony in, “Good Country People,” embodies that which is hollow and contrived in its characters.

The story is center around a small cast. In it Mrs. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs. Freeman’s and her two daughters- Glynese and Carramae. Interestingly, Mrs. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy. “Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer. It is a story of a few not so, “Good Country People.”
The ironic quality of each character’s name is apparent immediately. Joy Hopewell, a woman crippled in a gruesome hunting accident, is depicted as bitter, sullen, and nihilistic. She is anything but well-whishing or Joyful. Her mother named her daughter because she expected her ch...

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...r to say that she loves him; and even, to remove her wooded leg as some bazar display of trust. All before reliving his hollow bible and making off with her artificial Limb
“Good Country People” is a masterfully written example of irony as a method of characterization. It is more than snark or satire. Flannery O’Connor uses characterization to give this short piece a deep emotional impact. When Manley Pointer leaves Hulga Hopewell in the barn loft, helpless and hopeless. He declares that she, “…ain’t so smart.” That he has been, “…believing in nothing even since [he] was born” just as he slips away. Here we see the full irony of the characters names. These titles hold multifaceted meanings and expose each characters failure to acknowledge themselves and others as they are, They prefer instead their cherished assumptions until the ugly truth escapes from sight.

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