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Difret is a feature length narrative film from Ethiopian writer/director, Zeresenay Berhane Mehari and executive producer Angelina Jolie Pitt. The film Difret is based on the inspirational true story of 1996 case of Aherash Bekale and is also inspired by the movie Schoolgirl Killer directed by Charlotte Metcalf. Hirut and Meaza- the two protagonists, show the spot-on struggle and a life-or-death clash between patriarchal sacraments and basic women rights. Difret was released in 18th January 2015. It sought to end child marriage globally through theatrical release in 2015. In total runtime of 99 minutes, it sketches a time of great transformation in Ethiopia through the depth of characters, credible plots and, significant theme. The director of this film has put on a lot of effort in portraying “Telefa” from different point of views, as a tradition and as a form of violence for women. Hirut, who is a victim of the patriarchal practice, portrays the lack of justice for the crime that was committed for self-defense. The film conveys the global problem of child marriage and its devastating lifelong consequences. It advocates the basic women rights for better health, education, safety and well-being. The life sketch of Hirut and Meaza elaborates …show more content…
The story of Hirut changes a centuries old tradition and reformed the civil law for women. The film interprets the social, moral and, psychological value to the audience. Difret, reflects that old traditions do not work in contemporary society, but is it really necessary to uproot them? Does the change occur only by changing the culture and laws or does it happen from changing hearts and minds of an individual? Change can transpire, so long as there are individuals who are willing to take a stand for righteousness even though these stereotypical traditions are passed on for
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
Rolf de Herr’s 2002 film The Tracker represented some human beings in the past who have been extremely naïve, barbarous, and bigoted when it came to dealing with Indigenous Australians. This film portrayed white racism in the characters of the Fanatic, the Veteran, and at first the Recruit until he becomes stronger and eventually changes his demeanor towards the Aboriginal people. Even though the Tracker experiences immense hardship throughout the movie he was always two steps ahead of his bosses since he was very familiar with the land and was also able to outsmart his superior officers. The Tracker is a gloomy film which presents the dark past of Australia that must never be forgotten.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
The movie Dope, written and directed by Rick Famuyiwa, follows the story of Malcolm through his senior year of high school in the Inglewood California. He lives in a poor neighborhood, with only his mom, yet he still strives for greatness. He has a couple of friends, and they all love 90’s hip hop culture. They try to do their best to stay out of trouble and away from bullies. Malcolm sees a girl he likes and ends up following her to a drug dealer’s birthday party. When the cops bust the birthday party, he unknowingly goes home with all the drugs and the gun that the drug dealer owns. This sets off a wild chain reaction, as he now has to sell these drugs to payoff the supplier, who happens to be the Harvard Alumni that Malcolm’s needs approval
Even the Rain (also known as También la lluvia) is a 2010 Spanish film about a director Sebastian and executive producer Costa who travel to Cochabamba, Bolivia to shoot a movie about the exploration and exploitation of Christopher Columbus in the New World. Sebastian and Costa find themselves in a moral crisis when their key native actor, Daniel, persistently leads the escalating Cochabamba Water War. As the shoot progresses in and around the city of Cochabamba, a real battle is brewing. The government has privatized the entire water supply and sold it to a British and American multinational. The price of water jumps by 300 percent, leading to remonstrations and riots in the streets of Cochabamba. The protest is calm at first, but things become aggressive when the government fights back, and Daniel's participation almost disturbs the shooting schedule. As Sebastian and Costa struggle with their film, the violence in the community increases daily, until the entire city erupts into the infamous Cochabamba Water War. This film takes on significant questions of everyday life, as well as moral and human responsibility.
For several years now, Disney seems to be determined not to offend anyone in order to keep its audience; indeed we are confronted with animation films full of compromises; they are not as degrading for women as Snow-White and the Seven Dwarves (1937), but they are nonetheless still filled with clichés. Films such as The Princess and The Frog (2009), Tangled (2010), Wreck-it Ralph (2012), have in common the sense of being progressive and however we can notice the resurgence of harmful gendered stereotypes on the subjects of the social scale, women’s role in society, or the status quo. Frozen comes in and turns out to be no exception. Though it includes several encouraging and gratifying elements, it contributes insidiously to spread numerous
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
“I am not a social worker. I am not a teacher, even. That is my fear, you know, that I really can’t do anything. Helping them to get and education is not going to do anything, but without help they are doomed (Born into Brothels, 2004).” Zana Briski made this statement in her documentary Born into Brothels, referring to the children of sex workers in Sonagachi. This statement exemplifies child saving, a dominant theme in children’s discourse, that portrays children as vulnerable, innocent, and in need of “saving” from poverty and immorality according to a view of a universal childhood (Wells, 2009, pg.28). Child saving efforts remove children from their homes and families and place them in new homes or schools to discursively separate them from their parents (Wells, 2009, pg.28). Therefore, they would have the opportunity to be successful. Saving children based on the western conception of childhood has proved to be ineffective and culturally inappropriate when applied to international circumstances. By examining Zana Briski’s method of saving the children in Sonagachi and reviewing the criticisms of the film, it can be determined that her method of saving the children was unnecessary and contributes to the dominance of western political discourse based on the concept of a universal childhood and what western culture considers to be the “best interests” of the child. This essay will address Briski’s method of saving the children in Sonagachi, explore alternative options to child saving through structural reformation and rights based approaches, and examine how the use of images to save children and the globalization of childhood create political problems on an international scale.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
The practice of female infanticide shows how desirable having a male child is that parents would take the lives of a female baby. The dowry system in India is the main cause of female infanticide in India. Gender inequalities in the rural part of northern India exhibit female infanticide occurs here the most despite laws to abolish these acts. Men hold a higher value in this society because a system they adapted many years ago. Men are seen as an asset or of value because at one point his future wife and her family will “pay” for him. Daughters are opposite and viewed as a burden to the family because she will have to marry one day and that will cost her parents. So women are not viewed equally here even as infants, they don’t even stand a chance. Officials have tried to make laws to assist in reducing female infanticide but people have continued to follow traditions of the dowry systems putting the population at risk as well
Christopher Nolan’s 2010 action thriller Inception provides a discerning outlook into the specificities of human thought processes and dream meaning through exceptional cinematography, labeling it an exemplar of filmmaking. The film follows the ambitious corporate thief Dom Cobb as he attempts to infiltrate a man’s mind and place an idea through the act of inception. Employing “dream sharing”, Cobb controls both the appearance and feel of the subconscious world, but at the alarming cost of being trapped should he fail his mission. Nolan brilliantly combines mise-en-scéne elements of setting and sound design, with inimitable cinematography and editing styles to project the dream world on a film medium, narrating a story that reveals the blurred line between fantasy and reality. By doing so, the film builds upon traditional conventions of moviemaking while developing its own style and motifs that are remarkably distinctive.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
In order to achieve these goals, Indian feminist writers have exerted their energies to deconstruct the past, reconstruct a more meaningful present. They have unravelled the thick tapestries of male hegemony and analysed the reasons for the persistent reproduction of conscious and unconscious presumptions about women and they have knitted up a woman’s tradition.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?