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Characterisation of characters in fiela's child
Identity topic in literature
Racism theme in literature
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In the book Fiela’s Child, a young boy named Benjamin shows up at Fiela Komoetie's door in the middle of the night, alone and crying. Fiela takes him in as one of her own, until he is suddenly ripped from her hold and put with his "real" family. This causes him to lose his grasp on who he thought he was and ultimately creates conflicts within the communities and himself. The author Dalene Matthee illustrates Benjamin/Lukas' struggle to find his identity through the book. She illustrates this through portraying race issues in the story, the struggle of adapting to a new family, and the comparison of the two different families.
The main external conflict Benjamin faces is race conflicts due to him being white and Fiela being colored. This is
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a main conflict because of race issues in the community around him and because he lives with Fiela as if she was his biological mother. It is obvious that she isn't, yet she never tried to inform anyone of the child who appeared at her door in the middle of the night. Instead, she chose to raise him as her own in an environment that he would not have been exposed to otherwise. Because Benjamin grew up with Fiela and her family, he acts and speaks differently than a white child typically would have in the time period of the book. He says some questionable things, which is shown when he continuously calls the magistrate 'master', resulting in the magistrate telling him, "I never want to hear you use the word master again! You're a white child and you will learn to speak like a white child.” (Mathee 94). In this quote, the magistrate is telling Benjamin to act like a white child, meaning to not use words like 'master' when referring to adults. The magistrate does not want Benjamin talking like a colored child because he is white and is supposed to be moved to a white family now. You can also see these racism issues surface when the magistrate tells Benjamin, "You are not Fiela Komoetie's child. I think you are old enough to realize it yourself and that is why I don't want you to be unnecessarily difficult." (Mathee 94). This quote is important because Benjamin has believed that Fiela is his actual mother all along since she is the one who raised him. However, the magistrate is telling him that he is wrong. One thing to note is how the magistrate tells Benjamin that he is old enough to realize that he is not Fiela's child. Why is this important? It shows that children in the community are taught to discriminate between the shade of one's skin tone. Unlike Benjamin, who never saw Fiela as just a colored woman, but he saw her as his mom. Another time we see racism come into play with Benjamin's situation is when the magistrate tells him, "One day, when you've grown up, you will come back and thank me for this day." (Mathee 94). What the reader can gather from this quote is that the magistrate believes that living with a colored family is bad and that Benjamin was not taken care of or lived in poor conditions. The magistrate believes he is doing Benjamin a favor by getting him away from Fiela. Thus, he tells him that he will come back and thank him for bringing him into a new family. The most difficult internal conflict for Benjamin was going from living with Fiela to having to move in and become part of an entirely new family to him overnight.
This is an internal conflict mainly because it effects Benjamin and how he is as a person. Switching families forced him to adopt a new personality and lifestyle that he wasn't used to. Whatever he did in Fiela’s household, was different in the Van Rooyen household. One of the most difficult changes for him to get used to was his name change. "They said his name was Lukas. His name was not Lukas. His name was Benjamin Komoetie." (Mathee 120). This shows that he is in denial about having a new identity and that he is not going to be willing to give up the one he already has without a fight. No matter how many times they call him Lukas, he will always know himself as Benjamin. However, this mindset of Benjamin would later cause problems. For example, when the novel says, "It did not help not to answer when they called him Lukas." (Mathee 120). Because Benjamin did not consider himself Lukas, he never responded to that name. This went on from the moment he met his new parents to a few weeks later. However, this shows the family now losing patience with Benjamin when he refuses to go by his new identity. It is obvious they want him to feel at home despite living somewhere else his entire life but how can they succeed when they can’t talk to Lukas? This attitude will not change with Benjamin. Despite being told that he is to live with this new family, he still believes that Fiela is going to come and rescue him and bring him home. This is shown when Benjamin tells Nina, "My mother will come and fetch me, you'll see." (Mathee 121). Although he was told to forget about Fiela and also told he would not see her again, he still hopes that she will rescue him and bring him to his real
home. The differences between the Komoeties and the Van Rooyens are both an internal and external conflict for Benjamin/Lukas because while being suddenly forced to live with the Van Rooyens takes a toll on him emotionally, it is also a conflict in the community and to the families as well. It effects Benjamin internally because he is forced to let go of who he has always known himself to be and adopt the identity of a new person. However, despite having to accept it, he still refuses. He still tells everyone who doubts it, "Please your worshipful lord, I'm Fiela Komoeties chils and Selling Komoetie is my father!" (Mathee 119). It is obvious that Benjamin is still holding on to the person he has always been, but it gets difficult. After a while, he learned that he had a new home and started to accept it, as in "He no longer kicked and screamed when they came near him - something said the man's patience would not hold out much longer. This shows that after a while, Benjamin had started to accept that Fiela was not coming back. These internal and external conflicts relate to each other because they are the causes of each other. For example, if there were no racial issues, the external conflicts (Benjamin being forced to switch families) would not have happened. He would have been able to live with Fiela without conflicts. If he was allowed to live with Fiela, he would not be forced to live with another family. This would mean that he would have no internal conflicts, such as his identity being challenged. This shows that without one, the other event wouldn’t have happened. The differences of the families and the racism issues in the story play a big role in Benjamin's conflicts. He battles these conflicts in order to find out who he is. Not if he is Benjamin or Lukas, but who he is on the inside to himself, not to people on the outside. Overall, the author does an adequate job of portraying all of Benjamin's internal and external conflicts throughout the story and showing how they connect and influence each other. In the end, these conflicts help Benjamin/Lukas discover who he believes he truly is.
First, the author uses conflict to show what the characters have to overcome throughout the course of the story, such as Mrs. Baker forcing Holling to do chores at school and
2) What is the main conflict in the book? Is it external or internal? How is this conflict resolved throughout the course of the book?
Internal conflict is something that happens in all of our lives almost every day, and we don’t even think about it. The definition of internal conflict is when the problem is happening to the main character and his or her self. The book The Running Dream, by Wendelin Van Draanen, has a lot of internal conflict as well as a lot of external conflict which is when the problem is happening to the main character, and some type of outside force. In this book, the main character, Jess, loves running, and on her way to one of her track meets she got into a car accident. She was taken to the hospital, and the doctors had to amputate her leg below her right knee because it was mangled beyond any chance of possible repair. In this book there are many different conflicts, an example of an internal conflict is when Jess
Armand feels like he is the victim of betrayal by his wife Désirée. As the baby gets older it is clear that the baby is not white. Armand’s attitude quickly makes him assume that Désirée is not white giving Armand a feeling of deception. He denounces his love for Désirée and the child and casts them out of the house and his life. Désirée is stricken with grief about her treatment by Armand. She cannot believe how a man who loves her so much could treat her with such hostility and cruelty. Désirée develops a negative attitude towards herself and her baby. She is upset that she cannot change how Armand thinks of her because of her baby. This attitude causes Désirée to walk out of Armand’s life forever to her demise. Core beliefs also give to human behavior in “Samuel” and “Desiree’s
Another internal conflict is how Lilly feels responsible for her mother?s death. When she was four, she accidentally shot her mom, and wasn?t able to forgive herself. The reason she runs away in the first place is because her dad tells her that her mom left her, which is both an internal, and man versus man conflict. She?s mad at her dad for saying it, but can?t fully convince herself that it isn?t true. There?s a man versus society conflict when men beat up Rossaleen because of her color, and another internal conflict when May is so overcome with grief that she cant stop crying.
Intergenerational conflicts are an undeniable facet of life. With every generation of society comes new experiences, new ideas, and many times new morals. It is the parent’s job go work around these differences to reach their children and ensure they receive the necessary lessons for life. Flannery O’Connor makes generous use of this idea in several of her works. Within each of the three short stories, we see a very strained relationship between a mother figure and their child. We quickly find that O’Conner sets up the first to be receive the brunt of our attention and to some extent loathing, but as we grow nearer to the work’s characteristic sudden and violent ending, we grow to see the finer details and what really makes these relations
As you can see, there are a lot of major internal conflicts. However, there are many more not so important conflicts that weren’t listed! Ranging from racism to loneliness, the characters in this novel have gone through a lot, physically and mentally. As the novel progresses all the characters seem to go from a negative, depressed mental state to a positive and loving one. Jefferson dies with courage because Grant was able to crack Jefferson and help him, which also ended up helping himself. Miss Emma and Tante Lou are now at peace thanks to Grant’s affect on Jefferson. The only reason the novel ended with everybody in a positive state of mind is due the decisions and actions made because of the internal conflict. In conclusion, internal conflicts are very important to the story causing conflicts and plot twists to interest the reader and pull the novel together.
In Black and Blue, Fran Benedetto tells a spellbinding story: how at nineteen she fell in love with Bobby Benedetto, how their passionate marriage became a nightmare, why she stayed, and what happened on the night she finally decided to run away with her ten-year-old son and start a new life under a new name. Living in fear in Florida--yet with increasing confidence, freedom, and hope--Fran unravels the complex threads of family, identity, and desire that shape a woman's life, even as she begins to create a new one. As Fran starts to heal from the pain of the past, she almost believes she has escaped it--that Bobby Benedetto will not find her and again provoke the complex combustion between them of attraction and destruction, lust and love. Black and Blue is a beautifully written, heart-stopping story in which Anna Quindlen writes with power, wisdom, and humor about the real lives of men and women, the varieties of people and love, the bonds between mother and child, the solace of family and friendship, the inexplicable feelings between people who are passionately connected in ways they don't understand. It is a remarkable work of fiction by the writer whom Alice Hoffman has called "a national treasure.
Korb, Rena. "Critical Essay on 'Désirée's Baby'." Short Stories for Students. Ed. Jennifer Smith. Vol. 13. Detroit: Gale Group, 2001. Literature Resource Center. Web. 01 Mar. 2014.
In “Desiree’s Baby,” Kate Chopin writes about the life of a young lady and her new family. In this short story, the fond couple lived in Louisiana before the American Civil War. Chopin illustrates the romantic atmosphere between Armand and Desiree. Chopin also describes the emotion of the parents for their new born. When the baby was born, Armand’s heart had softened on behalf of others. One afternoon, Desiree and the baby were relaxing in a room with a young boy fanning them with peacock feathers. As they were relaxing, Desiree had sniffed a threatening scent. Desiree desired Armand’s assistance as she felt faint from the odor that she could not comprehend. Armand had denied the request his wife sent. Therefore, he cried out that she nor the baby were white. Thus, Desiree took the baby and herself and walked into the bayou and they were never seen again. In this short story, Chopin illustrates the psychological abuse Desiree faces from her husband.
In her story, Desiree’s Baby, Kate Chopin underlined the contrast between lust and love, exploring the problem of a man’s pride that exceeded the love he has for his wife. Armand, the main character of the story, is a slave owner who lived in Louisiana during the era of slavery. He married an adopted young woman, Desiree, and together they have a son who eventually became an obstacle in the way of his father’s happiness, thus removing out the true character of Armand. Desiree’s Baby, by Kate Chopin is a love story, love that ultimately proved to be a superficial love, a story that shed light on the ugly relationships between people. “Lust is temporary, romance can be nice,
In Fiela’s Child, Dalene Matthee illustrates authority that comes into play in the life of Benjamin and Lukas. Matthee vividly portrays authority with the use of character foils. By doing this, Matthee introduces characteristics of authority or lack of and creates a vivid distinction between the two regions: Long Kloof and the Forest. In Fiela’s Child, Dalene Matthee uses character foils to portray the characteristics of authority or lack of showing the reader how the Long Kloof and the Forest compare.
It is implied that Benjamin resided in the Kloof for at least nine years before being unexpectedly uprooted. Due to the fact that Benjamin, a white child, has been discovered living with a black family and has unknowingly adopted their mannerisms. In the beginning, although he knew “that he was his parent’s hand-child” (Matthew 8), he is neither bothered by this notion, nor is he knowledgeable of the racial differences that manifested severe issues. Benjamin is integrated into daily life in the Kloof, partaking in the Komoeties’ unified chores, which further accentuates his undiluted sense of belonging.
In this biography, the theme of racism is first introduced during chapter four. In this chapter Ben provided three occasions where he faced racism and conflicts, this presented a much larger understanding of his life and what he had to face as a child and teenager. In
Benjamin all but explicitly says to Ren that he will be, from this point on, be living a dishonest life of thieving. This shows that Ren’s new societal position is a very low one, associating with the dishonest of the world. Later in the conversation, Benjamin asks Ren what he wants more than anything in the world, Ren thinks to himself that he had never been asked that question before and that it would be easier to say what he didn’t want. This shows that Ren’s past position in society (i.e. the orphanage), was one in which he didn’t really think about his