Examples Of Pathos In Persepolis

In Marjane Satrapi’s memoir, Persepolis, the characteristics and qualities of revolution are portrayed through rhetorical devices such as visual text, similes, and pathos. Satrapi’s use of rhetorical devices enhances and supports her expression of the revolution in Iran. Persepolis was Marjane Satrapi’s way of allowing people to see how the revolution in Iran affected her family's lifestyle and her upbringing. This memoir also allows the readers to analyze how war changes the way of the people and government in a country. Throughout Satrapi’s memoir visual text is used to give the readers a visual or image to perceive the effects of the war. On page 3, Marji explains how the veil became an obligation for young girls to wear on their heads, and in the visual shown, these youngs girls are revolting against the government by using their veils as toys. Another effective visual in Persepolis, is the image on page 15 of the citizens running and their bodies burning because the government had set the cinema on fire; it creates a visual that pulls at the reader’s heart strings. This visual represents the suffering of citizens during the war because of their own government. Satrapi’s visuals create pathos within the memoir. Pathos in Persepolis is one of the main rhetorical

In the beginning of story Marji introduces the war and how it affects her country, “‘The revolution is like a bicycle. When the wheels don’t turn, it falls”’ (10). The revolution being compared to a bicycle explains, that when the government begins to make changes in a country that restrict people from their rights, it leads to revolt and outrage from the citizens. Satrapi also uses a simile when describing her uncle’s arrival, “‘We waited for him for hours. There was the same silence as before a storm”’ (30), this created imagery. Similes added imagery, description, and characterization to Satrapi’s