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A narative perspective of grendel from beowulf
A narative perspective of grendel from beowulf
A narative perspective of grendel from beowulf
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In the story of Beowulf we encounter three monsters. Immediately they are characterized as gruesome inhuman creatures for their appearance and nature without any thought given into who they really are. Is a monster only considered a monster if it opposes the main character? What about their side of the story? From their point of view wouldn’t the monster be switched? How did they become like this? Was it because of a person or society that made them turn? So wouldn’t the real monsters be those who influenced the said monster? Beowulf fights three monsters in his story, Grendel, his mother, and a dragon all named monsters because of their appearance and brutal actions. But you look at who they were before could you say they were the only monsters in the story. The first monster introduced in Beowulf is Grendel. His nature is …show more content…
Being that he is a descendant of Cain, he is exiled to the outskirts of human society, residing in the swamplands. Rage and jealousy takes ahold of his emotions and in a fit of anger he killed 30 men while they were sleeping. This went on for 12 years. When Beowulf hears of this horrible fate that has fallen on so many innocent people, he sets sail to slaughter Grendel. He comes to the hall and attacks Grendel weaponless and manages to tear off Grendel’s arm forcing Grendel to escape back to the swamplands and die of blood loss. Though his deeds and appearance are monstrous by interpretation, he is the most humanly portrayed villain of the three. Though an ugly appearance, it is still that of a human being and he has a name. In addition, once he knew he had been defeated by Beowulf, he goes back to the swamplands in seek of the comfort of his mother as he bleeds out. Not many monsters would do that. And when you look at how it all started, how society had banished him because of the way he looked and his size, that fed his
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
Therefore, depending on which perspective you choose to look at Beowulf, it could either be heroic or monstrous. Beowulf would be considered more of a hero from first glance because he is doing the majority a favor by destroying the figures that seem harmful. However, Beowulf could be considered a monster in the eyes of the figures on who he is inflicting pain
For ages, we have wondered what is the difference between monsters and men that make them who they are. What are the characteristics that define a monster? Typically it’s the bad guy, the person or thing that comes into the story just to cause massacre or stand in the protagonist’s way. On the other Men are just defined as people who are the opposite of evil. There can be multiple people in a story who can be characterized as men. They don’t all necessarily have to be heroic to be considered as men. In the literature pieces of Macbeth, Beowulf and Frankenstein; there are countless instances where one might be able to distinguish between Monsters and Men. But they all fall in different genres. Macbeth is a story about a tragic hero; the fallen one or the man who brought misery upon himself. The monster can be identified as guilt. This guilt built stronger and stronger and led him to be his worst enemy. Beowulf is an epic about a hero (men) who takes on great challenges and adventures. His worst enemies are all the monsters that took place over the course of the story. Like: Grendel and his mother. This epic poem was made around the Anglo Saxon period. And lastly, Frankenstein is about a crazy doctor who created a monster. The monster name wasn’t Frankenstein, the doctor’s name was. That’s why the story is called “Frankenstein’s monster.” All these literary pieces are plotted so intelligently that it takes a moment before one can distinguish the monsters and the men.
In literature, monsters are often used to symbolize characteristics in humans. In the poem Beowulf, monsters are used to symbolize destructive behavior in humans. In the case of Hrothgar and Beowulf, their pride causes them to become selfish. Pride often makes people lose focus of their priorities and that can make their selfishness get out of control, and lead to destructive behavior.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
A monster is not a monster unless he intentionally wants to hurt many and his plans are to hurt many. In Frankenstein, by Mary Shelley, the monster is portrayed as an evil, hideous creature through everyone’s eyes. Victor Frankenstein creates a monster and once he brings him to life he abandoned him, leaving him to learn and discover the world by himself. The monster has to learn his way around society while being rejected by society because of this looks. Frankenstein’s monster is seen as evil because the way people treated him caused him to act out. The monster is not inherently evil because he helps others, has emotions, and does not fight back when he is attacked.
One reason for which monsters are held in contempt in the epics is the authochthonous Germanic culture of the Middle Ages. This broad society respected those with wealth, status, and honor, while those without any of these are shunned. For example, when Beowulf introduces himself to Hrothgar, that king immediately recognizes the visitor: “[h]is father before him was called Ecgtheow” (Beowulf ln. 373). For Hrothgar to acknowledge Beowulf by his lineage shows Beowulf’s societal prominence: he was born of distinguished quality. Beowulf also proves the quality of his ilk to King Hrothgar through his bravery in fighting Grendel and...
A monster is usually viewed to be a supernatural creature that humans judge based on looks and not necessarily on personality. In the novel, Frankenstein written by Mary Shelley, the monster is a creature Victor creates but abandons immediately because he is horrified by his own creation. Due to the monster’s appearance, society does not give the creature a chance to show his true self. Therefore, the monster faces an external conflict because of Frankenstein’s and society's rejection, making it difficult for him to blend into his new life. Victor creates the monster because of his unusual compulsion of aspiring to be like God. However, Victor does not know how to treat or be responsible for his creature. Victor Frankenstein is the true monster
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
Joseph Campbell explains monsters by saying “By monster I mean some horrendous presence or apparition that explodes all of your standards for harmony, order, and ethical conduct”. The movie Pan’s Labyrinth, directed by Guillermo Del Toro, shows a courageous tale of one young girl named Ofelia, and her fight against a sinister monster, Captain Vidal. Likewise, the epic poem Beowulf, written by Gummere, tells the tale of Beowulf and his battles with different monsters, one being Grendel, a horrific monster who loves to cause chaos, and another being a dragon, who is a hoarder of treasure set to protect it at all costs. Both stories have monsters that truly explode all standards for harmony, order, and ethical conduct. As Beowulf and Ofelia fight
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
The perspective in which the monster is viewed from, is also very similar in all three battles. In each one the monster is very gruesome and hideous. The monsters are also very powerful figures, who have or a capable of killing many, all worthy opponents to Beowulf. The monsters are all viewed as very evil, the exact opposite of Beowulf.
“It is just because the main foes in Beowulf are inhuman that the story is larger and more significant than this imaginary poem of a great king's fall.” This quote was taken from J.R.R Tolkien’s Beowulf: The Monsters and the Critics, where Tolkien expressed his views on the importance of the monsters in Beowulf. He believes that without supernatural monsters, Beowulf is no more than a lively poem, as supported by the quote above. He also states that it “glimpses the cosmic” and “surpasses the dates and limits of historical periods”. By saying this, Tolkien means that although it has historical significance, Beowulf should be seen less as a piece of history and rather as a piece of art.
Beowulf’s first accomplishment as an epic hero was his battle with Grendel. Grendel was a huge beast, a descendent of Cain, who ruthlessly murdered innocent Danes because he felt pity for himself. Upon hearing of the Dane’s problem, Beowulf set off to help the Danish without having been called upon. Even though Beowulf had men backing him, He drew battle with Grendel alone and without armor or weapons. Yet, Beowulf emerged victorious with the arm of Grendel as his trophy. Beowulf then went on to kill Grendel’s vengeful mother and a huge fire-breathing dragon who thought it had been done wrong by the Geats. Alas, the killing of the dragon would be Beowulf’s last great battle for the dragon took Beowulf’s life in the struggle for his own.