In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes …show more content…
As characterized in the Bible, Cain kills his brother Abel out of envy because “[th]e Lord looked with favor on Abel and his offering, but on Cain and his offering he did not look with favor. So Cain was very angry, and his face was downcast” (NIV, Gen. 4:4-5). Soon after this God soon curses Cain and his lineage, leading to Cain’s ultimate destruction. Similar to how Cain must have felt upon being stigmatized, Beowulf’s Grendel must have been keenly jealous of the Danes. After the Danes construct the great mead-hall Heorot, there is much laughter and happiness from the hall and [i]t [harrows Grendel] to hear the din of the loud banquet every day in the hall, the harp being struck and the clear song of a skilled poet telling with mastery of man’s beginnings” (Beowulf ln. 87-91). Hearing all the jubilation that he cannot share in makes Grendel bitter. Because nothing that can be done to make Grendel’s resentfulness subside, he “[wages] his lonely war, inflicting constant cruelties on the people, atrocious hurt” (ln. 164-166) to make himself feel better. Every day he finds satisfaction in killing and eating the men who fall asleep in the hall after they have drunk and partied the evening away. Causing harm to human society is Grendel’s means of compensating for his loneliness. That is, being unable to find solace among a group, Grendel …show more content…
In many European traditions, dragons are viewed as villains because they represent the antithesis of a good king. Good kings share their wealth; dragons hoard it. However the dragon’s actions against society in Beowulf can be justified. After Beowulf becomes the ruler of Geatland and all seems well and peaceful, the dragon enters the story. His appearance is provoked: one day while the dragon quietly guards his ancient hoard, an unnamed Danish slave manages to enter the hidden lair and awaken the dragon’s dormant rage. Yet this slave does more than stumble upon the dragon’s mound; he also “[handles] and [removes] a gem-studded goblet; it gained him nothing, though with a thief’s wiles he [outwits] the sleeping dragon” (ln. 2216-2219). Thus disturbed, the dragon is enraged. It is due to this slave’s selfish motives—and those of the men with whom he returns to pillage more—that the dragon’s wrath on people burns. Thus, out of revenge “[the] hoard-guardian [scorches] the ground as he [scours] and [hunts] for the trespasser who had troubled his sleep. Hot and savage, he ke[e]p[s] circling and circling the outside of the mound” (ln. 2293-2295). It is clear that the dragon is the victim in this interchange; yet his harmful nature (presumed to be a monster before he even acts) and the commotion he causes while seeking out the one who stole from him leads the dragon to his own
“The only motive that there was was to completely control a person… and keep them with me as long as possible, even if it meant just keeping a part of them.” Using this statement, Jeffrey Dahmer offers his insight about what made him the cruel, demented being people have known him to be for the last 25 years. Many questions still remain, however. How do we, in society, define the term “monster”? What makes a monster? What shapes our perceptions of monsters, and how do these perceptions change over time? Several centuries passed between the time of Grendel from the epic poem, Beowulf, and the Milwaukee Monster, Jeffrey Dahmer, for instance. Grendel is a creation of the Anglo-Saxons, whose culture
Despite numerous cultural and technological advancements, life in modern America continues to bear resemblance to the Anglo-Saxon world. Although it may take time and some loss of pride to admit it, since characteristics of human nature have stayed the same, from work place to personal relationships, the similarities between the two worlds are uncanny.
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
When the dragon awakes after three hundred years of sleep, he discovers that his cup has been stolen. The dragon, also known as the worm, fills with anger and rage. Even though he is so angry, he does like the idea of battle: “Yet he took joy in the thought of war, in the work of fighting” (Donaldson 40). The dragon cannot wait to ravage the land of the people where one man has stolen from him: “The hoard-guard waited restless until evening came; then the barrow-keeper was in rage: he would requite that precious drinking cup with vengeful fire” (Donaldson 40). The dragon destroys the land and kills everyone around. The dragon even destroys Beowulf’s home.
The epic poem Beowulf, an abundance of apparent evils such as the monsters. What about the not-so-apparent ones? Often the true evil hides behind what is obvious to us. In modern society, evil is everywhere because it resides inside society itself. Although the story of the warrior Beowulf is riddled with evil monsters, the true evil lies just beneath the surface.
has been awoken by a thoughtless peasant’s theft of a golden cup. The dragon is then enraged with greed
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
Throughout the story, Beowulf fights three battles against frightening monsters. Beowulf, the prince of the Geats, was a well known warrior with extreme strength who makes a promise to protect his people under any circumstance. In the poem, his strength is tested, but he uses it to save many people in battles against: Grendel, Grendel 's mother, and a dragon. Before, during, and after each of these battles Beowulf shows many similarities and differences in his actions.
Have you ever wanted to avenge a wrong doing done unto you? Well, the characters in Beowulf will stop at nothing to achieve vengeance. Revenge is so immensely practiced that it is a common act to pay of a deed done by an offender. However, a payment or truce does not satisfy the desire for revenge in the Poem. Every time a Character precedes to make peace, it eventually falls apart by a desire to avenge loved ones. This desire is usually upheld until someone is no longer left to be avenged or no one is left to avenge those whom they loved. This, although it may not seem so, happens commonly in this epic.
He is described as a monster, demon, and a fiend. Grendel has swift, hard claws, and enormous teeth that snatch the life out of his victims, which are numerous. This “shadow of death” not only kills; he drinks the blood of his prey. His forefather, Cain, was also known for this fiendish act. Just as Grendel is an outcast, so Cain was cast out of the Garden of Eden. To the Anglo-Saxons, the worst crime a person could commit was the crime of fratricide, the killing of one’s own brother. Their society and culture was structured around themes of brotherhood and kinship. The mead Hall, Herot, was a symbol of peace. It was a place where warriors gathered in a spirit of brotherhood and harmony to celebrate. Grendel was jealous and enraged by the festivities and the sound of laughter that he kept hearing while he was alone in his mere.
Although Grendel is depicted as a hideous bloodthirsty beast because he eats the Danes at Heorot continuously, he has some characteristics of a human gone wild. Grendel possesses the ability to feel human emotions such as envy and fear. When the Danes were having a feast in Heorot, Grendel “had dwelt for a time in misery among the banished monsters, Cain’s clan, whom the creator outlawed and condemned as outcasts”(104-106). He feels envy towards the Danes for making him an outcast of society. He was jealous of the Danes that were having a great time together while he had to live a life of misery alone. Grendel feels fear as well as envy because “he was overwhelmed, manacled tight by the man who of all men was foremost and strongest in the days of this life”(787-789). During the battle between Grendel and the hero Beowulf, Grendel was unprepared for Beowulf’s fighting tactics. He, who usually is victorious after each attack in Heorot, did not expect to be defeated by Beowulf, which is shown because “his fingers weakened; it was the worst trip the terror-monger had taken to Heorot”(764-765). When Beowulf leaves his weapon and decides to wrestle Grendel, Grendel realizes that he is no match for Beowulf’s strength. He feared death just as human are afraid of death. An ordinary person would want to flee if he or she was being wrestled to the ground and about to die. Grendel felt like fleeing but Beowulf did not want to lose any opportunities to kill the villain and thus does the deed in one go. When he realizes that his end was near, “the dread of the land was desperate to escape, to take a roundabout road and flee to his lair in the fens”(761-763). Just as humans in their psychoanalytic development, Grendel had a fight or flight response. When he knew that he was going to die he immediately chose the flight response in which he could not do because Beowulf was much more powerful and aggressive. He does not let Grendel escape. Grendel’s pain is all the more acute because he is brought so close to mankind and yet always kept at an unbreachable distance from society.
Revenge has been used in the same context throughout history. Hundreds of years ago people sought revenge for reasons similar to those of present time. The Oxford English Dictionary has recorded the continuance of the meaning of this term, revenge, as wanting to “repay” a person for their wrongful doings since as early as 1553. Many literal pieces from early time periods have used this word and adjusted it to be a core theme. For example, the early poem, Beowulf, highlights epic revengeful battles between the protagonist and antagonists. The author uses revenge as a motivating component to develop relatable plots and characterizations. The journey of how the protagonist, Beowulf, becomes a noble savoir begins with his battle against the descendant
The conflict of good vs. evil is one of the most exciting ideas that are brought about by the unknown author of this text, during these moments we see a lot of Beowulf as the good, as he takes on numerous adversaries, who are classified as the evil. These evil characters include Grendel, Grendel’s mother, and the dragon to name the ones with most relevance and biggest roles. In the time period that these type of stories were told, Beowulf included these were problems of good versus evil were very surreal to many citizens living under a king and army which they depended on. As stated by Herbert G. Wright in his review entitled “ Good and Evil; Light and Darkness; Joy and Sorrow in Beowulf” that “ these contrasting opposites are a part of our everyday life, so it is not surprising to find these two groups appearing in the text of this period” (Wrigh...
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.