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Role of monsters in beowulf
Alliteration and how it relates to beowulf in the time period
Role of monsters in beowulf
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“It is just because the main foes in Beowulf are inhuman that the story is larger and more significant than this imaginary poem of a great king's fall.” This quote was taken from J.R.R Tolkien’s Beowulf: The Monsters and the Critics, where Tolkien expressed his views on the importance of the monsters in Beowulf. He believes that without supernatural monsters, Beowulf is no more than a lively poem, as supported by the quote above. He also states that it “glimpses the cosmic” and “surpasses the dates and limits of historical periods”. By saying this, Tolkien means that although it has historical significance, Beowulf should be seen less as a piece of history and rather as a piece of art.
I believe the main theme in Beowulf is being a hero. The characters identify themselves according to their family
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The fact that there are monsters does not hinder the timelessness of the story which makes it easier for the reader to imagine the world of Middle-earth. Although, Tolkien does include kennings, riddles, songs, and alliteration, "You may indeed! I come from under the hill, and under hills and over the hills my paths led. And through the air, I am he that walks unseen. I am the clue-finder, the web-cutter, the stinging fly”, which was commonly used in Old English. I don’t think this has a huge impact on the story, because many people don’t pick up on these devices or don’t understand the reference. Tolkien also didn’t worry about including historical value, as he stated that it is not necessary in the making of a good story. His theory about monsters also applies, “Somehow the killing of this giant spider, all alone by himself in the dark . . . made a great difference to Mr. Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach.” Bilbo hadn’t started to feel like a hero until he defeated a
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Within J.R.R. Tolkien’s The Hobbit, Tolkien uses the character of Bilbo Baggins to reveal to the reader the constant struggle between heroic and anti-heroic qualities within Bilbo and ourselves.
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Beowulf is a poem about strength and courage. This is illustrated in the eighth section of the story called “Beowulf and the Dragon.” A slave, a hero and a dragon play a big role in this section. The characters are well developed, as is the setup for the conclusion of the poem.
The epic poem Beowulf, an abundance of apparent evils such as the monsters. What about the not-so-apparent ones? Often the true evil hides behind what is obvious to us. In modern society, evil is everywhere because it resides inside society itself. Although the story of the warrior Beowulf is riddled with evil monsters, the true evil lies just beneath the surface.
Beowulf portrays the life a warrior turned king who demonstrates the qualities that not only the ideal king should have, but also the ideal warrior should exhibit. This allows the reader to notice how kings in the past were, and the power they possessed over the people of the area.
Tolkien, J.R.R.. “Beowulf: The Monsters and the Critics.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious crimes they commit. While it is undeniably wrong to commit any kind of crime and I do not wish to condone murder or theft in any way, there may also be an ulterior explanation for why these modern “monsters” cause harm to society. In comparing and contrasting the monsters of Germanic epic with criminals of today, perhaps we can gain some insight into the motivation of both.
for Daisy and with “the incarnation complete” it suggests that their love has finished. After years
The epic poem Beowulf centers around the hero. From the character of Beowulf, the reader can see the importance of community, orality, and heroism. Beowulf, as a result, is an icon of his ancient Germanic heritage. He is mimetic of the world around him. In addition, he reflects the past?s tradition of heroes; he follows in Shield and Sigemund?s footsteps, mirroring their characteristics and actions. Thus, when Beowulf passes on, both the ancient world and the new world collapse.
...ting points of the plot also relied on Bilbo’s courage. If Bilbo did not have such a valuable trait, the story of the Hobbit would’ve been fairly short.
Beowulf is a deeply serious commentary on human life with the main characters embodying a pronounced and coherent set of values. They are also the representatives of the outlined code for conduct and behaviour of those times.
In the story of Beowulf we encounter three monsters. Immediately they are characterized as gruesome inhuman creatures for their appearance and nature without any thought given into who they really are. Is a monster only considered a monster if it opposes the main character? What about their side of the story? From their point of view wouldn’t the monster be switched?
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).