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Goffman’s dramaturgy
Drawing upon Goffman, Irving Goffman’s the presentation of self in everyday life
Drawing upon Goffman, Irving Goffman’s the presentation of self in everyday life
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Recommended: Goffman’s dramaturgy
Erving Goffman (11 June 1922 – 19 November 1982) is a Canadian-born sociologist and writer. He where considered one of the most influential American sociologists of the twentieth century. Goffman’s first major work was The Presentation of Self in Everyday Life.
In Goffman’s study of the symbolic interaction, in his book “the presentation of the self in everyday life” he did a dramaturgical analysis. Where he uses the imagery of theater to point out the importance of human action and social interaction. He compares human interaction to theatrical performances, where the person in the everyday life is like an actor on a stage. Where the audience is watching the actor role-play.
Goffman uses the word “performance” to describe every interaction
an individual has with an audience or an observer. An individual will try to control how the other persons sees or view them by changing their manners appearance etc. Where they establish themselves to others and their situation. Some individuals/ “actors” are not aware that they are putting up a performance but nonetheless information, is being exchanged and an impression is given. He in his dramaturgical analysis he categorizes these interactions into three stages like in a theatrical play. The front-stage where the “actor” establish what they want they want the audience to think about them. The actors know what is expected of them and act accordingly. Backstage is completely separated from the front stage and its where they performers are completely separated from the audience, actor/ actress can be himself or herself and do not need to put up the act anymore and drop the social roles and identities Off-stage: also known as outside, the individual are not involved in the performance but the individual actors may meet the audience independent from the team performance, front stage. Our society is dominated by social media sites such as Facebook Instagram and twitter, moreover they are heavily incorporated into our daily lives. The way we act online differs greatly from how we act offline. Which can be compared to the three steps of Goffman’s dramaturgical analysis. Where our online personas are like the actors front stage where we create a very specific image of ourselves while our offline personas is like the off stage of backstage where we act ourselves and doesn’t worry about how we may appear to other people.
The essay How You See Yourself by Nicholas Mirzoeff discusses the evolution of art. The author discusses the use of art to represent changing identities over the years including cultural practices and societal expectations. The selfie, according to Nicholas Mirzoeff’s essay, is the equivalent of a self-portrait in the previous centuries preceding the technological development required for the present day selfie. The essay explores the different periods and the significance of art, particularly self-portraits, the selfies of the time, and their development over time. The author focuses on different themes including heroism, gender definition, and the focus of an image. Mirzoeff effectively provides examples illustrating and reinforcing the themes he highlights in his essay.
Symbolic interactionism perspective is defined as “the study of how people negotiate the meanings of social life during their interactions with others” (Rohall, Milkie, and Lucas, 2014, p.27). It asserts that “we construct meaning about things that are important in our own lives and in our society” (Rohall, Milkie, and Lucas, 2014, p.28). These meanings derive from social interactions among individuals which
Many people in life, present themselves to society in a manner in which they want to be seen. Maybe an employee wants to be seen as a hard working person, so when the supervisor is around, they might act busy. Or sometimes, when a person wants to be accepted, they present certain attributes to make them look good. Erving Goffman believed that “we present a certain self or face when in the presence of others”. He called these actions the key concepts of dramaturgy. The movie Grown Ups provides many examples of these key concepts.
Erving Goffman, the author of “The Presentation of Self in Everyday Life.” said “the individual will act so that he intentionally or unintentionally expresses himself and the others will in turn have to be impressed in some way by him.” (Ichheiser 1949, 6-7). The key word in this quote that will help us understand what Goffman means by “performance” is the word act. When you go to the theater or the movies you watch
The criticism relies on two assumptions. One, that rhetoric creates reality, and two, that convergence occurs. With regards to rhetoric creating reality we are to assume that the symbolic forms that are created from the rhetoric are not imitations but organs of reality. This is because it is through their agency that anything becomes real. We assume to that convergence occurs because symbols not only create reality for individuals but that individual’s meanings can combine to create a shared reality for participants. The shared reality then provides a basis for the community of participants to discuss their common experiences and to achieve a mutual understanding. The consequence of this is that the individuals develop the same attitudes and emotions to the personae of the drama. Within this criticism the audience is seen as the most critical part because the sharing of the message is seen as being so significant.
Goffman, E. (1959). The Presentation of Self in Everyday Life. New York: Doubleday Anchor Books.
Psathas, George, Theoretical Perspectives on Goffman: Critique and Commentary, Sociological Perspectives, Fall 1996 pp. 383
On the topic of gender, he believes that we are constantly trying to give the best impression of our gender, and we form our gender on a daily basis. Goffman calls this “impression management.” He also believes that our identity is formed through our day-to-day interactions, so if someone was to question my gender (which has happened in the past), then I would, in turn, question my gender. Though I believe that at least some part of what Goffman is saying is true, authors Don Zimmerman and Candace West argue against his theory. In their collaborative work “Doing Gender,” the authors present the idea that others’ opinions of an individual’s gender, and which gender they see that individual as has nothing to do with one’s display of
Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical
Before taking this class, my understanding between each individual and the whole society is that every individuals as the gear are connected together to become a society like a machine. That is, human beings build the society. However, the class gave me bigger view of the relationship between the people and the society. Discussing about the relationship between me and the broader social world is based on how all human beings and the broader social world effect together. Thus, I am going to show my understanding from the class and reading about the interaction between each individual and the whole society.
Symbolic interactionist perspective is a sociological theory that basically implements the use of symbols and/ or direct facial interactions. This is due to the reason that, people in their normal daily lives and routines are always using symbols to communicate as well as interact with one another on a one on one basis. Through this trend, people tend to attach meaning to the symbols that they use. Moreover, they can also act in accordance to the meaning that these symbols reveal to them. Based on that, the symbolic interactionist perspective can be demonstrated in matters such as verbal communication, written music and art. Sociologists use this p...
Goffman, E. 1959. The presentation of self in everyday life. Garden City, NY: Double Day
Allender, D. (2005). To Be Told: Know your Story, Shape your Future. (p. 1-23) Colorado Springs, CO: Waterbrooke Press.
(“The Interactionist Perspective.”) In regards to gender, characteristics of masculinity and femininity are a part of daily interactions. Symbolic interactionists believe gender identities are performed rather than assigned. According to the sociologist Erving Goffman, people will “attempt to control the perception of one’s own image. In society, men and women are expected to act in a way that represents their gender. In the event that a man is not perceived as masculine or a woman is not perceived as feminine, their social standings will reflect this perception. (“The Interactionist
“You are requested to close the eyes.” This urging that Sigmund Freud experienced in a dream helped to unlock repressed feelings, and gave him insight into his personality. Fortunately, there are now tests available to help us to understand ourselves. Our behavior can be determined and understood by analyzing different aspects of ourselves. The four main aspects are: Decision Making, Self-Concept, Interpersonal Relationships, and Affect. Decision Making is very important.