Symbolic Interactionism And Dramaturgy, By George Herbert Mead And Erving Goffman

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The sociology of everyday life focuses on studying people in their natural context, ie. the everyday social world. Social interactions is viewed as a fundamental aspect of understanding society and how social reality is constructed. The scrutiny of our social world in micro-sociology reveals that our everyday routines and social interactions produce an appearance of stability and continuity in our social life, when in fact, our social reality is profoundly fragile. This essay explores two different forms of sociological analysis, Symbolic Interactionism and Dramaturgy, through the arguments presented by George Herbert Mead and Erving Goffman respectively, and are both equally influential in their contributions to micro-sociology. Both sociologists …show more content…

Erving Goffman uses a dramaturgical perspective in his discussion of impression management. Goffman’s analysis of the social world primarily centres around studies of the self and relationship to one’s identity created within a society. Through dramaturgy, Goffman uses the metaphor of performance theatre to convey the nature of human social interaction, drawing from the renowned quote “All the world’s a stage and all the men and women merely players” from Shakespeare’s ‘As You Like It.’ Much of our exploration of Goffman’s theories lies within the premise that individuals engage in impression management, and achieve a successful or unsuccessful performance. Impression management refers to the ways in which individuals attempt to control the impression that others have of them stemming from a basic human desire to be viewed by others in a favourable light. Goffman argues that our impressions are managed through a dramaturgical process whereby social life is played out like actors performing on a stage and our actions are dictated by the roles that we are playing in particular situations. In a social situation, the stage is where the encounter takes place, the actors are the people involved in the interaction, and the script is the set of social norms in which the actors must abide by. Just as plays have a front stage and back stage, this also applies in day-to-day interactions. Goffman’s theory of the front and back stage builds on Mead’s argument of the phases of the self. The front stage consists of all the public and social encounters with other people. It is similar to the ‘me’ which Mead talks about, as it involves public encounters as well as how others perceive you. Meanwhile the back stage, like the ‘I’, is the time spent with oneself reflecting on the interactions. Therefore, according to Goffman’s dramaturgical

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