In "Erec et Enide", “during a hunt for a white stag, a knight offends Queen Guinevere. Erec pursues him, defeats him, and returns to court with Enide.” (Easy Literature Notes). After the couple is married, the couple returns to Erec's home in Carnant where Erec retires from battle. Talk about Erec's lifestyle change bothers Enide, and she offends her husband when she confides in him with this information. They leave Carnant, and Erec commands Enide not to speak to him without his addressing her. When knights plot against Erec, Enide warns him, only to make him angry. After he defeats the knights, the couple continues on their journey until more knights plot against Erec. Enide warns him once and it only makes him madder. Again, Erec defeats …show more content…
the knights. They meet a count who falls in love with Enide and plots against Erec. Enide warns her husband and they flee; Erec is finally convinced of Enide's love. Next, Erec battles and defeats King Guivret who pledges his friendship and aid to Erec. Erec and Enide incidentally run into King Arthur's camp before Erec rescues Cadoc of Cabruel from several giants. After this battle, Erec faints and Enide, thinking Erec is dead, attempts to commit suicide, but is prevented by Count Oringle who marries Enide against her will. Count Oringle beats Enide for refusing to eat because of her grief, causing Erec to waken and kill Count Oringle. Meanwhile, Guivret searches for Erec and meets him on the road from Count Oringle's home, but not knowing it is his friend, Guivret fights Erec. They are reconciled and approach Brandigan Castle, where Guivret cannot dissuade Erec from attempting the Joy of the Court. After Erec completes that adventure, they go to King Arthur's court where they stay until Erec's father dies and King Arthur crowns Erec. In The Hunchback of Notre Dame, Esmeralda captured the hearts of many men, including Captain Phoebus and Pierre Gringoire, Esmeralda’s phony husband, but especially Quasimodo, the ugliest man in all of Paris, and his father, Archdeacon Claude Frollo. Frollo is torn between his love for Esmeralda, an accused witch, and the rules of the church. He commands Quasimodo to kidnap her, but Quasimodo is captured by Phoebus and his guards, who save Esmeralda. Quasimodo is sentenced to be flogged. He calls for water, then Esmeralda approaches the public stocks and offers him a drink of water. It saves him, and he falls in love with her. Esmeralda is later charged with the attempted murder of Phoebus- who Frollo actually tried to kill in jealousy after seeing him flirt with Esmeralda- and is tortured and sentenced to death. As she is being led to the gallows, Quasimodo swings down from the bell rope of Notre Dame and carries her off to the cathedral under the law of sanctuary, protecting her from arrest. Frollo later tells Gringoire that the court has voted to remove Esmeralda's right to sanctuary so she can be taken and killed. The king of the criminals hears the news from Gringoire and rallies the criminals to charge the cathedral and rescue Esmeralda. When Quasimodo sees the criminals, he assumes they are there to hurt Esmeralda, so he drives them off. He also thinks the King's men want to rescue her, and tries to help them find her. She is rescued by Frollo and Gringoire. But after yet another failed attempt to win her over, Frollo hands Esmeralda to the troops and watches while she is being hanged. When Frollo laughs at Esmeralda's hanging, Quasimodo pushes him from the top of Notre Dame. “Quasimodo later goes to Montfaucon, a huge graveyard in Paris, where the bodies of the condemned are dumped, where he stays with Esmeralda's dead body and dies of starvation.” (Wikipedia). While both stories may tell tales of heroism, The Hunchback of Notre Dame tells of a male saving the typical damsel in distress. On the other hand, in “Erec et Enide”, Enide is the one who saves her husband’s life by warning him of attackers no matter how angry she made him. Both stories reflect values that happen to be very well respected in France. Enide’s persistence in showing her husband how she loves him reflects France’s idea of showing love toward others. Everyone’s criticism of Quasimodo and his outward appearance reflects the harsh criticism of France, which, in a way, is also considered a compliment. Both legends show that the thought is what counts, despite the initial reaction. The Disney rendition of the Hunchback of Notre Dame is based off the novel by Victor Hugo, showing that there really is no trace that any of the events really occurred. Likewise, “Eric et Enide” is based of the poem by written by Chretien de Troyes during the twelfth century in a series concerning the events surrounding King Arthur and several of his knights and has no trace of historical evidence. The only trace of any historical accuracy is by each of the authors. Even then, they told and embellished their own characters and that in itself categorized this as a legend. Like beautiful trolls, La Dame Blanches wait on bridges for handsome young men who need to cross.
What interests these beautiful young ladies is dancing, as well a willing partner. When a young man tries to cross the bridge, they ask him to dance with them. If the man agrees, she will let him pass without any problems, and he will be none the wiser to her potential danger. However, those unlucky men who are not suitable dance partners, and who refuse the invitation will be thrown off the bridge. In “Chevrefoil”, The story tells of the love between the knight Tristan and his uncle's wife Iseult, which was so pure that it eventually caused their deaths on the same day. Tristan has been banned from Cornwall by his uncle Mark for his lustful sins, and is forced to return to his homeland in South Wales. After pining away for a year, Tristan hears news that Mark is planning a great feast for Pentecost at Tintagel, and Iseult will be there. On the day the king's court goes out, Tristan goes to the woods, where he cuts a hazel branch into an appropriate signal and carves his name into it. Iseult will be on the lookout for such a sign, since Tristan has contacted her in a similar manner in the past. Immediately recognizing the branch as Tristan's, Iseult asks her party to stop and rest, and goes out in the woods with only her faithful servant Brangaine. The lovers spend their time together, and Iseult tells Tristan how he can win back his uncle's favor. When it comes time to leave, …show more content…
the lovers weep, and Tristan returns to Wales to wait for his uncle's word. The rest of the poem compares Tristan and Iseult's love to the intertwining of the honeysuckle with the hazel: the two plants grow so entwined that both will die if they are separated. One is the storytelling of a supernatural phenomenon in France, while the other tells of characters who act impulsively as they show their affection toward one another. Both myths reflect the carefree, easygoing lifestyle that France is famous for now, whether it features dancing or incestuous relationships. Both tales are said to be not true, due to lack of evidence that such a thing has ever happened. However, there is still some skepticism about whether these events really did occur. The reason myths are so difficult to verify is because there is normally no trace of archaeological evidence that such stories ever took place. Oral tradition contributed to the belief that gods walked among men due to the fact that there was nothing in the people’s to disprove the encounters that may or may not have happened. In “Beauty and the Beast”, there is a beautiful but kind girl called Belle whose father becomes imprisoned by The Beast. She ends up taking his place at the Beast's castle. The beast treats her well, and gives her expensive gifts. Belle learns to love the beast, but only as a friend. Belle becomes homesick and the Beast allows her to leave only if she promises to return a week later, he gives her a ring which will allows her to come back imminently and a mirror to see what's happening at the castle. Belle's sisters trick her into staying one day later than a week in hope of the beast becoming angry and killing her, but Belle feels guilty and looks into the mirror to see the Beast dying of heartbreak. She uses the ring to return to him half dead, weeps over him, and tells him she loves him. When she says that he turns into the handsome prince he was before and tells her it's was a curse from a witch because he wouldn't let her in from the rain, and that only when someone could love him whilst being hideous could return to true form. In “Toads and Diamonds”, A widow had two daughters: one resembled her father more and was always sweet, and the other was more like her mother, unloving and cold. The widow only loved the daughter who favored herself. She forced the younger daughter, the one more like her father, to work and live like a slave. One day, an older woman asks for water and blesses the young lady, saying that anytime she speaks, there will be jewels or flowers falling from her lips. The mother notices this and takes notice of the child. She then sends for her eldest, Fanny, telling her to go draw water and civilly give it to a certain elderly woman. When the elderly woman reaches the well, she is overly dressed in a princess’ ball gown. The eldest daughter is by the well and tells the woman to serve herself. The woman tells the child that she is inhospitable and curses her with a spell that every time she speaks, a toad will fall. When the daughter returns home, her mother asks for a report, but when the daughter goes to speak, two vipers and a toad fall from her lips. The widow is furious and beats her youngest, suspecting foul play. The child cries from the pain and runs off to the woods, finding a castle. She meets a prince who takes notice of her and asks why she is crying. The girl explains what happened and as she does, diamonds fall when she speaks. He fell in love with her, knowing that the diamonds would be greater than any other dowry. As for the other sister, she was so hateful her mother kicked her out and ran into the woods where she died. Both fairy tales encompass the idea of looking past a person’s appearance in order to love them. While one deals with the way words can build or destroy, the other shows that anyone can be loved no matter how hideous they are or what they’ve done in the past. The fact that both fairy tales deal with finding love reflects the very romantic French culture. In “Beauty and the Beast”, Belle is beautiful on the inside and out. Inner beauty is said to be composed of many things: love, kindness, unprejudiced, and self-confidence. Belle’s possession of every one of these traits is what truly shows what it means to have inner beauty. In “Toads and Diamonds”, courtesy is a big factor of what played out in the end. The fact that it states both girls are beautiful yet have two different personalities shows the importance of inner beauty. La Belle et la Bête, as the French call “Beauty and the Beast”, is a traditional fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve that was published in 1740. “Diamonds and Toads” was written by Charles Perrault, a French author and member of the Académie Française. He laid the foundations for the fairy tale, with his works derived from pre-existing folk tales. Imaginary creatures were used as a way to get children to behave, promising that evil will come and devour them or good will ultimately bless them. These beliefs in imaginary creatures were accepted by the masses of people due to the positive outcome in children’s behavior. An archetype is a very typical example of a certain characteristic.
The archetypal hero’s journey is the progress of a protagonist throughout a certain story. The journey shows the advancement of a certain character from where they started to where they end up, glorifying their actions. The archetypal hero’s journey fits into what the people will expect to happen. The people who only heard by word of mouth only got to hear and imagine what would happen. However, today, we can analyze passages and detect a pattern of the literary structure. In “Diamonds and Toads”, there is a pattern shown, and that pattern is the archetypal hero’s journey. In the ordinary world, there is one big happy family: a mother, a father, and two daughters. Then, unknowingly, the youngest daughter’s call to adventure as a hero begins when her father passes away and her mother and sister turn their back on her. Though she may not be able to refuse the call, she deals with it to the best of her ability. The girl happens to have the meeting with the mentor when she meets the elderly woman at the well. After the child is beaten when her sister is cursed, she crosses the threshold and leaves the ordinary world to go and is now an enemy of her family. Even though there is no fear of losing her life, she is disowned by her family. Because of her family disowning her, she happens to meet her prince and this is her reward for running away as she chooses to live her new life. The journey shows that all bad
things happen for a reason. And in the end, the reason is that all the bad occurrences happened for something good to come of it. The journey helps readers connect with the stories by showing that all people are on a journey as they go throughout life, and as the story goes on, the audience can relate to the fact that their life is played out like a book with several chapters and many pages.
This paper examines the argument and theory proposed by Richard H. Tyre of the six basic movements of a plot in a hero story. Although Tyre’s theory does seem too narrow focused, fixed and direct to fit with the plot structure of all hero stories, he makes a great point and provides adequate evidence to support his statement.
Successful heroes in literature must overcome plenty of obstacles in order to finish their journey. In fact, the journey of a hero in literature is characterized by 12 specific stages: ordinary world, call to adventure, refusal of the call, meeting with the mentor, crossing the first threshold, tests and allies, approach, ordeal, reward, the road back, resurrection hero, and return with elixir.1 The Grapes of Wrath is an allegory for the hero’s journey because the Joads experience each of these stages on their trek from Oklahoma to California.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
As the story comes to its conclusion, the hero has endured his hardships; he went from the one that started fights to the one that thought of what could make everything work. An ordinary person in an ordinary world faced his share of trials and tribulations to come out as a new person. Defining the hero myth—he struggled and still was able to triumph to his prize at the end ; individuals relish these type of stories, they can
In society, there is a thing called a hero’s journey. It is when our destiny is before us, and with the choices we make, depict our course for the rest of our lives. In the novel The Alchemist by Paulo Coelho and Cinderella Man directed by Ron Howard show how the hero’s journey affects Santiago and Jim Braddock lives.
Once on the journey, Erec forbids Enide to speak to him. Throughout this journey, Erec is testing Enide’s love and loyalty for him through various scenes and obstacles that present themselves. By Erec forbidden Enide’s words, a constraint is put on Enide power because women in chivalric romance are known for their intelligence rather than their strength. “…My lord will be killed or taken prisoner, for they are three and his is alone. One knight against three is not playing fair; that one is about to strike him even though my lord is not on his guard. God! Am I to be such a coward that I will not dare warn him? I shall not be so cowardly: I will warn him, without fail.” Even though she has been forbidden to speak to Erec, Enide’s agency is still to protect and warn her husband and let him be angry rather than to let him die or being taken, for that would mean that she would become the victor’s maiden. This demonstrates that Enide’s heart and loyalty lies with Erec. Furthermore, Enide’s intelligences and strengths come into play when Enide and Erec meet the count. “…..Hold back until morning, when my lord will wish to rise; then you will be better able to harm him without incurring blame or reproach. But the thoughts of her heart are not the words on her hips.” Enide is using her power of words to seduces the count into believing her to wait till morning because by then Enide would have warn Erec and led him to safety. Enide is resourceful in knowing how to use her intelligence and words to her advantages to protection her husband/knight instead of looking out for her own well-being and safety under the count’s
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
This story is about sacrifice, Good versus Evil, and overcoming obstacles. She shows all the qualities of the Hero archetype and a Hero's journey. "Fate can take control of humans lives and can help humans reach the end of the challenging path. The path is a journey which can not be totally controlled by humans." In A Worn Path, an old "Negro" woman goes through and through again a path to get her grandson his medication for his throat.
This technique describes the adventure of the main character known as “The Hero”, the person who goes out and accomplish great deeds. However as an analysis has pointed out, “…the narrator presents his story as a failed hero’s journey” (Farrell). Instead of calling himself a hero at the end, the narrator calls himself a coward- the complete opposite of the normal mythological structure. Additionally, a tragic flaw is a main part of the hero’s character. The narrator’s yielding to what society orders is his tragic flaw. Commonly, tragic heroes in mythology also have a tragic flaw: the one imperfection from which all of their other misdeeds flow. O’Brien’s tragic flaw is giving in to society. Also, there is usually a guide that aids the heroes with their journey in this structure. Notably, the goddess Athena helping Odysseus with his journey in The Odyssey by Homer. In this case, the narrator’s helper would be Elroy Berdahl, who helped O’Brien’s narrator and “he offered exactly what I needed, without questions, without any words at all” (O’Brien). In conclusion, Elroy was exactly what Athena was to Odysseus, a magical helper who if the narrator didn’t have, wouldn’t have been able to complete their
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
The second concept of the Hero’s journey shows us that all stories are the same. They all follow the same pattern or algorithm of separation, initiation, and return. An example from the movie is the Wizard of Oz where Dorothy is removed from her natural environment by a tornado, initiated with a lion, scarecrow, and tin man, and the group embarks on a journey to see the wizard. In the end, she is able to return home by clicking her heels. She realizes she has had the ability the whole time, but she needed to test herself. We are just like the characters we see in our favoritie movies, books, and shows – they are a metaphor for us as normal human beings. The last concept I learned is “Follow your bliss”. This concept of bliss is defined in many ways. One definition is serenity. Another definition is the thing you cannot not do. It is what makes a person feel alive. In order to answer the question of what is your bliss, you must ask yourself difficult questions like: What am I passionate about? What makes hours seem like minutes? What made me different as a child? After answering these tough questions, a person can find their
is that Emily does not wish to marry either of the knights. she expresses this
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
To better understand this love story, one must realize that Tristan is a marshal hero who volunteers to take a battle against the King of Ireland, in order to redeem the people and the monarch of King Mark. It would therefore, be suitable to say that King Mark has given his nephew the trust to accomplish the mammoth exercise. In Ireland, Tristan faces the challenge of killing a beast that has terrorized the community, and the reward for this is to gain Iseult -- the daughter of the king. Indeed, Tristan’s military prowess earns him the honor of taking Iseult as a wife to King Mark. Tristan is kind and gentle in his speech of promise about reverence that the would-be-queen is entitled to in Cornwall upon their arrival.
One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby. Joseph Campbell calls the initial phase of a hero’s development the “Call to Adventure.” The call is the in... ...