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Arnold friend character archetype
Arnold friend is characterized as:
Arnold friend is characterized as:
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In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood. Arnold Friend is an important character in Connie’s story because he is one of the main reasons she goes undergoes a change. In short, while Connie is going through a teenage phase of exploring sexuality, he comes to Connie’s house to …show more content…
Greg Laurie describes the devil as a sly, smart person, in his article “The Truth About the Devil,” and says that even though Satan does not know everything, he knows how to use what he has to lure you to him. Right off the bat, Arnold tells Connie that he knows her family is out and for how long. He also mentions her best friend and other friends by name and tells her, “’I know everybody’ (4)”. This shocks Connie and I think makes her fear that he will hurt them if she does not comply. Also, later he remarks that he knows about old woman down the street who died. Likewise, I believe he intends for this information to scare Connie into submission. He is trying to make her believe that he has all the power and can use that power to control her. The devil archetype is the same way; he will use what he has to get you to accept his offers and give him your
Where Are You Going, Where have You Been by Joyce Carol Oates is a tale of a naive young lass taking her first steps into the illusion of the teenage dream. For the regular viewer of the film Smooth Talk, one would not pick up on the elaborate history behind the movie. Dating back to the 1960’s, the written story sheds very little light on the true sadistic nature of the means and intentions of Arnold Friend. Going back even further, the written tale is based on Life Magazine's article “The Pied Piper of Tucson” the true story of a middle aged man who preys on adolescent girls, getting away with devious sexual acts and sometimes murdering said adolescents. Without this previous knowledge, both the story and the movie seem for the most part innocent, with only a tad of creepiness generated
A spider, a zombie, a serial killer, all of these things would scare most but why do people pay good money to be scared by all these things? Because people like to be scared. Ever since people could speak to one another, they have been telling these stories. whether it be around a dim lit campfire, in the form of a book, or even on the big screen. these stories stand out through time because of their graphic word choice, unique characters, and suspense. Edgar Allen Poe’s “The Black Cat” and Joyce Carol Oates “Where Are You Going Where Have You Been?” both possess these elements of word choice and suspense along with psychotic like characters such as Arnold Friend (WAYG) and the narrator (The Black Cat). Poe's character the
"The Devil and Tom Walker" is a short story by Washington Irving that many wonder about. It teaches a lesson and has many archetypes in the characters. In literature, an archetype is a typical character, a type of action, or a situation that leads to the representation of such universal patterns of human nature. An archetype may be a character, a theme, a symbol or it can even be a setting. Tom walker is the protagonist of the story he is the main character.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
Although Arnold Friend's traits are never stated outright, they are presented through his speech and interaction with other characters, which ultimately creates a more impacting effect and lasting impression. Arnold Friend is the devil in human form. However, as his physical description progresses, he b...
Arnold Friend could possibly be a symbol of the devil. Friend tries to be kind and tells Connie he will take care of her and everything to try and get her to come with him. Oates says, “His whole face was a mask, she thought wildly, tanned down onto his throat…”; this could symbolically be connected with the devil. The devil would never be out in the open he would be in disguise. McManus also talks about how Friend is related with the devil. “Friend’s suggestion is that if Connie’s house was on fire, that she would run out to him, may also suggest symbolism. Fire being associated with devil.” This is a great symbol of Friend and the devil because fire is most definitely associated with the
Flannery O’ Conner’s short story, “A good man is hard to find”, explains emotional reactions, betrayal, and violence. The misfit is an example of a devil figure. This character archetype is best seen when we see the misfit’s true colors shine as he murders the grandmother and her family. O’ Conner uses setting archetypes best when she uses a clear bright sky or an open dirt road, which can mean a variety of outcomes. This helps understand the many plot twists in the story. We best see symbolic archetypes as the three bandits including the misfit. They represent a mock of the holy trinity and represent evil. “The fall” is a good archetype that shows the misfit’s lack of innocence when he betrays the grandmother. This best explains the whole
Arnold Friend takes advantage of Connie’s teenage innocence for something of a much more sinister purpose. Connie thought she had it all figured out until Arnold Friend came into her life and up her driveway on one summer, Sunday afternoon and made her realize how big and scary the world can be. Arnold embodies everything that Connie has dreamed about in a boy, but is in the most malevolent form of Connie’s dream boy. She always wanted to get away from her family because she has always felt as if she didn’t belong and Arnold can make this possible just in the most predatory way. She always thought sex would be sweet (and consensual) and that she would be in charge of how it progressed, Arnold strips her of the authority she’s held in any other encounter with a boy. The moral of the story is always be careful what you wish
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
The context of the story will be examined into two parts; one is the identification of the different archetypes followed by the analysis of the different binary oppositions. However, it is still necessary to understand the story using new criticism to be able to understand what roles each archetype is portraying, which is evident in the theme. Structuralism will deal more on the different disciplines that will help in understanding the language of the story.
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Can you imagine yourself locked up in a room with no doors? Similar to a room with no doors, there is no way out of hell if it was one's destiny. In the short story "The Devil & Tom Walker" by Washington Irving, the main character's fate is hell because of his wrong decisions in life, accepting a deal with the devil for earthly benefits. Irving reinforces his message about not making decisions that may damn your soul with the use of literary elements and figurative language. Wisely, Irving combines characterization, mood and point of view to perpetuate the theme of the story in the reader's mind.
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
What is the devil without supernatural abilities? In all three works the selected character secured to be the devil possesses supernatural abilities. For instance, in “Where are you going, where have you been?” two of the pieces of evidence that adds to Arnold Friend seemingly being the devil is his celestial capabilities, and his specific actions. Arnold Friend is a stranger to Connie- a person whom one does not know or with whom one is not familiar, yet Friend knows all about the young protagonist. Consequently, Friend somehow knows where Connie's family is and who her friends are. Oates even goes as far as disclosing that Friend “...knows everybody” (Oates 4). Distinguishing these things about Connie is unusual and supernatural considering
In the story “Where are you Going, Where Have you been?” Joyce Carol Oates tells us about a fifteen year old girl named Connie. Connie is confronted by a young man who is trying to persuade her to take a ride with him. He introduces himself as Arnold Friend and kindly asks her to come with him but she refused. He then threatens Connie and her family. She is then forced outside and leaves with Arnold Friend. Arnold Friend clearly symbolizes the devil through his physical traits, his knowledge of Connie, and his power over her kind of like he was hypnotizing her to go with him.